주정편력

유호석 안암어문학회 1961 어문논집 Vol.5 No.1

Debussy의 Violin Sonata에 對한 分析 考察

劉浩石 新羅大學校 1983 論文集 Vol.15 No.-

The Debussy's musical diction was not created by the new method of his all music. The impressionism music itself which was created by Debussy ws also started to the bitter end, under the basis of the tradition, and we can say that the re-illuminated work which was started with various traditional methods was accomplished from the time of Debussy in the recent centry. Even in the type of scale which is being used as special character of impressionism music, they are church mode, also pentatonic scale and wholetone scale which was created by himself, the common point which above scale is showing together is appearing the points that functional harmoney of tonal music is not applied. This problem involves the purpose on the holizontal connection of the free harmony that are linking together withmodal music before the tonal music was not established. As Debussy has made his sound in the important elements of music 9scale, harmony, form, rhythm and color), when we See it with the position of the traditional form, it can be the music with unfamilier feeling, but for the composers after the time of Debussy, they can be composers that have shown the possibility of direction that reasonable sound can be sellected. Even in the violin Sonata, the above problems are well coincided with, and we can recognize it as a work of mellowed time that the free connection of harmony and progress of sound rather than type of limitd functional harmony are showing.

A. Vivaldi Concerto '四季'의 樂曲構造에 關한 硏究

劉浩石 新羅大學校 1979 論文集 Vol.7 No.-

Commencing from the time of Renaissance which was established in early western European society, in the all fields of arts, active animating development has been repeated, and finally, in the field of music, we entered the days of Barouge who has built the essentials of the true usical arts as a new monumental achievement through formarity or conteats on the history of music. During the one and a half century begining form just 16th century to later part of 17th century, all the basic form of musical piece that can be see now-a-days were created. For first time, a chorus which was compiled with counterpoint was flourished but in the 16th century, the mmusical construction of Sonata and Concerto grosso which is near to Suite of composers such as G, Vitali(1644-1692), A. Coreili(1653-1713) G. Torelli(1658-1709) was made out. Especially, the work of A. Corelli, had no prominent thing and the composer that made the form of concerto which is very near to the perfection, following after the musical diction his musical diction is A. Vivaldi(1680-1743). He has made the best use of the specific character of the string instrument which is very near to humans's voice, and finally he has created many concerto and Concerto grosso with the balance, contrast and scientific method under the attemption of the piece composition complying with the subject with a deep concern about the similar sound or utterance of birds that human has desired. Those technique of such kinds and the piece composition have been finally brought to the very summit of J.S. Bach(1685-1750) and G.F. Hendel(1685-1759) so called Baroque music. The writer, with a will on this field, is willing to research the musical diction which was intended by A. Vivaldi seeing the how is the musical construction of Concerto grosso " Four Seasons" which was called as his masterpiece.

한국 사회 발전사론의 연구현황의 과제 : 주보돈, 김용선, 정두희, 이태진, 유영익 共著 『韓國社會發展史論』에 대한 論評

유호석 한국사회과학 연구협의회 1993 社會科學論評 Vol.- No.11

지금까지 본서에 수록된 다섯 편의 논문을 통하여 우리 역사에서 중요한 전환기라고 생각되는 시기에서의 사회적 발전의 모습을 살펴 보았다. 여기에서 평자가 느끼는 것은 사람마다 그 견해가 매우 다르기 때문에 사회세력을 중심으로 하여 우리 역사의 전반적인 흐름을 정확히 파악하는 데에는 상당한 어려움이 뒤따르게 된다는 점이다. 물론 과거의 사실에 대하여 각기 다른 관점에서 다양한 해석이 제시되는 것은 당연하다고 할 수 있다. 그러나 문제는 그같은 다양한 해석들이 가장 근본적이며 기초적인 문제들에 대하여 완전히 서로 대립되는 형태로 제시되었다는 점이다. 예컨대 우리 나라 전통기 시대의 귀족이나 양반의 개념을 어떻게 내려야 하는가에서부터, 조선 초기에서의 특권적인 지배계층으로서의 양반의 존재여부, 조선 전・후기에서의 사회세력의 변화 여부, 갑오경장을 둘러싼 자율성과 타율성 논쟁 등 이제까지 위에서 서론한 주제들이 여기에 해당한다. 만일 이런 문제들에 대하여 어떤 합의점에 이르지 못한다면 역사를 이해하는데 큰 혼돈을 겪을 수밖에 없을 것이다. 그리고 그것은 곧 역사학자들의 책임으로 돌려질 것이다. 따라서 우리는 이 시점에서 냉정하게 이제까지의 연구성과를 객관적으로 재검토할 필요가 있다. 아마도 이러한 논란은 개개의 역사적 사실들에 대한 규명이 엄밀한 실증적 분석을 토대로 하여 나온 것이 아니라 가설의 토대 위에서 나온 부분이 많았기 때문에 비롯된 것은 아니었는가. 또는 각 분야에어싀 기왕의 연구 업적들이 활발한 논의를 거쳐 수렴되지 못하였거나 균형된 시각에서 종합적으로 검토죄디 못하였기 때문은 아니었는가. 자신의 의견과 반대되는 견해들에 대하여 지나치게 편협한 입장을 보이거나 배타적이며 폐쇄적인 입장을 취했기 때문에 비롯된 것은 아니었는가. 본 연구는 바로 그러한 재검토의 계기를 가져다 주었다는 점에서 큰 의의가 있는 공동 작업이었다고 생각한다. 물론 문제를 해결하였다기보다는 또다른 문제를 끌어내고 있다는 느낌이 들기도 하지만, 이러한 비판적인 공동작업은 앞으로 한국사를 올바르게 인식하기 위한 소중한 밑거름으로 작용하리라고 생각한다.

