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      韓國 現代美術의 地域的 特性 比較를 通한 地域美術 硏究

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      https://www.riss.kr/link?id=T2142687

      • 저자
      • 발행사항

        공주 : 公州大學校, 1996

      • 학위논문사항

        학위논문(석사) -- 公州大學校 敎育大學院 , 美術敎育專攻 , 1996

      • 발행연도

        1996

      • 작성언어

        한국어

      • 주제어
      • KDC

        653.05

      • 발행국(도시)

        충청남도

      • 형태사항

        iii,65 L. ; 26cm.

      • 소장기관
        • 강원대학교 도서관 소장기관정보
        • 경상국립대학교 도서관 소장기관정보
        • 공주교육대학교 도서관 소장기관정보
        • 국립공주대학교 도서관 소장기관정보
        • 국립군산대학교 도서관 소장기관정보
        • 중부대학교 중앙도서관 소장기관정보
        • 한국교원대학교 도서관 소장기관정보
        • 한남대학교 도서관 소장기관정보
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      부가정보

      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      This study is the research of regional art in the Korean contemporary art. The art world of Korea has established excessive concentration of the overalls concerned in arts in Seoul, and comparatively has maintained the distorted structure alienating arts of other local provinces.
      One of the representative symptoms is the loss of Korean art identity, which is the result of unnationality coming from the Seoul's cosmopolitan traits.
      Besides, the ineffectual concentrational structure has prevented the growth of the unique local modes of art which has maintained its own regional characteristics and historicality.
      There arised, however, vital regional art movements reflecting the changing contemporary trends all over the nation in 1990s.
      In this study, it is intended to generalize theoretically the flow of arts through past, present, and future, with the parallelism of the changing positions of regional arts, which is considered the significant trend in the 1990s' Korean world of arts.
      First, the concept of regional art was studied and in addition the general conditions of regional art was reserached.
      Second, among the whole provinces, by being illuminated the characteristics of arts in Kwang-ju, Tae-gu, and Pusan, it was proved that those regional art had existed from the past and it was clarified that regional art had been neglected with the mistaken views and distorted structures.
      Finally, the current regional art activities of other peovinces was speculated briefly.
      With all these, the dynamic contemporary situations of regional art was recognized and the bright side of them it was expected to be positive.
      번역하기

      This study is the research of regional art in the Korean contemporary art. The art world of Korea has established excessive concentration of the overalls concerned in arts in Seoul, and comparatively has maintained the distorted structure alienating a...

      This study is the research of regional art in the Korean contemporary art. The art world of Korea has established excessive concentration of the overalls concerned in arts in Seoul, and comparatively has maintained the distorted structure alienating arts of other local provinces.
      One of the representative symptoms is the loss of Korean art identity, which is the result of unnationality coming from the Seoul's cosmopolitan traits.
      Besides, the ineffectual concentrational structure has prevented the growth of the unique local modes of art which has maintained its own regional characteristics and historicality.
      There arised, however, vital regional art movements reflecting the changing contemporary trends all over the nation in 1990s.
      In this study, it is intended to generalize theoretically the flow of arts through past, present, and future, with the parallelism of the changing positions of regional arts, which is considered the significant trend in the 1990s' Korean world of arts.
      First, the concept of regional art was studied and in addition the general conditions of regional art was reserached.
      Second, among the whole provinces, by being illuminated the characteristics of arts in Kwang-ju, Tae-gu, and Pusan, it was proved that those regional art had existed from the past and it was clarified that regional art had been neglected with the mistaken views and distorted structures.
      Finally, the current regional art activities of other peovinces was speculated briefly.
      With all these, the dynamic contemporary situations of regional art was recognized and the bright side of them it was expected to be positive.

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      목차 (Table of Contents)

      • 목차 = 0
      • Ⅰ. 서론 = 1
      • Ⅱ. 지역미술의 현황 = 4
      • 1. 통계자료를 통해 본 현황 = 4
      • 2. 실질적인 문제점 = 9
      • 목차 = 0
      • Ⅰ. 서론 = 1
      • Ⅱ. 지역미술의 현황 = 4
      • 1. 통계자료를 통해 본 현황 = 4
      • 2. 실질적인 문제점 = 9
      • 3. 장점과 희망적인 요소를 통해 본 전망 = 13
      • Ⅲ. 지역미술의 개념적 고찰 = 16
      • 1. 용어의 분석과 정리 = 16
      • 2. 지역미술의 의미와 지역 구분 = 20
      • Ⅳ. 광주지역의 미술 = 24
      • 1. 역사적 전통과 문화적 풍토 = 24
      • 2. 서양 미술 도입기의 지역미술과 전통의 형성 = 25
      • 3. 변화의 조짐, 20세기 중반을 넘어 = 28
      • 4. 시대적 요청, 80년대의 변혁 = 30
      • Ⅴ. 대구지역의 미술 = 36
      • 1. 지여의 풍토와 형성기의 대구 미술 = 36
      • 2. 대구 미술의 전개 = 41
      • 3. 1980년 이후 현재의 상황 = 42
      • Ⅵ. 부산지역 미술 = 46
      • 1. 지역의 특색과 역사 = 46
      • 2. 부산 미술의 형성 = 47
      • 3. 부산 미술의 전개 = 49
      • 4. 부산미술의 현재 = 51
      • Ⅶ. 기타 지역의 상황 = 56
      • Ⅷ. 결론 = 60
      • 참고문헌 = 63
      • Abstract = 64
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