Ear training : a technique for listening

목차 (Table of Contents)

• CONTENTS
• Preface = xi
• Unit 1
• Melody 1A Melodic Dictation : Scalewise(Conjunct Diatonic) Melodies = 1
• Melody 1B Mode Identification : Major and Harmonic Minor Scales = 3
• Melody 1C Scale Degree Identification : Single Notes = 3
• Melody 1D Intervals : m2, M2, m3, M3 = 4
• Melody 1E Models and Embellishments : Short Melodic Structures = 5
• Harmony 1A Chord Function Identification : Ⅰ and Ⅴ Triads = 7
• Harmony 1B Chords in Music Literature : Ⅰ and Ⅴ Triads = 8
• Harmony 1C Harmonic Rhythm = 9
• Harmony 1D Triad Position Identification : Major and Minor Triads = 11
• Harmony 1E Chord Quality Identification : Major and Minor Triads = 12
• Harmony 1F Triad Factors in the Soprano = 13
• Rhythm 1A Rhythmic Dictation : Rhythm Including Half-Beat Values = 13
• Transcription 1 Single Melodic Lines and Melodies in Octaves = 14
• Unit 2
• Melody 2A Melodic Dictation : Melodies Using m2, M2, m3, M3 = 17
• Melody 2B Mode Identification : Major and Three Forms of the Minor Scale = 18
• Melody 2C Scale Degree Identification : Two Notes = 19
• Melody 2D New Intervals : P5 and P4 = 20
• Melody 2E Models and Embellishments : Descending Thirds in Two Voices = 20
• Harmony 2A Chord Function Identification : Ⅰ, Ⅳ, and Ⅴ Triads = 22
• Harmony 2B Chords in Music Literature : Ⅰ, Ⅳ, and Ⅴ Triads = 23
• Harmony 2C Nonharmonic Tones : Introduction = 24
• Harmony 2D Triad Position Identification : Major and Minor Triads = 26
• Harmony 2E Chord Quality Identification : Major, Minor, and Diminished Triads = 26
• Harmony 2F Triad Factors in the Soprano and Bass = 27
• Rhythm 2A Rhythmic Dictation : Duple and Triple Subdivisions of the Beat = 27
• Transcription 2 Two-Voice Examples = 29
• Unit 3
• Melody 3A Melodic Dictation : Melodies using m2, M2, m3, M3, P4, P5 = 31
• Melody 3B Error Detection : Scalewise Melodies with Errors = 32
• Melody 3C Scale Degree Identification : Three Notes = 33
• Melody 3D Interval Review : m2, M2, m3, M3, P4, P5 = 34
• Melody 3E Models and Embellishments : Simple Melodic Structures = 34
• Harmony 3A Chord Function Identification : Ⅰ, ⅱ, and Ⅴ Triads = 35
• Harmony 3B Chords in Music Literature : Ⅰ, ⅱ, and Ⅴ Triads = 37
• Harmony 3C Cadence Identification : Cadence Types = 38
• Harmony 3D Harmonic Dictation : Ⅰ(ⅰ), Ⅳ(ⅳ), and Ⅴ Triads in Four-Part Phrases = 38
• Harmony 3E Chord Quality Identification : Writing Major, Minor, Diminished, and Augmented Triads = 40
• Rhythm 3A Rhythmic Dictation : Rhythmic Figures Including Half-Beat Values = 41
• Rhythm 3B Error Detection : Dotted Rhythm Values = 42
• Transcription 3 Two-Voice Folk Music Examples = 44
• Unit 4
• Melody 4A Melodic Dictation : Scalewise Melodies and Arpeggiations of Ⅰ and Ⅴ = 45
• Melody 4B Error Detection : Errors in Melodies Outlining the Ⅰ, Ⅳ, and Ⅴ Triads = 46
• Melody 4C Scale Degree Identification : Three Notes = 48
• Melody 4D New Intervals : m6, M6 = 49
