용주사감로탱화의 고찰 = A Study on the Yong-Ju-Sa's Kam-ro-Tang-Hwa

다국어 초록 (Multilingual Abstract)

Buddhism is based on the "agony" of life. The agony is due not to escape from Jukdo transmigration - a circle of Karma. The ceremony of Chosun Dynasty is emphasized as a means to achieve "do goodness" in this life and to stop the Jukdo transmigration.
Kam-Ro-Tang-Hwa represents in major public's life style intertwined by Jukdo in low platform.
As a result, a Jukdo teaches to serve others on duty. In doing so, next life may reach to heaven or fall into Ha-kwi. Accordingly, Kam-Ro is consisted of low, middle, up platform showing steps of people's progressive development since it does recognize the people's agony of Jukdo.
According to the concept of low, middle, up platform, