미당 문학문화콘텐츠 연구

다국어 초록 (Multilingual Abstract)

This paper aims to expand the method of enjoying Seo Jeong-ju literature using the literary world which had been built by Midang Seo Jeong-ju(1915~2000) over 68 years. The compilation of『Complete Works of Midang Seo Jeong-ju』(a total of 20 volumes) designed by Eunhaengnamu to commemorate the 100th anniversary of the birth of the poet was complete in August 2017. This complete collection shows the literary world of Seo Jeong-ju, which is organized in an orderly way. This paper offers contents for the promotion of Seo Jeong-ju literature, based on the literary works of Seo Jeong-ju that are intensively summarized focusing on ‘poetry(the 1st volume to the 5th volume), autobiography(the 6th volume to the 7th volume), prose(the 8th volume to the 11st volume), poetics(the 12nd volume to the 13rd volume), the wanderings(the 14th volume to the 15th volume), the old stories(the 16th volume to the 17th volume), novel·play(the 18th volume), biography(the 19th volume) and translation(the 20th volume)’.
It is a problem that a cultural state with the philosophy of respect for literature does not give major coverage to Seo Jeong-ju and his literary world. Seo Jeong-ju was awarded the Geumgwan Order of Culture Merit for his glorious contribution to the development of Korean culture and arts. On the other hand, he is rated as a deep-rooted evil to clear up for his pro-Japanese and dictatorial behavior and the reviews on him are accompanied by ill fame and critical comments as a necessity, even though he is the home of the Korean contemporary literature history. Nevertheless, it is hard to comprehend the entire picture of the Korean contemporary literature history without the presence of Seo Jeong-ju. Now that dark tourism is prevalent today, it is thought that the fault of Seo Jeong-ju can even be embraced generously as a negative heritage of the literary world.
Chapter 2 considers the Culture Contents studies and the theory of cultural industry which are theoretical settings of this paper. Based on this consideration, the ‘culture contents of Midang literature’ are defined as the overall world of Midang Seo Jeong-ju’s works and the Culture Contents that use the world of his works as an archetypal material’, that is to say, ‘Seo Jeong-ju’s literary culture provided via the media and its contents’. This is to extend the possibility of using the Culture Contents of Seo Jeong-ju’s literature in ordinary life and in the field of literature education variously, considering the literary world of Seo Jeong-ju that contains national culture as a kind of ‘cultural archetype’ to pass down and develop. This paper suggests three Culture Contents of Midang literature to discover and develop; ‘Character: The 1st Korean archetype, Event: A funny and touching story and Topic: A flower as a symbol of life’.
Chapter 3 classifies Culture Contents of Midang literature into ‘language culture contents, art culture contents and life culture contents’ and analyzes the present state of development of the Culture Contents. Here, ‘language culture contents’ include ‘publication·printing and periodicals’. ‘Midang literature festival, video·broadcasting image, music, popular culture and arts industry, film and cartoon·animation’ belong to ‘art culture contents’. Lastly, ‘life culture contents’ refer to ‘cultural properties(literary tourism), characters, souvenirs, including works of art·handicrafts, game·edutainment and mobile culture contents·digital culture contents’. When classifying in accordance with the level of development, ‘publication·printing and Midang literature festival’ are ‘developed’ domains, ‘video·broadcasting image, music, periodicals, cultural properties(literary tourism), characters and popular culture and arts industry’ are ‘underdeveloped’ domains and ‘souvenirs, including works of art·handicrafts, film, game·edutainment, cartoon·animation and mobile culture contents·digital culture contents’ are ‘undeveloped’ domains.
Chapter 4 displays three directions of Midang literary Culture Contents. The first is ‘to create an environment for enjoying literary culture’. The literary world of Seo Jeong-ju contains the whole aspect of the 20th century that he lived in and all of ancient and futuristic things that he had inquired into throughout his life. The literary world of Seo Jeong-ju is full of community life experience and aesthetic consciousness in addition to individual lives and reveals language culture, life culture and art culture of those days as a whole. We can experience the past, face up to the reality and look to the future, enjoying Seo Jeong-ju’s literature. In spite of the value of Seo Jeong-ju’s literary world, it is true that we have a scant chance of experiencing Seo Jeong-ju’s literature. No literature textbooks of the 2015 revised curriculum include the works of Seo Jeong-ju, which means it is likely that learners will never once experience Seo Jeong-ju’s literature during their school lives, unless teachers reconstruct the textbooks or learners search for his works in person. It is required to build up the foundation and create an environment to enjoy Seo Jeong-ju’s literature even out of school.
The second is ‘to establish the foundation for creation·research’. In terms of the Culture Contents of Midang literature, the literary award ceremony and the symposium in the Midang literary festival disappeared together after the Midang literary award was abolished. Since there is almost no program for the general public and researchers, it is urgently needed to restore the Midang literary award and develop contents, which encourage people of all ages to produce literary culture. Also, there is a need to establish a Midang research center as the pivot of research on Seo Jeong-ju and planning and development of relevant contents and launch diverse projects in collaboration with the Midang Meomorial Association. The creation·research foundation is to preserve valuable the Culture Contents of Midang Literature long.
The third is ‘to change the way of communicating’. Communication during acceptance·production of literature is generated between works and readers, inside the readers, between readers and between readers and authors. The advancement of the internet has brought about different aspects of communication. Nowadays, literature is provided by auditory devices, such as Audio book and Pod cast or by audio-visual devices like Youtube, not only by paper books. Readers post their honest comments on stories and writers in real time through the internet. Although the characteristics of readers, who lead communication environments and communication have varied, the method of distributing Seo Jeong-ju’s literature has not been changed. It’s time to alter the system that provides readers with Seo Jeong-ju literature. Seo Jeong-ju’s literature needs to be converted into video·broadcasting image and mobile culture contents·digital culture contents and a place for communication among people enjoying his literature is required.
The literary world constructed by Seo Jeong-ju is valuable, because there is an achievement in the discovery and the reproduction of the archetype of the national culture and can serve as a base of One-Source Multi-Use itself and as fundamental and key data in the Culture Contents industry. From this point of view, this paper introduced the concept of literary Culture Contents to enlarge the way of enjoying Midang’s literary world. This paper has significance by making an attempt to broaden the horizon of literary contents, on the basis of relevant studies like Culture Contents studies and consumer psychology and various laws.