• Melody 4E Models and Embellishments : 5-6 Patterns in Two Voices = 50
• Harmony 4A Chord Function Identification : Ⅰ, ⅱ, Ⅳ, and Ⅴ Triads = 52
• Harmony 4B Chords in Music Literature : Ⅰ, ⅱ, Ⅳ, and Ⅴ Triads = 52
• Harmony 4C Nonharmonic Tones : Two-Voice Examples = 53
• Harmony 4D Harmonic Dictation : Ⅰ(ⅰ), ⅱ, Ⅳ(ⅳ), and Ⅴ Triads in Chorale Phrases = 55
• Harmony 4E Chord Quality Identification : Major, Minor, Diminished, and Augmented Triads = 57
• Rhythm 4A Rhythmic Dictation : Half-Beat Values in Syncopation = 58
• Rhythm 4B Error Detection : Half-Beat Values in Syncopation = 59
• Transcription 4 Two Austrian Dances(Two Voices) = 60
• Unit 5
• Melody 5A Melodic Dictation : Melodies Outlining the Ⅰ, Ⅳ, Ⅴ(and $$ⅶ^°6$$) Triads = 61
• Melody 5B Error Detection : Excerpts from Music Literature = 62
• Melody 5C Melodic Figure Identification : Sequence and Rhythmic Repetition = 64
• Melody 5D New Interval : The Tritone = 65
• Melody 5E Models and Embellishments : Descending 6ths in Two Voices = 65
• Harmony 5A Chord Function Identification : Ⅰ(ⅰ), ⅱ(ⅱ°), Ⅳ(ⅳ), and Ⅴ Triads and Inversions = 67
• Harmony 5B Chords in Music Literature : Ⅰ(ⅰ), ⅱ(ⅱ°), Ⅳ(ⅳ), and Ⅴ Triads = 68
• Harmony 5C Harmonic Rhythm and Nonharmonic Tones = 68
• Harmony 5D Harmonic Dictation : Ⅰ(ⅰ), ⅱ, Ⅳ(ⅳ), and Ⅴ Triads in Chorale Phrases = 69
• Harmony 5E Error Detection : Single Triads in Four Parts = 70
• Rhythm 5A Rhythmic Dictation : Introduction to Quarter-Beat Values = 71
• Rhythm 5B Error Detection : Quarter-Beat Values = 72
• Transcription 5 Piano Music with Pedal Point = 73
• Unit 6
• Melody 6A Melodic Dictation : Intervals of a 7th = 75
• Melody 6B Error Detection : Schubert Melodies = 76
• Melody 6C Melodic Figure Identification : Sequence, False Sequence, and Rhythmic Repetition = 77
• Melody 6D New Intervals : m7 and M7 = 79
• Melody 6E Models and Embellishments : 7-3 Patterns in Two Voices = 80
• Harmony 6A Chord Function Identification : Ⅰ, ⅱ, Ⅳ, Ⅴ, and ⅵ Triads = 81
• Harmony 6B Chords in Music Literature : Emphasis on ⅱ, Ⅳ, and ⅵ = 82
• Harmony 6C Nonharmonic Tones : Four-Voice Examples = 83
• Harmony 6D Harmonic Dictation : The Ⅰ(ⅰ), ⅱ(ⅱ°), Ⅳ(ⅳ), and Ⅴ Triads in Chorale Phrases = 83
• Harmony 6E Error Detection : Triads in Four Parts = 85
• Rhythm 6A Rhythmic Dictation : Quarter-Beat Values = 86
• Rhythm 6B Error Detection : Triplet Figures = 87
• Transcription 6 Theme and Variation = 88
• Unit 7
• Melody 7A Melodic Dictation : Two-Phrase Melodies = 91
• Melody 7B Error Detection : Handel Melodies = 92
• Melody 7C Melodic Figure Identification : Melodic Devices = 93
• Melody 7D Intervals : All Diatonic Intervals = 94
• Melody 7E Models and Embellishments : Cadence Formulas in Two Voices = 95
• Harmony 7A Chord Function Identification : Ⅰ(ⅰ), ⅱ(ⅱ°), ⅲ(Ⅲ, $$Ⅲ^+$$) Ⅳ(ⅳ), Ⅴ, and ⅵ(Ⅵ) Triads = 96
• Harmony 7B Chords in Music Literature : Emphasis on ⅲ and ⅵ = 97
• Harmony 7C Harmonic Rhythm and Harmonic Analysis : Ⅰ, ⅱ, Ⅳ, Ⅴ, and ⅵ Triads = 98
