The development of western music : a history

목차 (Table of Contents)

• CONTENTS
• List of Insights = xiii
• Preface = xv
• Prelude = 3
• Chapter 1 Heritage from Antiquity = 5
• Near Eastern Music = 5
• Greek Music = 7
• Musical Instruments = 9
• The Greek View of Music = 10
• Philosophy and the Doctrine of Ethos = 12
• Music of the Spheres = 13
• Greek Music Theory = 13
• Rhythm = 13
• Tetrachords and Systems = 14
• Modes or Tonoi = 15
• Singing by Syllables = 17
• Music in ancient Rome = 17
• Musical Instruments = 18
• Music in Roman Life = 18
• Summary = 19
• Chapter 2 The Early Christian Era = 21
• The Established Christian Church = 23
• The Church Fathers and Music = 23
• Monasticism = 24
• Great Latin Writers ： Cassiodorus, Boethius = 24
• Pope Gregory Ⅰ, "the Great" = 25
• Establishment of Papal States = 25
• The Byzantine Church = 27
• Byzantine Hymns = 27
• The Jewish Synagogue = 28
• Summary = 29
• Chapter 3 Ecclesiastical Chant = 31
• Gregorian chant = 31
• Chant Rhythm = 31
• Gregorian chant Notation = 32
• The Church Modes = 34
• Classes and forms of chant = 34
• Psalm Tones = 35
• Reciting Notes = 36
• Regional Liturgies = 36
• Summary = 38
• Chapter 4 The Roman Liturgy = 39
• Liturgical Year = 39
• Liturgical Books = 39
• The Offices = 40
• The Mass = 41
• Early History = 41
• The Mass Liturgy = 42
• Introit = 43
• Kyrie eleison = 46
• Gloria = 47
• Gradual = 47
• Alleluia = 48
• Tract = 48
• Sequence = 48
• Credo = 49
• Offertory = 49
• Communion = 49
• Sanctus ／ Benedictus = 50
• Agnus Dei = 50
• Dismissal = 51
• Requiem Mass = 51
• Tropes = 52
• Sequences = 53
• Liturgical drama = 54
• Summary = 55
• Chapter 5 Early Middle Ages = 57
• Medieval Music Theory = 62
• Modal scales = 62
• Notation = 63
• Guido d'Arezzo = 63
• Medieval Instruments = 66
• Organ = 66
• Strings = 68
• Winds and Percussion = 69
• Early Polyphony = 70
• Organum = 71
• Twelft-century Polyphony = 74
• St. Martial(Aquitanian) School = 74
• Santiago de Compostela = 77
• britain = 79
• Summary = 79
• Chapter 6 The Middle Ages -Ars Antiqua = 83
• History of paris = 83
• The Parisian(Notre Dame) School = 86
• Rhythmic Modes = 87
• Leonin = 88
• Perotin = 91
• Conductus = 93
• Motet = 94
• Franco of cologne = 99
• Petrus de Cruce(Pierre de la Croix) = 102
• Polyphony in britain = 102
• Sumer is icumen in = 103
• Musica ficta = 104
• Summary = 104
• Chapter 7 Medieval Monophony = 105
• Latin Songs = 105
• The Cambridge Songs = 106
• Hildegard von Bingen = 107
• Anonymous Latin Songs = 108
• Vernacular Songs = 108
• Troubadours. Trouv$$\grave e$$res = 109
• Musical Forms = 111
• Adam de la Halle = 114
• Trobairitz = 115
• Spanish Monophony = 115
• Italian Monophony = 116
• Germanic Monophony = 117
• Meistersinger = 118
• English Monophony = 118
• Instrumental Music = 119
• Summary = 120
• Chapter 8 Late Meieval Music = 121
• France - Ars nova = 125
• Philippe de Vitry = 125
• Other theorists = 127
• Le Roman de Fauvel = 127
• Isorhythm = 128
• Jehannot de I'Escurel = 129
• Guillaume de Machaut = 130
• Motets = 130
• Mass = 132
• Hocket = 134
• Lais = 134
• Ballades = 134
• Rondeaux = 136
• Virelais = 136
• Other Mass compositions = 136
• Ars subtilior = 137
• England = 138
• Old Hall Manuscript = 139
• Leonel Power = 140
• John Dunstable = 141
• English Carol = 142
• Italy = 142
• Italian Notation = 142
• Manuscript Sources = 143
• Madrigal = 144
• Caccia = 145
• Ballata = 145
• Francesco Landini = 145
• Spain = 146
• Performance Practices - Musica ficta = 146
• Instruments = 148
• Summary = 149