Key Words: Seo Jeong-ju, Midang Literature, Literary Culture, Culture Contents, Literary Culture Contents, Midang Literary Culture Contents, Language Culture Contents, Art Culture Contents, Life Culture Contents, Cultural Archetype, Culture Contents Industry, Midang Literary Festival, Midang Memorial Business Association, Midang Digital Library

목차 (Table of Contents)

• 제1장 서 론 1
• 제1절 연구의 목적과 필요성 1
• 제2절 선행 연구 검토 6
• 제3절 연구의 방법 11
• 제2장 이론적 배경 12
• 제1절 문화콘텐츠와 문학문화콘텐츠 12
• 1. 문화콘텐츠의 개념과 정체성 12
• 2. 문화콘텐츠와 문학문화콘텐츠의 관계 26
• 제2절 국내외 문인 문학문화콘텐츠의 사례 29
• 1. 김수영 문학문화콘텐츠 29
• 2. 루시 모드 몽고메리 문학문화콘텐츠 31
• 제3절 문학문화콘텐츠로서의 서정주 문학 34
• 1. 미당 문학문화콘텐츠의 개념과 의의 34
• 2. 미당 문학문화콘텐츠 기획·개발의 전제 39
• 3. 미당 문학문화콘텐츠의 내용 구성 45
• 제3장 미당 문학문화콘텐츠의 개발 현황 94
• 제1절 언어문화콘텐츠 94
• 제2절 예술문화콘텐츠 98
• 제3절 생활문화콘텐츠 120
• 제4장 미당 문학문화콘텐츠의 개발 방향 175
• 제1절 문학문화 향유 환경 조성 175
• 제2절 창작·연구 기반 마련 181
• 제3절 소통 방식의 전환 182
• 제5장 결 론 184
• 참 고 문 헌 186
• ABSTRACT 193

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