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홍준영(Hong, Junyoung),정석일(Jeong, Seokil),김병현(Kim, Byunghyun) 한국방재학회 2021 한국방재학회논문집 Vol.21 No.3
CE-QUAL-W2 모형 구축에 필요한 실측 탁도 자료로 2018년 태풍 ‘콩레이’에 의해서 발생한 탁수 사상을 선정하고 당시 유입 지류와 본댐에서 측정한 탁도, 수온, 기후자료, 방류량 등을 수치모의의 입력자료로 활용하였다. 매개변수의 신뢰도를 확보하고자 2019년 태풍 ‘미탁’에 의해서 유발된 탁수 사상을 추가로 선정하였으며, 수온 및 기타 매개변수에 대하여 Case별로 시뮬레이션을 수행하여 최적의 매개변수를 선정하였다. 분석 결과 탁도 상승기와 탁도 하강기를 거쳐 전도 현상 발생 시기가 다가올수록 오차율과 신뢰도가 상대적으로 양호한 것으로 나타났고, 최고 탁도와 평균 탁도에 대해서 검증한 결과는 모의 기간별 검증 결과보다 더 양호한 결과를 나타내었으므로 본 연구에서 구축한 모형은 홍수기에 적합한 모형으로 최종 판단하였다. The turbidity events caused by Typhoon “Kong-rey” in 2018 were selected as the measured turbidity data required to build the CE-QUAL-W2 model. The turbidity, water temperature, climate data, and discharge measured in the main dam were used as input data for numerical simulations. To ensure the reliability of the parameters, the turbidity events caused by Typhoon “Mitak” in 2019 were additionally selected, and optimal parameters for water temperature and other parameters were selected using case by case simulation. The analysis showed that the error rate and reliability were relatively good as the turnover phase approached through the turbidity rise and fall periods. The results of the verification of the maximum and average turbidity were better than those of the verification of the period-specific simulation. Thus, the models constructed in this study were determined to be suitable for the flood season.
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슬로 패션의 가치를 지향하는 디자이너 브랜드 분석 -John Alexander Skelton과 Geoffrey B. Small을 중심으로-
홍준영 ( Junyoung Hong ),전재훈 ( Jaehoon Chun ) 한국의류학회 2021 한국의류학회지 Vol.45 No.1
‘Slow fashion’ has become a hot issue in the fashion world as fast fashion has caused environmental and ethical problems. This study synthesized the characteristics of slow fashion from preceding studies and organized them into four characteristics (craftsmanship, nature-friendly attitude, localism, and pursuit of exclusive value). This study compared designers, John Alexander Skelton and Geoffrey B. Small with four characteristics. First, both designers sought craftsmanship based on tailoring, but Skelton focused on the eco-friendliness of materials, and Small emphasized the development of high-quality fabrics. Second, we found a nature-friendly attitude in both designers, but unlike Skelton, which maintains nature-friendliness in the process of clothing production, Small showed this characteristic through presentations. Third, both designers revealed localism through their affection for the fabrics and culture of each country. Moreover, Small extended its meaning to respect minority tastes. Finally, both designers pursued exclusive values through collections under the themes of class problem, and gender conflicts. However, Skelton melted these topics into British culture and revealed them indirectly versus Small who showed sensitive topics directly in the collections. This study will provide the foundation for analyzing designers through the characteristics of slow fashion, and suggests directions that slow fashion designers should move towards.
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