• Chapter 9 Transition to Renaissance = 151
• Guillaume Du Fay = 155
• Secular Songs = 156
• Motets = 158
• Masses = 162
• Burgundy = 164
• Burgundian Music = 166
• Basse danse = 168
• Gilles de Binche(Binchois) = 168
• Chansons = 169
• Sacred Works = 169
• Antoine de Busne(Busnois) = 170
• Franco-Netherlands Composers = 173
• Alexander Agricola = 173
• Johannes Tinctoris = 173
• Spain = 175
• England = 175
• Germany = 176
• Conrad Paumann = 176
• Summary = 178
• Chapter 10 The Renaissance： Franco - Netherlands Composers = 179
• Johannes Ockeghem = 182
• Secular Music = 184
• Sacred Music = 184
• Masses = 185
• Motets = 190
• Jacob Obrecht = 190
• Secular Music = 191
• Sacred Music = 191
• Motets = 192
• Masses = 193
• Josquin Desprez = 195
• Secular Music = 197
• Sacred Music = 197
• Masses = 197
• Motets = 200
• Josquin's Contemporaries = 202
• Heinrich Isaac = 202
• Pierre de La Rue = 203
• Jean Mouton = 204
• The Next Generation of Francco - Netherlands Composers = 204
• Jacob Clement = 204
• Nicolas Gombert = 206
• Adrian Willaert = 206
• Spain = 209
• Advances in Printing = 210
• Summary = 211
• Chapter 11 The Rise of Regional Styles = 213
• Italy = 213
• Lauda = 213
• Canti carnascialeschi = 214
• Frottola = 215
• Villanella = 217
• Madrigal = 217
• Canzonetta = 224
• Balletto = 225
• Music at Italian Courts = 225
• France = 228
• Chanson = 228
• Voix de ville = 231
• Air de cour = 231
• Musique mesur$$\acute e$$e = 231
• England = 232
• Madrigal = 232
• Consort Song = 233
• Lute Song or Ayre = 234
• Germanic lands = 235
• Meisterlieder = 235
• Polyphonic Lied = 236
• Ode = 236
• Quodlibet = 237
• Iberia = 237
• Summary = 238
• Chaper 12 Reformation and Counter - Reformation = 239
• The Reformation = 240
• Martin Luther = 240
• Chorale = 242
• Johann Walter = 244
• Georg Rhau = 244
• Scandinavia = 245
• France, Switzerland, Holland = 245
• England = 246
• John Taverner = 248
• Christopher Tye = 249
• Thomas Tallis = 249
• William Byrd = 249
• The Counter - Reformation = 252
• Giovanni Pierluigi da Palestrina = 254
• Secular Music = 256
• Sacred Music = 256
• Tom$$\acute a$$s Luis de Victoria = 258
• Orlande de Lassus = 260
• Sacred Music = 260
• Secular Works = 264
• Summary = 265
• Chapter 13 Renaissance Instrumental Music = 267
• Instruments = 267
• Wind Instruments = 270
• String Instruments = 270
• Keyboard Instruments = 271
• Percussion = 272
• Instrument Collections = 273
• Instrumental Music = 273
• Music from Vocal Models = 273
• Dance Music = 275
• Variations = 276
• Improvisatory Works = 277
• The Venetian School = 279
• Andrea Gabrieli = 280
• Giovanni Gabrieli = 281
• Summary = 282
• Chapter 14 The Baroque Era = 283
• Two Practices, Three Styles = 283
• Idiomatic Composition = 285
• The Affections = 285
• Texture ： Basso continuo = 286
• Key Tonality = 288
• Rhythm = 288
• Notation = 288
• Music Printing = 289
• Summary = 291
• Chapter 15 Baroque Vocal Music = 293
• Monody = 293
• Opera = 295
• Precursors of Opera = 296
• The First operas = 297
• Dafne = 298
• Euridice = 299
• Emilio de' Cavalieri = 301
• Librettists = 302
• Laura Guidiccioni = 302
• Ottavio Rinuccini = 303
• Alessandro Striggio = 303
• Mantua = 303
• Claudio Monteverdi = 304
• Monteverdi's Works = 308
• Sacred Music = 308
• Madrigals, Secular Songs = 309
• Stage Works = 310
• Rome = 313
• Venice = 314
• Naples = 318
• Alessandro Scarlatti = 319
• France = 321
• Jean - Baptiste Lully = 322
• Lully's Works = 324
• England = 326
• Germanic Lands = 328
• Spain = 329
• Russia, Bohemia = 330
• Oratorio = 331
