샘 셰퍼드의 작품에 나타난 환상과 실재-진짜 서부와 사랑에 눈먼 바보 를 중심으로

윤여복 한국영미어문학회 2002 영미어문학 Vol.- No.65

막여과 전처리 공정에 의한 EfOM 특성 변화가 MF 막오염에 미치는 영향 연구

윤여복,이대성,박민구,고석오 대한환경공학회 2013 대한환경공학회 학술발표논문집 Vol.2013 No.6

Tom Stoppard의 The Real Thing에 나타난 예술과 삶

윤여복 동아대학교 인문과학대학 영어영문학 1995 동아영어영문학 Vol.11 No.-

In The Real Thing, Stoppard attempts to deal at once with what is real in life, what is real in art, and what the real differences are between art and life. He examines the complex and problematic relation between life and art, the mysterious process whereby one becomes the other, and the paradox that, even in mimetic art, what appears true to actual fact may not make for the most aesthetically satisfying illusion of reality Art is important because it provides the moral matrix, the moral sensibility, from which we make our judgment about the world. Art shapes our perception of the world in effect creating the world for us in our imagination. About love and marriage, this play says that men and women repeat pattern, both in literature and in the real life. The characters play roles, in certain parts of the play and then enact them or reenact some variation of these roles in other parts of the play. Stoppard makes the point that men and women, as well as plays about them repeat the same things in life no matter what, continue to search in life for the real thing, continue to make the same mistake to balance out the successes and the jolts of life. As a moralist, the playwright criticizes the sexual morals of modern society in which the betrayal and infidelity are repeated continuously and suggests various opinions ort what is real love. As a result Stoppard comes to a conclusion that the real love is not a mere bargain but is the recognition of the relationship as a commitment and the embrace of the suffering that is resulted from the relationship.

Pinter의 The Homecoming에 있어서 힘과 기억 : The Homecoming

윤여복 동아대학교 인문과학대학 영어영문학과 1990 동아영어영문학 Vol.6 No.-

The late plays of Harold Pinter have clealy demonstrated the vital significance of memory as a thematic concern for him. Especially in The Homecoming The diachronic mode of memories intersects with the synchronic mode of power and so this play operate in the double, nterconnected matrix of memory and polyer which expresses the Psychological and sociogical dimensions that define man's existence. In this play, all the members of the family involved in the psychological struggle to make their own identity more stable and they use calculated memories of self-worth and self-respect, in order to establish their rights to hold power over everyone else. Pinter shows that in spite of one's attempts to structure the past, it often has a way of resisting final form. It is alive and open to change.

서사극과 부조리극 : Brecht와 Beckett을 중심으로

윤여복 동아대학교 문과대학 영어영문학과 1985 동아영어영문학 Vol.1 No.-

샘 셰퍼드의 작품에 나타난 양성관계 : 『사랑에 눈먼 바보』와 『마음의 거짓말』을 중심으로

윤여복 새한영어영문학회 2000 새한영어영문학 Vol.42 No.1

Several feminist critics, provoked by Shepard's handling of female characters and concerns, have seen oppressive views of women in his earlier plays. But in Fool for Love and A Lie of the Mind, female characters are significantly different from earlier Shepard women. In these plays, women have their own voices, and they are modern, independent, and socially active. As a result, man-woman relationships also change. Though violent men appear the same as those of Shepard's earlier works, women's response to them are different. In the case of May in Fool for Love, she no more accepts the woman's role, which Eddie has given her, as a beloved girl who always waits till her lover comes back at any time he wants. At the last scene, she leaves her place and makes end to her waiting and shows her decision not to repeat her mother's and Eddie's mother's lives and destinies any more. In the case of A Lie of the Mind, Shepard goes further. Shepard presents alternatives to the conventional man-woman relationship by employing Frankie who is moderate and tender and accepts his suppressed internal femininity. Lorraine and Sally try to begin a new life when they realize that the men in their life were always "hopeless". In the case of Meg and Baylor, when the woman who has been always generous and endure the man's dominance shows her independency, she changes her male partner's view of their relationship. With women character's longing for the change of male-female relationships and with their decisions and efforts, there are great symptoms of changes in Shepard's view of life and world which is more hopeful and optimistic.