• Harmony 7D Harmonic Dictation : Ⅰ(ⅰ), ⅱ(ⅱ°), Ⅳ(ⅳ), Ⅴ, and ⅵ(Ⅵ) Triads in Chorale Phrases = 99
• Harmony 7E Error Detection : Triads in Four Parts = 100
• Rhythm 7A Rhythmic Dictation : Quarter-Beat Values = 101
• Rhythm 7B Rhythmic Dictation : Beat Units Divided into Triplets = 102
• Transcription 7 More Difficult Two-Voice Examples = 103
• Unit 8
• Melody 8A Melodic Dictation : Melodies with Larger Leaps = 105
• Melody 8B Error Detection : Franck Melodies = 106
• Melody 8C Harmonic Rhythm, Harmonic Analysis, Sequences, Phrase Relationships, and Cadences = 107
• Melody 8D Intervals : All Diatonic Intervals = 110
• Melody 8E Models and Embellishments : 5-6 Patterns in Three Voices = 111
• Harmony 8A Chord Function Identification : Diatonic Triads(Major Mode) = 112
• Harmony 8B Chords in Music Literature : All Triads = 113
• Harmony 8C Nonharmonic Tones : Bach Chorales(1) = 114
• Harmony 8D Harmonic Dictation : Ⅰ(ⅰ), ⅱ, Ⅳ(ⅳ), Ⅴ, ⅵ(Ⅵ), and ⅶ° Triads in Chorale Phrases = 116
• Harmony 8E Error Detection : Triads in Four Parts = 117
• Rhythm 8A Rhythmic Dictation : Quarter-Beat Values = 118
• Rhythm 8B Error Detection : Quarter-Beat Values = 119
• Transcription 8 Challenging Examples with Two and Three Voices = 120
• Unit 9
• Melody 9A Melodic Dictation : Short Melodies from Music Literature = 123
• Melody 9B Error Detection : Bach Melodies = 124
• Melody 9C Melodic Dictation : Two-Part Dictation = 125
• Melody 9D Intervals : Harmonic Intervals of the m3, Tritone, P5, m6, M6, m7 = 127
• Melody 9E Models and Embellishments : Descending First Inversion Triads = 128
• Harmony 9A Chord Function Identification : Six-Four Chords = 129
• Harmony 9B Chords in Music Literature : Six-Four Chords = 131
• Harmony 9C Harmonic Rhythm and Harmonic Analysis of Familiar Melodies = 132
• Harmony 9D Harmonic Dictation : All Diatonic Triads in Chorale Phrases = 133
• Harmony 9E Error Detection : Triads in Four Parts = 134
• Rhythm 9A Rhythmic Dictation : Compound Meters with Quarter-Beat Values = 135
• Transcription 9 Three-Voice Examples = 136
• Unit 10
• Melody 10A Melodic Dictation : Sequences = 139
• Melody 10B Error Detection : Themes from Music Literature Lacking Accidentals = 140
• Melody 10C Two-Voice Dictation = 141
• Melody 10D Intervals : All Intervals Played Harmonically = 143
• Melody 10E Models and Embellishments : 7th-Chord Patterns in Three Voices = 144
• Harmony 10A Chord Function Identification : Dominant 7th Chords = 145
• Harmony 14B Chords in Music Literature : Dominant 7th Chords(All Inversions) = 146
• Harmony 10C Nonharmonic Tones : Bach Chorales(2) = 147
• Harmony 10D Harmonic Dictation : The Dominant 7th Chord in Chorale Phrases = 148
• Harmony 10E Error Detection : Triads or Dominant 7th Chords = 149
• Rhythm 10A Rhythmic Dictation : Triple and Triplet Subdivisions = 150
• Rhythm 10B Rhythmic Dictation : Two-Voice Rhythms = 151
• Transcription 10 Two Chorale Melodies with Bass = 152
• Unit 11
• Melody 11A Melodic Dictation : Short Melodies That Modulate to Closely Related Keys = 153