• Filippo Neri = 331
• Giovanni Animuccia = 331
• Giovanni Anerio = 331
• Giacomo Carissimi = 332
• Women composers of Dramatic Works = 333
• Passion = 334
• Heinrich Sch$$\ddot u$$tz = 335
• Cantata = 340
• Summary = 342
• Chapter 16 Baroque Instrumental Music = 345
• Instrumental Music Types = 345
• Pieces in Imitative Counterpoint = 345
• Variation = 347
• Dance Music = 347
• Dances = 348
• Suite = 348
• Quasi - improvisatory Compositions = 351
• French Lute Music = 351
• Organ Music = 352
• Toccata = 353
• Fugue = 353
• Chorale-based Compositions = 354
• Italian composers = 355
• Girolamo Frescobaldi = 355
• Bernardo Pasquini = 356
• German composers = 357
• Dietrich Buxtehude = 357
• Clavier Music = 359
• Theme and Variations = 359
• Suite = 360
• Sonata = 360
• French composers = 361
• Jacques Champion de Chambonni$$\grave e$$res = 361
• Elisabeth Jacquet de la Guerre = 361
• Francois Couperin le grand = 362
• Iberian Composers = 364
• Spanish and Portuguese America = 365
• Summary = 366
• Ensemble Music = 366
• Italy = 367
• Venice = 368
• Modena = 369
• Bologna = 370
• G. B. Vitali = 373
• Pietro degli Antonii = 373
• Domenico Gabrielli = 373
• Giuseppe Torelli = 374
• Arcangelo Corelli = 375
• Corelli's Style = 375
• Trio Sonatas = 378
• Concerti grossi = 379
• Solo Sonatas = 379
• Corelli's Influence = 380
• England = 380
• Henry Purcell = 380
• France = 382
• Francois Couperin le grand = 382
• Jean-Marie Leclair = 383
• Germanic Lands = 383
• Sonatas = 383
• Suites, Dance Music = 384
• Georg Muffat = 385
• Summary = 386
• Chapter 17 Eminent Composers of the Early Eighteenth Century = 387
• Antonio Vivaldi = 387
• Vivaldi's Music = 389
• Georg Philipp Telemann = 390
• Telemann's Music = 394
• Telemann's Influence = 394
• Jean-Philippe Rameau = 395
• Rameau's Music = 397
• Stage Works = 397
• Keyboard Music = 398
• Treatises = 398
• Johann Sebastian Bach = 399
• Influences = 404
• Bach's Music = 405
• Vocal Music = 405
• Cantatas = 405
• Motets = 407
• Oratorios and Passions = 409
• Masses and Magnificats = 410
• Chorales and Songs = 410
• Keyboard Music = 411
• Clavier-$$\ddot U$$bung Series = 411
• Didactic Works = 413
• Harpsichord Suites = 414
• Other Clavier Works = 415
• Other Organ Works = 415
• Orchestral Works = 415
• Chamber Music = 416
• George Frideric Handel = 418
• Vocal Music = 424
• Instrumental Music = 426
• Chamber Music = 427
• Keyboard Works = 427
• Summary = 427
• Chapter 18 Eighteenth-Century Pre-Classical Music = 429
• The Enlightenment = 429
• Aspects of Musical Life = 432
• Public Concerts = 432
• Pre-Classical Styles = 433
• Style Galant = 433
• Empfindsamer Stil = 434
• Sturm und Drang = 434
• Formal Structure = 435
• Sonata Form = 438
• Domenico Scarlatti = 439
• Scarlatti's Music = 440
• Pre-Classical Concerto = 442
• Carl Philipp emanuel Bach = 443
• C. P. E. Bach's Music = 446
• Keyboard Works = 446
• Orchestral and Chamber Music = 447
• Vocal Music = 448
• The Symphony = 448
• Mannheim = 450
• Johann V$$\acute a$$clav anton Stamitz = 450
• Vienna = 451
• Paris = 452
• Treatises = 454
• Giuseppe Tartini = 454
• Leopold Mozart = 455
• Music in America = 455
• Summary = 456
• Vocal Music = 458
• Italian Opera = 458
• Metastasio = 458
• Pergolesi = 460
• Hasse = 461
• Jommelli = 463
• Johann Christian Bach = 463
• Traetta = 464
• Intermezzo = 464
• Opera buffa = 466
• Light Opera Outside Italy = 467
• Op$$\acute e$$ra comique = 467
• Querelle des Bouffons = 467
• Gr$$\acute e$$try = 468
• Ballad Opera = 468
• Singspiel = 469
• Secular Song = 470
