نيآرقلا صقلا ليكشت في لاعفلأا رود اجً ذَ وُ&

ف;لخ ىونج(Nagwa Kalaf) 한국아랍어아랍문학회 2017 아랍어와 아랍문학 Vol.21 No.4

This study attempts to study stylistic phenomena in Surat Yusuf. It became clear that the verb was one of the most stylistic phenomena that have been used frequently in that Surat, 25.2 of the total number of words. It is worth mentioning that the types of verb are different past and present and imperative mood with different rates. This research shows that each verb has a stylistic advantage that the narrator depended on it by in dealing with this story. So the study concluded that: First, the past verb is one of the most frequent verbs, thus it played an important role in the storytelling narrative within Surat Yusuf, and therefore the narrator used it to narrative events, and therefore the narrator use it to narrate event, most of the verses began with “Said,” to tell the story on its owner’s tongue, it was also a starting point for expressing the present, The time of the verb has changed from the past to explain the time of storytelling, to the present tense to express the time in which the story takes place. Second, the present verb came in second place, it also gave an area in which to move the character to express the drama of the event, it gave the character an opportunity to express itself by present tense that indicates the presence of the character at work. Third, the imperative mood, although it came in third place, but it played a prominent role in expressing the strength of the character, so there is a direct relationship between character and its strength, it has already grown up with Yusuf’s growth, at first he was a weak character as a child who could not resist his powerful brothers, so we don’t find the imperative mood mention. And on the contrary when he grows up and becomes a young man, he uses it. Thus it turns from his brothers to strong Yusuf.

الآراء النحوية لابن مضاء القرطب

م,ح,م,د,م,ص,ط,ف,ى,أ,ح,م,د,ي,و,ن,س,(Younes, Mohamed Moustafa Ahmed) 한국아랍어아랍문학회 2020 아랍어와 아랍문학 Vol.24 No.2

يرى ابن مضاء أنه من الضرورة إلغاء نظرية العامل، وقد ساقه ذلك إلى الاعتراض على تقدير العوامل المحذوفة لأن إجماع النحويين على القول ʪلعوامل ليس بحجة، وكذلك الاعتراض على تقدير متعلقات اĐرورات، وتقدير الضمائر المستترة في المشتقات والأفعال. ترك كل ما ليس له نظير في كلام العرب، وعدم القياس على الأمثلة المصنوعة غير المستعملة في واقع كلام العرب، والتي من هدفها صنع القواعد لا تقويم اللسان وēذيب النطق. ل تحصل لنا المعرفة ʪلنطق بكلام َ إلغاء العلل الثواني والثوالث، لأنه ʪلعلل اْلأُو العرب، فلا فائدة من العلل الثواني والثوالث سوى إدراكنا أن العرب أمة حكيمة. لا حاجة لدارس النحو في البحث في الخلافات، وسرد التشعيبات. The topic aims to present the grammatical views and analysis of Ibn Madaa with regards to the grammarians of Kufa and Basra as well as his response to them, in addition to the justification and defense of his views. Ibn Madaa determined that it was necessary to remove any chapters on grammar that were deemed unbeneficial, therefore eliminating anything that doesn’t benefit pronunciation or speech. Accordingly, he encouraged the simplification of grammar wherever possible and the removal from academic discourse that which doesn’t aid speech. Among such topics include the difference of opinion in the reasons for classifying subjects and objects, in addition to other areas of disagreement. He therefore advocated that there’s no need to pursue research in areas where grammarians disagree with one another, as that which doesn’t benefit speech has no value or place in research.

في كتاب الأمثال الشعبيّة الأردنيّة التبد

أ,ف,ن,ا,ن,ع,ب,د,ا,ل,ف,ت,ا,ح,ا,ل,ن,ج,ا,ر 한국아랍어아랍문학회 2018 아랍어와 아랍문학 Vol.22 No.4

This paper dealt with the active participles and qualificative adjective in Hani Al-Amad’s book “Colloquial Jordanian proverbs.” According to a statistic made for this paper, the two mentioned kinds of derivatives are the most available ones in the Jordanian proverbs. The most repeated morphological changes in Active Participles & Qualificative Adjective were changes of short vowels, letters, apocope, elision, adding or deleting “Hamza” and using derivative instead of another.