• Melody 11B Error Detection : Excerpts from Music Literature = 154
• Melody 11C Phrase Relationships and Cadences = 155
• Melody 11D Intervals : All Intervals Played Harmonically = 157
• Melody 11E Models and Embellishments : Chord Progression with Melodic Embellishments = 158
• Harmony 11A Chord Function Identification : $$ⅶ^°7$$(Diminished 7th Chord) = 159
• Harmony 11B Chords in Music Literature : $$ⅶ^°7$$(Diminished 7th Chord) = 160
• Harmony 11C Aural Analysis : Aspects of Two-Phrase Excerpts = 161
• Harmony 11D Harmonic Dictation : Chorale Phrases That Modulate = 163
• Harmony 11E Chord Quality Identification : MM, Mm, mm, dm, and dd 7th Chords = 164
• Rhythm 11A Rhythmic Dictation : The Quartolet = 165
• Rhythm 11B Error Detection : More Difficult Rhythmic Errors = 166
• Transcription 11 Three-Voice Examples = 167
• Unit 12
• Melody 12A Melodic Dictation : Modulations to Closely Related Keys = 169
• Melody 12B Error Detection : Two-Voice Compositions = 170
• Melody 12C Binary, Rounded Binary, and Three-Part Form = 172
• Melody 12D Interval Dictation : Two Intervals in Succession = 173
• Melody 12E Models and Embellishments : Ⅰ-Ⅴ-Ⅰ Progression with Melodic Embellishments = 174
• Harmony 12A Chord Function Identification : Nondominant 7th Chords = 175
• Harmony 12B Chords in Music Literature : Nondominant 7th Chords = 176
• Harmony 12C Aural Analysis : Harmonic and Melodic Relationships in Musical Periods from Haydn Sonatas = 177
• Harmony 12D Harmonic Dictation : Modulations to Closely Related Keys = 178
• Harmony 12E Chord Quality Identification : MM, Mm, mm, dm, and dd 7th Chords = 180
• Rhythm 12A Rhythmic Dictation : Eighth-Beat Values = 180
• Rhythm 12B Error Detection : Eighth-Beat Values = 182
• Transcription 12 Keyboard Music with Two and Three Voices = 182
• Unit 13
• Melody 13A Melodic Dictation : Modulation in Two-Phrase Periods = 185
• Melody 13B Error Detection : Brahms Melodies = 186
• Melody 13C Binary, Rounded Binary, and Three-Part Form = 188
• Melody 13D Interval Dictation : Two and Three Intervals in Succession = 190
• Melody 13E Models and Embellishments : Ⅰ-Ⅴ-Ⅰ Progression with Diatonic Melodic Embellishments = 190
• Harmony 13A Chord Function Identification : Secondary Dominants of Ⅴ and ⅱ = 192
• Harmony 13B Chords in Music Literature : Secondary Dominants of ⅱ, Ⅳ, and Ⅴ = 193
• Harmony 13C Aural Analysis : Key, Phrase, and Cadence Relationships in Musical Excerpts = 194
• Harmony 13D Harmonic Dictation : Chorale Phrases Containing 7th Chords = 195
• Harmony 13E Error Detection : Triads and 7th Chords = 197
• Rhythm 13A Rhythmic Dictation : Introduction to the Supertriplet = 198
• Rhythm 13B Error Detection : Eighth-Beat Values = 198
• Transcription 13 Keyboard Music with Two and Three Voices = 200
• Unit 14
• Melody 14A Melodic Dictation : Modulation in Two-Phrase Melodies = 203
• Melody 14B Error Detection : Excerpts from Music Literature = 204
• Melody 14C Mode Identification : Dorian, Phrygian, Lydian, and Mixolydian Modes = 205
