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- 저자 : Okumura Kanako(奥 (검색결과 1 건)
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Okumura Kanako(奥,村 華子) 일본어문학회 2017 일본어문학 Vol.77 No.-
2011年5月、山本作兵衛の炭鉱記録画がユネスコ世界記憶遺産に、2015年7月には、三池炭鉱を含む8県11市にまたがる23の構成資産が、同一の歴史的背景を持つシリアルㆍノミネーションとしてユネスコ世界文化遺産となる。かつて燃料資源産出の場だった炭鉱は、現在観光資源として別の一面を見せるが、このような動向の背景には、炭鉱を「負の遺産」として抱えてきた現住民の訴えがある。現在の炭鉱の物語が、日本の輝かしい歴史を証言するものとして意味付けられていることに留意し、アントニオㆍグラムシとガヤトリㆍチャクラヴォルティㆍスピヴァクの理論を援用しつつ炭鉱労働を表象するということ自体を再検討する。 炭鉱労働とは、明治期の産業革命期には、国家の近代化を支えるものとして強制的支配と服従のイデオロギーの下で、また炭鉱労働の問題を提起するプロレタリア文学によっては、革命へ向かうための指導と同意のイデオロギーの下で語られる。複合的なイデオロギーに従属する炭鉱労働者をサバルタンとして捉え直し、炭鉱労働を表象することの困難さの素因を明らかにした。また、文学テクストから拾い上げられる表象から、炭鉱労働の歴史を語るための方策を考察した。 In May 2011, Sakubei Yamamoto’s documentary picture of coal mines was registered as a memory of the world by UNESCO. In July 2015, 23 composing properties including Miike Coal Mines, which are located over 8 prefectures (comprising 11 cities), were registered as a world cultural heritage by UNESCO, a case of a “serial nomination” with the same historical background. These coal mines, which used to serve as a place for producing fuel sources, are now a place for tourism. This shift reflects the local people’s conception of the coal mines as “negative legacy.” In this article, we note that the narrative of contemporary coal mines is regarded as a testament of Japan’s glory history, and revisit the issue of representing coal labors within the theory developed by Antonio Gramsci and Gayatri Chakravorty Spivak. During the era of Meiji Industrial Revolution, work in coal mines was represented as a basis for modernizing the country under the forcible controls and the ideology of submission. In the proletarian literature which raises the problems of coal labors, by contrast, it was narrated under the ideology synonymous with the guidance for a revolution. We propose to view the mine workers who submitted to complex ideologies as subalterns, and reveal the causes of difficulty in representing coal labors. We also explore the means of narrating coal labors based on representations lurking in literary texts.
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