L.V. Beethoven: Violin Sonata in F major No.5 "Spring" : 연주 해석을 위한 악곡 분석

유호석 新羅大學校 1988 論文集 Vol.25 No.-

Through the history ofmusic, the works of Beethoven are important and influenceon music afterword in various ways. He, too, gave the change in musical form. For example, the sonata Form and scherzo form werecompleted and systematized by him. The subject of this thesis is to analize and study Beethoven's violin sonata No.5 (as called “Spring Sonata”) which is one of the hisimportant violin sonata. The trend of this sonata isvery free, romantic and syrical like the feeling of spring. The summary of forms of eachmovement is as follows. The first movement... allegro F major ???, Sonata-Allegro form. Thismovement is composed of the typical sonata form, exposition, development, recapitulation and coda. In exposition part, the first and second themes are played alternately by piano and violin as if they response each other. it is caracteristic of this movement that development part is composed of only the elements of second theme. The Second movement...Adagio molto espressivo. B?? major, ??. This movement is forms of “variation” sillfully transformed. Generallyth is movement is very lyrical in slow tempo like the typical second movemnt of other sonata. The thirdmovement...Scherzo style, F major, ??, The tempo of this movement is very fast. Because it consistof many light and short sound, itgiv??s as very bright and cheerful felling. The fourth movement...Rondo. Allegro ma non troppo, F major , ??. This movement is Rondo style with the differenct themes. It begin with the bright and delightful theme by piano and then followed by violin.