• Melody 14D Interval Dictation : Three Intervals in Succession = 206
• Melody 14E Models and Embellishments : Ⅰ-Ⅴ-Ⅰ Progression with Chromatic Melodic Embellishments = 207
• Harmony 14A Chord Function Identification : Secondary Dominants of Ⅳ(ⅳ) and ⅵ(Ⅵ) = 208
• Harmony 14B Chords in Music Literature : Secondary Dominants and Leading Tone Chords of ⅲ and Ⅳ = 209
• Harmony 14C Aural Analysis : Four-Phrase Excerpt from a Beethoven Piano Sonata = 209
• Harmony 14D Harmonic Dictation : Chorale Phrases Containing Secondary Dominants = 210
• Harmony 14E Error Detection : Triads and 7th Chords = 212
• Rhythm 14A Rhythmic Dictation : Subtriplet in Simple and Compound Meter = 213
• Rhythm 14B Error Detection : Subtriplet in Simple and Compound Meter = 214
• Transcription 14 Challenging Keyboard Music = 215
• Unit 15
• Melody 15A Melodic Dictation : Nondiatonic Tones = 219
• Melody 15B Error Detection : Five-Note Melodic Figures = 220
• Melody 15C Mode Identification : Dorian, Phrygian, Lydian, Mixolydian, and Aeolian Modes = 220
• Melody 15D Interval Dictation : Adding Proper Accidentals to Modal Melodies = 221
• Melody 15E Models and Embellishments : Harmonic Structure with Melodic and Harmonic Embellishments = 223
• Harmony 15A Chord Function Identification : All Secondary Dominants = 224
• Harmony 15B Chords in Music Literature : All Secondary Dominants and Leading Tone Chords = 224
• Harmony 15C Aural Analysis : Phrase, Key, Cadence, and Harmonic Relationships in a Five-Phrase Excerpt from a Beethoven Piano Sonata = 225
• Harmony 15D Harmonic Dictation : Modulation in Chorale Phrases = 226
• Harmony 15E Error Detection : Triads and 7th Chords = 227
• Harmony 15F Identifying Modulations to Closely Related and Foreign Keys = 228
• Rhythm 15A Rhythmic Dictation : More Difficult Rhythms = 229
• Rhythm 15B Error Detection : More Difficult Rhythmic Errors = 230
• Transcription 15 Chromatic Examples = 231
• Unit 16
• Melody 16A Melodic Dictation : Nondiatonic Tones = 233
• Melody 16B Error Detection : Short Melodic Segments Based on Intervals = 234
• Melody 16C Melodic Dictation : Typical Blues Figures = 234
• Melody 16D Interval Dictation : Two-Voice Modal Compositions = 235
• Melody 16E Models and Embellishments : Harmonic Structure with Melodic and Harmonic Embellishments = 237
• Harmony 16A Chord Function Identification : German and French Augmented 6th Chords and the Neapolitan 6th Chord = 238
• Harmony 16B Chords in Music Literature : Neapolitan 6th Chords and Augmented 6th Chords = 239
• Harmony 16C Aural Analysis : Binary, Rounded Binary, and Three-Part Forms = 244
• Harmony 16D Harmonic Dictation : Chorale Phrases Containing Neapolitan 6th and Augmented 6th Chords = 242
• Harmony 16E Error Detection : Triads and 7th Chords = 244
• Rhythm 16A Rhythmic Dictation : Changing Meters = 244
• Rhythm 16B Error Detection : Review = 245
• Transcription 16 Advanced Chromatic Examples = 247
• Glossary = 249