1950년대 싱가포르 공공주택에서 오픈 스페이스의 다양화와 근린의 형성에 관한 연구

우동선,탁충석,Woo, Don-Son,Tak, Chung Seok 한국건축역사학회 2015 건축역사연구 Vol.24 No.4

This study examines the Singapore public housing supplied by Singapore Improvement Trust (SIT) in the 1950s. Focused on the Princess Elizabeth estate and Princess estate of Queenstown, this study surveys their construction backgrounds, site plans, unit plans, architectural designs and meanings. The Princess Elizabeth estate was the model estate for workmen's flats. This estate showed mixed blocks of flats arranged around a large quadrangled open space for children. The Princess estate was a neighborhood of Queenstown, Singapore's the first new town. At this Estate, there were some new architectural occurrences departing from the Tiong Bahru Estate. Those are the appearance of high-rise typology, and the increased specificity in the functions of open spaces. Thus the open space became to get hierarchy, and divided an estate to small neighborhood units. For the SIT, open space is synonymous with the improvement of urban environment. Through the purposeful creation of open space, the SIT intended to solve the problem of sanitation and to make a neighborhood unit which can be pleasant place for regional community.

1930년대에서 1950년대까지 싱가포르 티옹 바루 단지에서 공공주택의 동화와 이식에 관한 연구

우동선,탁충석,Woo, Don-Son,Tak, Chung Seok 한국건축역사학회 2014 건축역사연구 Vol.23 No.6

Early 20th century Singapore was faced with the problem of overcrowding. The attendant problems of a rapid increase in population density, namely the lack of proper housing and sanitation, resulted in the issue of an appropriate residential environment emerging as an important task in urban planning. It was necessary to construct housing estates in order to solve this issue. At that time, the British colonial government attempted to transplant modern technology into the construction process of a residential complex system. However, Singapore's climate and traditional lifestyle made it impossible to apply the British modern system in a straightforward manner, and in the process, a number of transformations emerged. With a specific focus on the Tiong Bahru estate, one of Singapore's representative public housing projects, from the 1930s through the 1950s, this study intends to look at the way in which such residential estates were assimilated into local surroundings, and the effect of the transplantation of British concepts of modern housing theory. Therefore, the study is divided into an examination of the estate both before and after the turning point of World War II. This study confirms that the difference between the pre-war and post-war planning strategies for the Tiong Bahru estate were made according to the concept of 'open space.'

1920년 창덕궁 내전 일곽의 재건에 관한 연구

우동선,기세황,Woo, Don-Son,Kee, Se-Hwang 한국건축역사학회 2014 건축역사연구 Vol.23 No.3

Naejeon area at Chandeokgung Palace means the areas of Huijeongdang and Daejojeon area. Huijeongdang or Hall of Brilliant Rule is made for the king, and Daejojeon or Hall of Great Creation is made for the queen. These areas were located nearly and repeatedly burned down and rebuilt several times together, but their forms were largely unchanged. However in 1920, they rebuilt in a very different way. The purpose of this study was to estimate construction plans, progress and completion of Naejeon area's rebuilding. They were reconstructed into eclectic structures as the exteriors were built using basic materials from Gyeongbokgung Palace. So they have traditional-looking appearances, but the interiors consisted of modern equipments and were built by applying foreign style construction techniques. The main floored room of Daejojeon and the area of Huijeongdang were built in standing style by installing radiators and French furnitures. Also, the porch, corridor, storage space and veranda were constructed under the influence of Japanese construction. After the reconstruction, there were changes in the usage of some spaces. Huijeongdang functioned only for Alhyeonso or audience chamber rather than Pyeonjeon or state hall. New organizations created by the Japanese such as Chansi or secretaries office and the Chief secretary's office were included in Naejeon area.