A Comparative Study on Transformational Grammar between Egyptian Dialects and Modern Standard Arabic : A Study on Simple Sentences

Mohamed Moustafa Ahmed Younes(م,ح,م,د,م,ص,ط,ف,ى,أ,ح,م,د,ي,و,ن,س,) 명지대학교 중동문제연구소 2016 중동문제연구 Vol.15 No.3

This paper aims to study transformational grammar in Egyptian dialects and compare it with Modern Standard Arabic(MSA) while highlighting areas of agreement and differences between them. It is also a historical analysis on the development of modern Egyptian dialects, and a clarification of the characteristics of these developments through the study and comparison of the simple sentences in Egyptian dialects and Modern Standard Arabic using examples from the holy Quran and ancient Arabic poetry to verify its authenticity as well as Arab compositions related to the field of modern and ancient Arabic grammar. This study was conducted within a historical and comparative framework to allude to the historical development that took place in these dialects.

الدراسات الصوتية عند عبد القاهر الجرجاني

Mohamed Moustafa Ahmed Younes(م,ح,م,د,م,ص,ط,ف,ى,أ,ح,م,د,ي,و,ن,س,) 명지대학교 중동문제연구소 2017 중동문제연구 Vol.16 No.1

This first section of this study explains Abdul Qahir Al-Jurjani’s ability to understand phonetics and his dependence on previous phonetical studies, especially that which he took from the book of Sibawayhi and that of his teacher’s teacher Abi Ali Al-Farisi. It also explores Abdul Qahir’s work on consonants and vowels which indicate his understanding and knowledge of phonetics. Then the section compares his understanding to modern phonetical studies, and how the field of modern phonetics has developed. In the second section, this paper explores the phonetic classifications of Abdul Qahir, and compares this with recent studies in phonetics and the precision of Abdul Qahir’s findings in phonetic classification which closely resemble recent phonetic classifications.

جوانب من الدراسات اللغوية والتربوية عند ا

م,ح,م,د,م,ص,ط,ف,ى,أ,ح,م,د,ي,و,ن,س, 한국아랍어아랍문학회 2018 아랍어와 아랍문학 Vol.22 No.4

The poetic of Place and the Language s Formation: A study in Al Harafyesh;s Epic by Najyeb Mahfouz

Mahmud Ahmad Abd al-Ghafar(م,ح,م,و,د,أ,ح,م,د,ع,ب,د,ا,ل,غ,ف,ا,ر,) 한국아랍어아랍문학회 2016 아랍어와 아랍문학 Vol.20 No.3

There is no need to discuss that Najyeb Mahfouz is not just a great novelist but a great poet as well. It is true that he never published an anthology but his poetic style is clear and easy to be found within his novels. From this view point this paper aimed to find out the poetic style in his big novel Al Harafysh s Epic . The paper started with defining the concept poetic , the way of using place and time in literature. Then it discussed the poetic style at that novel under these headlines: First: the poetic of text structure (the relation between this novel s structure as an epic with the traditional classic old epics in Greek literature. This novel consists of 10 stories started with the main character Ashour Al Najy who came from a very low standard as a child that never knew his real parents struggled to be the strongest person in the area and to run it with justice and belief. After his death, the whole new generation from his family couldn’t be like him until the last story with last grandson shams Al deen . The structure depended on the mysterious time that always came from the sound of Parisian odes, and mixing the real time with it. Second: the poetic of opposite couples (such as opposing words: epic/very poor and low social level people as in the title for example) Third: the poetic of intensification (every story has been divided into chapters, the beginning of each chapter was always written with a poetic style that look like a poem.) Fourth: the poetic of Parisian odes (the novel depended on the mysterious atmosphere that the Parisian sound brings every time we read that odes in specific chapter, this paper followed these odes and found out their relation with the main characters in every novel. the main ideas on which the text focuses to make the reader aware of themes like; life/ death, reality/ dream, justice/ injustice...etc. Fifth: the poetic of dreams (dreams always had relation with looking for justice in the whole text, from other side; dreams looked like the shadows of meaning for some big events before it happened.)