• French songs = 470
• German songs = 470
• Masses and Motets = 471
• Summary = 472
• Chapter 19 The Classic Era = 475
• Principal Generes and Forms = 477
• The sonata = 477
• The symphony = 477
• The Concerto = 479
• String quartet = 481
• Chamber Music with Piano = 482
• Divertimento = 483
• Symphonie concertante = 484
• Christoph Willibald Gluck = 485
• Gluck's "Reform" Operas = 487
• Franz Joseph Haydn = 490
• His Life = 491
• Haydn's Music = 495
• Vocal works = 495
• Keyboard Works = 497
• Chamber Music = 498
• Symphonies = 502
• Concerti = 505
• Wolfgang Amadeus Mozart = 506
• Salzburg, 1773-1781 = 509
• The Vienna Years = 511
• Mozart's Works = 512
• Church Music = 512
• Operas = 513
• Symphonies = 517
• Solo Keyboard Works = 521
• Concerti = 522
• Chamber Music ： Quartets = 524
• Quintets = 526
• Chamber Music with Piano = 527
• Other Composers = 527
• Antonio Salieri = 527
• Johann Rudolf Zumsteeg = 528
• Music in North America = 529
• Summary = 533
• Chapter 20 From Classicism to Romanticism = 535
• The London School of Pianists = 536
• Bohemian Pianists = 538
• Ludwig van Beethoven = 539
• Personal Characteristics = 543
• Beethoven's Music in General = 544
• Style Periods = 545
• Bonn, 1782-1792 = 545
• Vienna, 1793-c. 1802 = 546
• Vienna, c. 1803-c. 1815 = 547
• Vienna. c. 1815-1827 = 547
• Piano Sonatas = 548
• Variations = 553
• Chamber Music = 554
• Trios with Piano = 554
• String Trios = 555
• String quartets = 555
• Ensemble Sonatas = 559
• Symphonies = 562
• Works for Solo Instrument(s) and orchestra = 571
• Large Vocal Works with Orchestra = 572
• Summary = 575
• Chapter 21 Beethoven's contemporaries = 577
• Romantic Music = 580
• Music in France = 582
• Opera comique = 582
• Luigi Cherubini = 583
• Etienne-Nicolas Mehul = 584
• All-sung Opera = 585
• Gaspare Spontini = 585
• Daniel-Francois-Esprit Auber = 586
• Grand Opera = 587
• Music in Austro-Germanic lands = 587
• Ludwig Spohr = 588
• E. T. A. Hoffmann = 590
• Carl Maria von weber = 590
• Weber's Music = 592
• Lesser Composers of Opera = 594
• Lieder = 595
• Carl Loewe = 595
• Franz Peter Schubert = 596
• Schubert's Music in General = 602
• Vocal Music = 604
• Piano Works = 606
• Chamber Music = 608
• Orchestral Music = 610
• Schubert's Contributions = 610
• Luise Reichardt = 611
• Music in Italy = 611
• Johannes Simon Mayr = 613
• Gioachino Rossini = 613
• Music in Iberia = 618
• Music in America = 619
• Latin and South America = 619
• North America = 620
• Summary = 620
• Chapter 22 Musical Expansion in Mid-Nineteenth Century = 623
• Vocal Music = 625
• Cecilian Movement = 626
• Instrumental Music = 627
• Piano Playng = 628
• Music in Austro-Germanic Lands = 628
• Warsaw ： Fr$$\acute e$$d$$\acute e$$ric Chopin = 629
• Influences and Style = 631
• Chopin's Works = 632
• Felix Mendelssohn(Bartholdy) = 634
• Mendelssohn's Style = 637
• Orchestral Works = 637
• Concerti = 640
• Chamber Music = 640
• Keyboard Solos = 640
• Stage Works = 642
• Vocal Music = 642
• Influence and Contributions = 644
• Fanny Hensel = 644
• Robert Schumann = 646
• Contributions and Style = 649
• Piano Music = 650
• Chamber Music = 651
• Symphonies = 651
• Vocal Music = 652
• Critical Writings = 654
• Clara Wieck Schumann = 654
• Her Music = 655
• Music in Denmark = 656
• Johann Peter E. Hartmann = 656
• Niels Gade = 656
• Music in France = 657
• Grand Opera = 657
• Op$$\acute e$$ra comique = 660
• Bizet = 660
• Lyric Opera = 661
• Op$$\acute e$$ra bouffe ; Operetta = 662
• Louis-Hector Berlioz = 662
• Style Characteristics = 664
