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2000년 이후 중국 사회의 국제화에 따른 뮤지엄 공간구조의 변화에 관한 연구
옹령령(Weng, Ling-Ling),문정묵(Moon, Jung-Mook) 한국실내디자인학회 2012 한국실내디자인학회 학술대회논문집 Vol.14 No.1
The museum is a special place where the country people and the world to convey their culture information and show natural heritage, it is an important symbol of the national economic development level as well as the soial civilization level. Compare with the time for world museum appeared, China’s museum was developed from the transformation of modern society. The development of Chinese museum through short time, but as China’s social reform and development of the Chinese museum business also develop rapidly. If the 20 th century is the Chinese society and Chinese museum early stage, 21 century must explode the museum of Chinese society and Chinese development. This essay chooses 15 twenty century representative Chinese museum architectures and 15 twenty one century representative Chinese museums to study the spatial structure of the museum architecture. The Justified Graph will be used to analyse the 30 samples, in addition, the visit form between the 20 th and 21 st century visitors will be contrasted based on the Space Syntax method. Do research of the space compositions of these two centuries of Chinese museum, which can be helpful to understand the development process of Chinese museum with China’s development of social change. In additional, it can put forward the future index of Chinese museum which followed the development of China’s society and international development.
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2000년 이후 중국 뮤지엄의 공간구조 변화에 관한 사회적 의미연구
옹령령(Weng, Ling-Ling),문정묵(Moon, Jung Mook) 한국실내디자인학회 2012 한국실내디자인학회논문집 Vol.21 No.5
Chinese society, which maintained the feudal social system, has taken an isolationist policy in response to the Western aggression since 20<SUP>th</SUP> century. However, in the wake of the Opium War of 1840, China had actively accepted Western culture, not in just politics and economy, but in diverse area of social property. Since these process, the modernization of China had begun and the Chinese museum has been erected and evolved through the process of it. And it can be deducted that the philosophy of socialist society had a considerable influence on the spatial configuration of the Chinese museum since it was at the heart of china’s modernization. And another social shift has been made since 2000 that is regarded as the internationalization of China. It brought a new point of de-structuralism to the society since 2000 and it is leading the changes of various areas of culture and arts, including museology in Chinese society. The purpose of this study is to understand what changes have been made to the museums in China since 2000 and how the internationalization of China is engaged with this it, in terms of the spatial structure of a museum. To do this the study examined the spatial changes of the museum in the mathematical approach including Space Syntax tool and it was engaged with the changes of museum type. Throughout the study, it was concluded that spatial structure of museums in china has been changed from structural organization to de-structural one since 2000 of China’s internationalization.
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