수정된 정보시스템성공모델(ISSM)에 기반한 라이브 스포츠 입중계의 품질 요인이 시청자의 만족 및 지속시청의도에 미치는 영향 분석

유호석,한진욱,김일수 한국체육학회 2025 한국체육학회지 Vol.64 No.1

본 연구는 수정된 정보시스템성공모델을 적용하여 라이브 스포츠 입중계의 품질 요인이 시청자 만족에 미치는 영향을 살 펴보고, 시청자 만족과 지속시청의도 간의 관계를 규명함으로써 라이브 스포츠 입중계 콘텐츠의 경쟁력 제고 및 서비스 품질 향상을 위한 기초자료를 제공하는 데 목적이 있다. 이러한 연구목적을 달성하기 위해 라이브 스포츠 입중계 시청 경험이 있는 20∼30대를 본 연구의 모집단으로 선정한 후, 편의표본추출법을 통해 총 255명의 표본을 추출하여 온라인 설문 조사를 실시하였다. SPSS 28.0과 AMOS 23.0을 통해 빈도분석, 확인적 요인분석, 신뢰도 분석, 기술분석, 상관관계분석 및 구조방정식 모형 분석을 실시하였고, 분석 결과는 다음과 같다. 첫째, 라이브 스포츠 입중계의 정보 품질인 전문성과 다양성은 시청자 만족에 유의한 영향을 미치는 것으로 나타났다. 둘째, 라이브 스포츠 입중계의 시스템 품질인 접근성과 편의성은 시청자 만족에 유의한 영향을 미치는 것으로 나타났다. 셋째, 라이브 스포츠 입중계의 서비스 품질인 상호작용성은 시청자 만족에 유의한 영향을 미치는 것으로 나타났지만, 제공자 신뢰는 시청자 만족에 유의한 영향을 미치지 않는 것으로 나타났다. 넷째, 시청자 만족은 지속시청의도에 유의한 영향을 미치는 것으로 나타났다. 본 연구는 라이브 스포츠 입중계 콘텐츠의 관심이 급증하고 있는 현시점에서 수정된 정보시스템성공모델을 적용하여 라이브 스포츠 입중계 콘텐츠의 품질과 시청자 행동 간의 관계를 규명하였다는 점에서 학문적 의의가 있다. 나아가 라이브 스포츠 입중계 콘텐츠 서비스의 경쟁력 강화와 사용자 경험 향상을 위한 실무적 시사점을 제시하였다 This study applies the revised information systems success model to examine the impact of quality factors of live sports broadcasting on viewer satisfaction and to identify the relationship between viewer satisfaction and continuous viewing intention. The aim is to provide foundational data for enhancing the competitiveness of live sports broadcasting content and improving service quality. To achieve this objective, individuals in their 20s and 30s with experience in watching live sports broadcasting were selected as the study population. A total of 255 samples were drawn using convenience sampling, and an online survey was conducted. The data were analyzed using SPSS 28.0 and AMOS 23.0, including frequency analysis, confirmatory factor analysis, reliability analysis, descriptive analysis, correlation analysis, and structural equation modeling. The results of the analysis are as follows: First, the information quality of live sports broadcasting, specifically professionalism and diversity, was found to significantly affect viewer satisfaction. Second, the system quality of live sports broadcasting, specifically accessibility and convenience, also significantly impacted viewer satisfaction. Third, the service quality of live sports broadcasting, specifically interactivity, significantly affected viewer satisfaction, while provider trust was not found to have a significant impact on viewer satisfaction. Fourth, viewer satisfaction was found to significantly influence the intention to continue viewing. This study is significant in that it applies the revised information systems success model to clarify the relationship between the quality of live sports broadcasting content and viewer behavior, thus providing an academic foundation. Additionally, it offers practical implications for strengthening the competitiveness of live sports broadcasting services and improving user experience.

1931年刊 『全州生進靑衿錄』 分析

유호석 전북사학회 2013 전북사학 Vol.0 No.43

This is to analyze the Jeonju saengwon and jinsa roster published in 1931 which belongs to Namanje, an old famous auditorium, in Jeonju. I will place the focus on the background and the distinguishing features of the publishment, and the authenticity of all the 631 members on the roster. For the verification, the CD-ROM Samabangmok made by Seoul System was used. The outcome is as follows. The roster was issued on the basis of the roster in manuscript of the Jeonju Hyanggyo, a local school annexed to the confucian shrine. The compilation staff consisted of 55 members, but they didn’t try to verify the authenticity of the manuscript, but rather made every effort to find the ancestors or descendents of the saengwon and the jinsa of the manuscript and to write these facts on the new book. And the analysis of the staff shows that 18 among the staff were the descendants of the sangwon and the jinsa on the roster, and 4 were saengwon or jinsa themselves. On the other hand, 212 saengwon and jinsa, 33% of the roster’s total, were not found in any of the existing samabangmoks of the Joseon dynasty. It means that most of them could be fakes. Among them there were 48 clans including influential clans such as Jeonju Yu, Joyang Im, Jeonju Choi, Milyang Park, Jeonju Lee, and Kimhae Kim. Many fakes were recorded to pass the exam in the early or middle Jeoson dynasty. Some of them became successful candidates even in the year when any exam was not conducted. At the times when the roster was published, Korea was suffering a cruel fate. Japan was about to eradicate Korean national identity under the slogan “Japan and Korea are One Entity.” Almost 40 years passed since the civil service examination system had been abolished, and 20 years passed since Japan had made Korea its colony. It was at this moment that Jeonju literatis determined to publish the old roster. To them the examination system had never ceased to exist. In short, they were still living in the country of the examination.