• Instrumental Music = 665
• Operas = 667
• Choral Works = 668
• Berlioz as Author = 670
• Minor Composers = 670
• Music in Italy = 670
• Niccol$$\grave o$$ Paganini = 670
• Italian Opera = 672
• Gaetano Donizetti = 672
• Vincenzo Bellini = 674
• Music in England = 675
• Music in North America = 676
• United States = 676
• Piano Music = 678
• Orchestral Music ; Opera = 679
• Canada = 679
• Summary = 680
• Chapter 23 Master Composers of the Late Nineteenth Century = 683
• Rchard Wagner = 683
• His Contributions = 686
• His Music = 686
• Giuseppe Verdi = 692
• His Music = 695
• Franz Liszt = 699
• Style = 700
• Liszt's Keyboard Music = 701
• Music for Piano and Orchestra = 702
• Orchestral and Chamber Music = 702
• Vocal Music = 704
• Contributions = 704
• Johannes Brahms = 704
• Style = 706
• Solo Keyboard Music = 707
• Chamber Music = 708
• Orchestral Works = 709
• Music for Solo Voice(s) = 714
• Choral Works = 716
• Anton Bruckner = 717
• His Music = 719
• Vocal Works = 720
• Instrumental Works = 721
• Summary = 723
• Chapter 24 Late Nineteenth-Century-Early Twentieth-Century Music = 725
• Nationalism = 725
• Russia = 727
• Moguchaya Kuchka, "Mighty Handful" = 729
• Nonnationalistic Russian composers = 739
• Czechoslovakia = 744
• Bedrich Smetana = 744
• Antonin Dvor$$\acute a$$k = 747
• Leos Jan$$\acute a$$cek = 749
• Scandinavia = 750
• sweden = 750
• Norway = 751
• Finland = 753
• German and Austrian Composers = 755
• Hugo Wolf = 755
• Gustav Mahler = 757
• Richard Strauss = 761
• Strauss's Tone Poems = 762
• Opera conductor and Composer = 763
• Engelbert Humperdinck = 765
• Max Reger = 766
• Verismo = 766
• Puccini = 767
• France = 768
• C$$\acute e$$sar Franck = 769
• d'Indy = 769
• Saint-Sa$$\ddot e$$ns = 770
• Faur$$\acute e$$ = 771
• Impressionism = 772
• Debussy = 773
• Ravel = 776
• Other Impressionist Composers = 779
• Lili Boulanger = 779
• Erik Satie = 779
• Les Six Francais = 780
• Britain = 781
• England = 781
• Gustavus T.(von) Holst = 782
• Edward Elgar = 783
• Ethel Smyth = 783
• Frederick Delius = 784
• Wales, Ireland, Scotland = 785
• United States = 785
• Paine = 786
• MacDowell = 786
• Cadman, Farwell = 787
• Mrs. H. H. A. Beach = 788
• Foote, Chadwick, Parker = 788
• Ives = 789
• Cowell = 793
• Jazz = 794
• Summary = 796
• Chapter 25 Developments between the World Wars = 799
• Integration of Folk and Art Music Styles = 802
• Hungary = 802
• Bart$$\acute o$$k = 802
• Kod$$\acute a$$ly = 807
• Germany = 807
• Orff = 807
• England = 808
• Vaughan Williams = 808
• Britten = 812
• Russia = 814
• Prokofiev = 815
• Shostakovich = 816
• The Second Viennese School = 818
• Schoenberg = 820
• Berg = 823
• Webern = 827
• Neo-Classicism = 831
• Les Six-Later = 831
• Hindemith = 834
• Stravinsky = 837
• Nadia Boulanger = 844
• United States = 845
• Copland = 845
• Gershwin = 848
• Ruth Crawford Seeger = 849
• Other American Composers = 850
• Latin and South American Composers = 851
• Summary = 852
• Chapter 26 Music Since 1945 = 855
• Technology = 857
• Electronic Instruments = 860
• Serialism = 860
• Messiaen = 861
• France―Musique concr$$\grave e$$te = 868
• Boulez = 869
• Germany-Electronic Music = 871
• Stockhausen = 871
• Music in America = 875
• Var$$\grave e$$se = 875
• Babbitt = 877
• Cage = 879
• Oliveros = 881
• Ivey = 882
• Italy-Berio = 882
• Composers Working Outside Electronics = 883
• Crumb = 883
• Musgrave = 884
• Ligeti = 885
• Penderecki = 886
• Minimalism = 888
• Reich = 889
• After 1970 = 890
• Summary = 891
• Appendix = 893
• Select Bibliography = 895
• Index = 927