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RISS 인기검색어
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- 저자 : 양정희 ( Yang Junghee ) (검색결과 5 건)
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영화 「아가씨」 의상 색채 연구 - 여주인공 히데코 의상을 중심으로 -
양정희,Yang, Junghee 한국의류산업학회 2018 한국의류산업학회지 Vol.20 No.3
This study investigated the colors of the costumes in the film 'The Handmaiden'. The author categorized and examined the hue and tone of the main character's costume as well as provided an adjective image surveyed from the standpoint of the audience in order find if the intended story of the director is delivered to the audience through costume colors. Study method analyzed 25 set costume colors of the heroine 'Hideko'. The color analysis were analyzed by capturing DVD images that showed the costume of 'Hideko'. The colors of costumes were analyzed by recognition through the eyes based on the IRI, Hue, and Tone 120. In addition, the analysis of the IRI adjectives image were conducted through the survey. Costume hue of the heroine 'Hideko' in the film 'The Handmaiden' were black, yellow, white, green, and purple. There were many colorful costumes in the movie. Tones were very pale, deep, bright, vivid, strong, and pale. Chroma were evenly distributed and brightness were distributed in the order high, middle, and low. They were interpreted as the intention of showing the situation and psychology of 'Hideko' in various scenes of the film through various costume colors. Color images of the film 'The Handmaiden' were classified as feminine, mature, classy, delicate, classic, noble, polished, refined, showy, western, mellow, pure, and decorative.
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양정희 ( Junghee Yang ),박혜원 ( Hyewon Park ) 한국패션비즈니스학회 2015 패션 비즈니스 Vol.19 No.5
This study probed into the fashion styling of modern girls who led fashion and revealed power of woman as the center of modernization in Korea. Methods included the theoretical study based on fashion related newspaper articles at the time, specialized publications, advance researches, and internet data and the empirical study that involved contents analysis centering on visual data, expert evaluation, and styling development and presentation. The image of Korean modern girl analysis found in the order of modern image, elegant image, classic image, mannish image, romantic image. The aesthetic characteristics could be classified into sensual classicism, modern elegance, feminist epicenism, and romantic simplicity. The theme was ‘Retro Modern’ and a total of 4 styles were applied. ‘Progressive Tradition’ expressed the aesthetic characteristics of sensual classicism and it gave a modern reinterpretation of the seamless one-piece skirt which is the modified Korean clothes of Korean modern girls. ‘Luxe Beauty’ expressed the aesthetic characteristics of modern elegance, and it developed the long and slim style which was popular in the 1930’s in a trendy way. ‘Dressy Avant-garde’ expressed the aesthetic characteristics of feminist epicenism, and it suggested the mannish style Western clothes that Korean modern girls wore by following recent fashion trend. ‘Minimal Couture’ expressed the aesthetic characteristics of romantic simplicity and it presented the garconne look which was popular in the 1920’s by following recent trend.
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여성결혼이민자를 위한 패션 스타일링 교육 프로그램 개발
양정희 ( Junghee Yang ) 한국패션비즈니스학회 2018 패션 비즈니스 Vol.22 No.2
This study is intended to develop a fashion styling training program for female international marriage immigrants. To collect basic data for program development, a total of ten female international marriage immigrants living in Changwon, Gyeongsangnam-do, were interviewed on relevant subjects, such as clothing life and their interest in fashion and fashion training programs. According to the interviews, they prefer Korean fashions, have difficulty purchasing and coordinating clothes while living in Korea, and felt that others were staring at them because of their appearance and fashion styles. For the question about interest in fashion, most respondents answered that they have great interest in fashion and managing their appearance. For the question about the need for a training program in fashion styling for female international marriage immigrants, most respondents answered that it is necessary, and most respondents also answered that they would participate in such a program if it were available. The contents of the training program for fashion styling for female international marriage immigrants was composed of the following sections: Understanding of Fashion Styling, Variety of Fashion Styling, and Fashion Styling Practice. The section on the understanding of fashion styling is composed of the concept of fashion styling and the elements of fashion styling. The section on variety in fashion styling is composed of styling based on fashion image, face type, body type, and TPO. The section on fashion styling practice is composed of the practice of fashion styling on an actual person based on the knowledge obtained through the program.
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영화 「아가씨」 의상 색채 연구 - 여주인공 히데코 의상을 중심으로 -
양정희 ( Yang Junghee ) 한국의류산업학회 2018 한국의류산업학회지 Vol.20 No.3
This study investigated the colors of the costumes in the film ‘The Handmaiden’. The author categorized and examined the hue and tone of the main character's costume as well as provided an adjective image surveyed from the standpoint of the audience in order find if the intended story of the director is delivered to the audience through costume colors. Study method analyzed 25 set costume colors of the heroine ‘Hideko’. The color analysis were analyzed by capturing DVD images that showed the costume of ‘Hideko’. The colors of costumes were analyzed by recognition through the eyes based on the IRI, Hue, and Tone 120. In addition, the analysis of the IRI adjectives image were conducted through the survey. Costume hue of the heroine ‘Hideko’ in the film ‘The Handmaiden’ were black, yellow, white, green, and purple. There were many colorful costumes in the movie. Tones were very pale, deep, bright, vivid, strong, and pale. Chroma were evenly distributed and brightness were distributed in the order high, middle, and low. They were interpreted as the intention of showing the situation and psychology of ‘Hideko’ in various scenes of the film through various costume colors. Color images of the film ‘The Handmaiden’ were classified as feminine, mature, classy, delicate, classic, noble, polished, refined, showy, western, mellow, pure, and decorative.
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