Arthur Miller와 Tennessee Williams의 작품에 나타난 기억의 양상

윤여복 東亞大學校 1995 東亞論叢 Vol.32 No.-

Arthur Miller and Tennessee Williams are representative playwrights of their age. They share attitudes toward the age and the world they lived. Almost all their characters are destroyed by time. Amanda in The Class Menagerie and Willy in The Death of the Salesman are the examples. As to the relation of the past and the present, both Miller and Williams thought that te past does not pass away but is the continupus present as their characters cling to the past while they don't have happiness of present nor the hope future. But their past is connected with the sense of guilty and the responsibility for the desperate states that are resulted from what theydid in the past. So they can't a safe refuge even in the past. As a result they try to make a desirable and ideal world in the past by the various operations of memories. Sometimes they try to escape from the past as well as the present and sometimes they try to fictionalize their past by the operation of te creative memory that is influenced by imagination. Miller emphasizes the sense of guilty while Williams gives more importance to the operation of the imaginative memory. But both of them depict lonely and desperate worlds in which optimism is not allowed and search for the source of their characters' pain by means of various aspects of memory. In The Death of a Salesman, it is Biff not Willy who confronts his past directly and gets to the recognition of his true self. Willy can't do that because he was afraid to confront his fault in the past and to admit his guilt and responsibility for the miserable state of himself and Biff. Willy always tries to fictionalize his past and his image but voluntary memory possesses him so often that the boundary between the past and te present is destroyed and they show the state of concurrence. The Glass Menagerie is a memory play in which the hero Tom tries to find out his true selfhood by revesing the stream of time. He escaped from his painful life to be free. But he is not free from his past as he is haunted so strongly by the memory of the family and the life he left. Miller and Williams belong to the tradition of the realism in the history of the theatre. But in their major two works, they visualize men's inner world to extend the horizon of the theatrical realism.

Harold Pinter의 극작품에 나타난 시간과 공간의 구조

윤여복 신한영미어문학회 1994 새한영어영문학 Vol.31 No.-

J.M.Synge의 작품에 나타난 여성

윤여복 신한영미어문학회 1997 새한영어영문학 Vol.37 No.-

The Irish tradition of idealizing woman was remarkably changed by the Irish Literary Renaissance. Woman is not the symbol of a religious ideal or of traditional attitude as before. She has become an heroine by refusings the social conventional codes. Especially in Synge's major plays women characters bravely confront the difficulties of their circumstances and even try to escape from them. Maurya in Riders to the Sea represents Irish Motherhood and she is like the rock that never changes or moves in spite of the surrounding sea threatening her identity. With the exception of Maurya, each heroine in Synge's major plays starts a move away from these circumstances toward a life of greater vitality through passion, wildness and beauty. Nora in In The Shadow of the Glen and Deirdre of Deirdre of The Sorrows try to get out of the ugly and horrible world around them by active attitudes and limitless imagination. But on the other hand, they are very realistic and they know they cannot escape from their fates completely. So they bravely do what they have to and compromise with their reality. In the case of Pegeen and Widow Quin of The Playboy of The Western World, they lack the courage of Nora and Deirdre when they experience the test of reality and they come to lose what they have wanted, Christy. In spite of the fact that all these characters are more brave and reasonable than the male characters, they cannot get absolute victory over their male counterparts or over their miserable situation. The results of their defiance are mostly very tragic, miserable and even catastrophic. But they can gain magnificence and beauty while they try to challenge what seems to be impossible.

현대 비극의 개념 : Arthur Miller의 The Crucible을 중심으로

윤여복 동아대학교 문과대학 영어영문학과 1986 동아영어영문학 Vol.2 No.-