김중업의 「경주 석굴암 보수공사 설계」(1961-1962)에 관한 고찰

우동선,김태형,Woo, Don-Son,Kim, Tae-hyung 한국건축역사학회 2021 건축역사연구 Vol.30 No.4

This study examines the Gyeongju Seokguram Grotto restoration project (1961-1962) by architect Kim Chung Up (1922-1988) and introduces the documents he wrote at the time of planning. The study highlights Kim's Plan attempt to adopt Buckminster Fuller's idea of the Geodesic Dome, while inheriting the architect Pai Ki Hyung's previous design plan which was nullified. As Seokguram Grotto's water leak and deterioration issues have been brought up, the four-times survey was carried out by experts team between 1958 and 1960, under Ministry of Education's direction. Pai designed an initial restoration plan based on the survey's result, which was a double-dome structure with a concrete film on the outer periphery as a way to protect Seokguram Grotto in January 1961. However, as drawbacks, such as the heavy load of the concrete dome, and non-installation of entrance hall, have been indicated in the review process, the Cultural Properties Committee rejected the plan. Subsequently, Kim was appointed as the supervisor of the second restoration project. Kim drew up a process management schedule to be implemented from August 1961 to December 1963 and designed the conception plans for the second restoration design. This study analyzes Kim's Plan by examining sketches, site plans, floor plans, and sections. Kim planned to maintain the idea of the double-dome structure proposed by Pai while applying Buckminster Fuller's idea of the Geodesic Dome. Kim planned to lighten the dome structure by applying a steel-frame Geodesic Dome so that the dome structure could be supported by its own. The study is expected to reclaim the omitted parts from Seokguram Grotto's historical description and Kim's careers.

1908년 창덕궁 인정전 일곽의 개조에 관한 연구

우동선,기세황,Woo, Don-Son,Kee, Sehwang 한국건축역사학회 2014 건축역사연구 Vol.23 No.2

During the Joseon Dynasty, Injeongjeon area at Changdeokgung Palace was a core space in which major state affairs took place. Since founded in 1405, the Injeongjeon area's spatial composition has been changed while it was repeatedly burned down and rebuilt several times. However, despite many studies and researches on the Chandeokgung Palace and the Injeongjeon area, the changes of the area in the 20th century have not been examined thoroughly. This study attempts to find out the procedure and purposes of the remodeling of the Injeongjeon area in 1908. It is possible to presume that the motif of this remodeling construction, worked out by the Residency-General, was to transform the area similar to Ekkensho or Audience Hall area at Meiji Palace regarding the following facts: only Japaneses' participation in the construction, renaming the area as Alhyunso (Ekkensho), and involvement of Ito Hirobumi. Comparing plans of the remodeled Injeongjeon area at the Chandeokgung Palace with the Ekkensho area at the Meiji Palace, we can confirm this presumption and suggest the possibility that the Residency-General wanted to reduce the majesty and power of the Joseon Dynasty's Palace by this remodeling.

미술사가 고유섭의 건축연구와 역사관

우동선(Woo, Donson) 한국예술종합학교 미술원 조형연구소 2002 Visual Vol.1 No.-

Ko Yu-Seop(高裕燮; 1905-44), the first Korean who had studied Aesthetics and Art History with the view of modern scholarship, has been said to research almost every plastic arts including pictures, sculptures, art crafts, and architecture. However, his architectural studies has yet to be examined. This paper, therefore, examines his architectural studies and his architectural thinking found in them. It is highly possible to classify his architectural theses into four types. These are (1) buddhist architectural studies mainly on pagodas; (2) researches of remains of Kae-kyung or Song-do city, the capital of Koryo; (3) writings of general architectural history; and (4) introduction of European modern architecture. In this stndy, I discussed his monistic historical perspective, its development into whole history, and influence of artistic sociology. It is concluded that Ko Yu-Seop's historical perspective, which had gained by architectural studies, was concerned with the development theory that regarded Unified Silla as the climax.

[내가 읽은 책] 어두움의 도시 - 구룡성의 생활

우동선(Woo, Don-Son) 대한건축학회 2015 建築 Vol.59 No.9

1970년대 한국의 작품주택에서 안방의 공간구조와 용도에 관한 연구

우동선(Woo, Don-Son),김지원(Kim, Jiwon) 대한건축학회 2016 대한건축학회논문집 Vol.32 No.1

The An-bang in Architect Designed Houses of the 1970s is the condensed space of the transitional Korean housing culture. The An-bang in Architect Designed Houses of the 1970s can be divided into assembled and detached types. The assembled type included two types, type 1 and type 2. One is the An-bang type and the other is Master Bedroom type. The An-bang and Mater Bedroom were followed the notations in drawings. In the detached type, the An-bang and Master Bedroom are located in different places serving different purposes. It can be divided into the type 3 and type 4. In type 3, the An-bang creates a more private space for the husband and wife, and produces a close relationship with Master Bedroom. The An-bang in type 4, is a space for the husband and wife, but is open to other family members. In this study, the An-bang in Architect Designed Houses of the 1970s is analyzed in detail with the space syntax method.

건축과 역사학

우동선(Woo Don-Son) 대한건축학회 2010 建築 Vol.54 No.3

건축이라는 말을 함부로 쓰지 말라

우동선(Woo, Don-Son) 대한건축학회 2023 建築 Vol.67 No.9