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    <둥둥 낙랑둥>에 나타난 거리(距離) 연구 = A study on Distance of <Dung-Dung Naklang-dung>

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    https://www.riss.kr/link?id=A100299097

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Choe in-hun’s Lesedrama is classified as drama plays out is with the meaning of the show, but the value is highlighted with the literature. In this paper, dramatic properties look at the show with patients of a play <Dung-Dung Naklang-dung>. also, check the distance through most clearly noted in the shaping stage. And Of how storytelling and dialogue features, and rearrangement of the plot of the story surfaced in the work omitted the story or narrative story through hide and overcome with a simple structure to create a new note was also confirmed. The novelty of this structure is the same chronological time and concealed drama of drama rather read or play imagine that the audience understand the contents of the make. Should remember that the work of these often hidden while listening to the story of the reconstruction of the narrative strategy is to focus more on the story so that induced. In addition, delicate movements of the characters on stage to set up the new relationship between the characters. Hodong is Nakrang watching the twin sister of Princess and stepmother to experience it at the same time expressing the actual visualization of the distance. Edging and the withdrawal of the two, and a stop for people in the cause of the metabolic changes that are staged in the stage play that reminds us. And visualization of such plan by the writer, and it was confirmed that describe precisely. This pavement performances of the artist``s mind, will. Whether it is with a new monologue was worth it. Monologue from work is simply in charge of your feelings without speaking only features hidden inside of an external enemy to draw them through uplifting dramatic way to take advantage of the tension. In addition, after leading a monologue using dialogue information in the recognition of the metabolism due to psychological factors liable to get rid of the ambiguity in content that role. This contrasts with the dichotomy of psychodrama than weaknesses and to set clear and obvious, and it is based on the destination of the conflict situation to determine the intent was clearly stamped. Highlight and select through the contrast of subjects in the psychological aspects of the character``s inner conflict expressed and demonstrated to be had out in the simple aspects of the conflict to avoid dichotomous arrangement with a variety of devices that you want to overcome this technique could also identify.
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    Choe in-hun’s Lesedrama is classified as drama plays out is with the meaning of the show, but the value is highlighted with the literature. In this paper, dramatic properties look at the show with patients of a play <Dung-Dung Naklang-dung>. a...

    Choe in-hun’s Lesedrama is classified as drama plays out is with the meaning of the show, but the value is highlighted with the literature. In this paper, dramatic properties look at the show with patients of a play <Dung-Dung Naklang-dung>. also, check the distance through most clearly noted in the shaping stage. And Of how storytelling and dialogue features, and rearrangement of the plot of the story surfaced in the work omitted the story or narrative story through hide and overcome with a simple structure to create a new note was also confirmed. The novelty of this structure is the same chronological time and concealed drama of drama rather read or play imagine that the audience understand the contents of the make. Should remember that the work of these often hidden while listening to the story of the reconstruction of the narrative strategy is to focus more on the story so that induced. In addition, delicate movements of the characters on stage to set up the new relationship between the characters. Hodong is Nakrang watching the twin sister of Princess and stepmother to experience it at the same time expressing the actual visualization of the distance. Edging and the withdrawal of the two, and a stop for people in the cause of the metabolic changes that are staged in the stage play that reminds us. And visualization of such plan by the writer, and it was confirmed that describe precisely. This pavement performances of the artist``s mind, will. Whether it is with a new monologue was worth it. Monologue from work is simply in charge of your feelings without speaking only features hidden inside of an external enemy to draw them through uplifting dramatic way to take advantage of the tension. In addition, after leading a monologue using dialogue information in the recognition of the metabolism due to psychological factors liable to get rid of the ambiguity in content that role. This contrasts with the dichotomy of psychodrama than weaknesses and to set clear and obvious, and it is based on the destination of the conflict situation to determine the intent was clearly stamped. Highlight and select through the contrast of subjects in the psychological aspects of the character``s inner conflict expressed and demonstrated to be had out in the simple aspects of the conflict to avoid dichotomous arrangement with a variety of devices that you want to overcome this technique could also identify.