J.S. Bach의 管絃樂組曲 構成에 關한 硏究

劉浩石 新羅大學校 1982 論文集 Vol.13 No.-

The form of Barcque's era is showing a various type of applearance. Because, from the time the structure by polyphony style which is attaining the highest reach of polyphony music until around 1700 years, is being reduced to the consept so called as Tonal music, the progress of the melody which can be called as a core of the creation of music to the limited mode which is of major and minor key is given. The concept of tonal music is established by many composers, however, it is hard to find a composer who has established the Tonal music concretely as much as J.S. Bach. Among these, the types of the form are as below. Aria, Cantata, Canjona, Choral prelude, Concerto(Concerto grosso, Solo Concerto), Fugue, Invention, Opera, Oratorio, Overture (French Italian), Sonata, Suite (Lesson, Ordre, Partita), Variation types (Chaconne, Ground bass Paraphrase, Passacaglia). Bach has been composing all the types of music as shown above and has remained many works for the suite types of music. Among many suite works, the suite for orchestral music are dealt in this thesis tunes. The suite in the days of J.S. Bach is involving a lot of differences to the today's suite in the structure. That is among four tunes, the first tune (opening) is laying a tune with a tune of the form of overture, and the dancing tune which is consisting of the Bach's orchestral music are the dance musics with the following names, Such as Air, Gavotte, Bourree, Gigue Menuet, Rejouissance, Courante, Forlane, Passepied, Polonaise, and Badinerie. In Seeing the above tunes are mainly French and Italian's dances, the nature of the fashion of the music in the Baroque's days can be pointed out. In the tune of the overture, the structure of three parts such as Grave-Allegro-Grave which is of Specific character of French overture which has been effected with a composer Lully's character. In seeing the today's dignity. the suite of the orchestra which was organized with small size expressing chamber orchestra is not the exceptional organization of the orchestration of the Baroque's days, but it is a good example to understand the today's good sense.

외교활동과 예론을 통해서 본 이정구의 현실인식

유호석 전북사학회 2009 전북사학 Vol.0 No.34

This paper examines the life of Lee Jeong-Gu, one of high civil officials in the mid-Joseon period. He served as a diplomat at the turbulent time, when the dynasty suffered the invasions of the Japanese army and the powerful Jurchen Manchus. As a westerner he was attacked from big northerners several times. And he witnessed the deposal of Kwanghaegun which took Injo to the throne. War, infectious diseases, famine and factional strife were the symbols of his day. Under such circumstances how he behaved, especially in the diplomatic relations with the Manchurians and the ritual disputes during kings Kwanghaegun and Injo, is the main subject of the paper. Lee Jeong-Gu spoke Chinese fluently, and had outstanding writing skills. He also had acute judgements. Then he could deal with many diplomatic conflicts. Obviously he was one of the scholars with the attitude of sadae(serving the great), but not a stubborn Confucian fundamentalist. As a career diplomat he didn't hesitate making strategic decision for the benefit of the nation. Such flexibility made him serve the government of the opposite northerners. And his long illness worked good for his public service. As for the ritual disputes, he didn't sometimes agree with kings Kwanghaegun and Injo on the basis of the principle of the ritual. But once it was decided upon, he dared to accept the role of the envoy to report the result to China. Thus some historiographer even criticized him for his irresolution. In my view, his flexibility, not indecision, was rather a virtue desperately necessary to the intellectuals of the times, in retrospect of the rough history of the Joseon dynasty after his death.

스포츠 콘텐츠 소비에 대한 이용자의 주관적 인식유형에 관한 연구: Q 방법론을 중심으로

유호석,한진욱 한국체육학회 2024 한국체육학회지 Vol.63 No.6

본 연구는 기존의 연역적인 가설에 따른 계량적인 결과들을 도출하는 양적 연구 방법과는 달리, 개인의 다양한 주관적 평가, 태도, 가치, 의미 등을 분석할 수 있는 Q 방법론을 적용하여 스포츠 콘텐츠 이용자들의 주관적 인식유형을 살펴보는것에 그 목적이 있다. 이러한 연구의 목적을 달성하기 위하여 Q 방법론 절차에 따라 연구를 수행하고 PQMethod 프로그램을 통해 분석을 실시하였다. 먼저, Q 표본 구성 절차를 살펴보면 스포츠 콘텐츠 관련 문헌연구를 참고하여 일반적인 진술문을 180개를 구축하였다. 이를 토대로 스포츠 콘텐츠 제작자, 전문가, 관심자 및 무관심자를 대상으로 심층면접을 진행한결과 시청동기, 콘텐츠 속성 및 품질, 플램폿, 디바이스의 네 가지 관점으로 분류되었고, 진술문 중 유사하거나 단정적인진술문은 조정하여 총 75개의 진술문을 도출하였다. 다음으로 75개의 Q 진술문에서 각 유목에 해당하는 진술문들을 긍정, 중립, 부정 의견으로 균형있게 조정하고, 편향적 중의적 진술문을 배제하는 과정을 거쳐 최종적으로 34개의 Q 표본을 확정하였다. 최종 확정된 34개의 Q 표본으로 34명의 P 표본을 대상으로 조사한 결과, 세 가지의 스포츠 콘텐츠 주관적 인식유형이 도출되었다. 도출된 유형을 각각 제1유형은 ‘플랫폼 역할 기대형’, 제2유형은 ‘보편화 콘텐츠 역할 기대형’, 제3유형은‘콘텐츠 변화 역할 기대형’으로 명명하였다