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    참고문헌 (Reference)

    1 이철우, "함세덕 희곡의 동선에 관한 연구" 한국현대문예비평학회 (15) : 279-300, 2004

    2 사진실, "한국연극사 연구" 태학사 1996

    3 김유미, "한국 현대희곡의 제의구조 연구" 연극과인간 2002

    4 신현숙, "한국 현대극의 무대읽기" 월인 2002

    5 金維美, "판소리 <심청가>의 현대적 계승에 대한 일고찰 : 채만식의 <심봉사>와 최인훈의 <달아달아 밝은 달아>를 중심으로" 고려대 1992

    6 조보라미, "최인훈 희곡의 연극적 기법과 미학" 연극과 인간 2011

    7 김성수, "최인훈 희곡의 연극성에 관한 연구" 연세대 1991

    8 박옥진, "최인훈 희곡의 비극성 연구" 숭실대 1995

    9 강애경, "최인훈 희곡의 문학성과 연극성에 관한 연구 : 「둥둥 낙랑둥」을 중심으로" 연세대 1995

    10 양승국, "최인훈 희곡의 독창성" (봄) : 1990

    1 이철우, "함세덕 희곡의 동선에 관한 연구" 한국현대문예비평학회 (15) : 279-300, 2004

    2 사진실, "한국연극사 연구" 태학사 1996

    3 김유미, "한국 현대희곡의 제의구조 연구" 연극과인간 2002

    4 신현숙, "한국 현대극의 무대읽기" 월인 2002

    5 金維美, "판소리 <심청가>의 현대적 계승에 대한 일고찰 : 채만식의 <심봉사>와 최인훈의 <달아달아 밝은 달아>를 중심으로" 고려대 1992

    6 조보라미, "최인훈 희곡의 연극적 기법과 미학" 연극과 인간 2011

    7 김성수, "최인훈 희곡의 연극성에 관한 연구" 연세대 1991

    8 박옥진, "최인훈 희곡의 비극성 연구" 숭실대 1995

    9 강애경, "최인훈 희곡의 문학성과 연극성에 관한 연구 : 「둥둥 낙랑둥」을 중심으로" 연세대 1995

    10 양승국, "최인훈 희곡의 독창성" (봄) : 1990

    11 이종대, "최인훈 희곡의 극언어" 2002

    12 홍진석, "최인훈 희곡연구" 태학사 1996

    13 이상우, "최인훈 희곡에 나타난 문의 의미" 4 : 1994

    14 서연호, "최인훈 희곡론" 고려대 민족문화연구소 28 : 1995

    15 유진월, "최인훈 희곡 연구" 경희대 1988

    16 김 향, "최인훈 희곡 〈둥둥 낙랑둥〉구조 연구" 연세대 2002

    17 이영미, "최인훈 희곡 "둥둥 낙랑둥"에 나타난 반사실주의 기법 연구" 단국대 2006

    18 김만수, "일란성 쌍생아의 비극:최인훈 <둥둥 낙랑둥>의 해체론적 연구" 6 : 1998

    19 최인훈, "옛날 옛적에 훠어이 훠이" 문학과지성사 1992

    20 제라르 즈네뜨, "서사담론" 교보문고 1992

    21 章惠典, "說話 素材 戱曲의 特性 硏究 : 崔仁勳의 作品을 中心으로" 이화여대 1981

    22 金永熙, "崔仁勳 희곡의 劇的 言語 연구" 부산대 1990

    23 김윤정, "1970년대 희곡의 전통 활용 양상과 극적 형상화 연구" 서울대 2005

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2028 평가 재인증평가 신청대상 (재인증)
    2022-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2019-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2016-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2012-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2008-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2007-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2006-04-10 학회명변경 영문명 : 미등록 -> The Society of Korean Performance Art and Culture KCI등재후보
    2006-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2005-03-21 학술지명변경 외국어명 : 미등록 -> The Research of Performance Art and Culture KCI등재후보
    2004-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.39 0.39 0.34
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.43 0.41 0.715 0.11
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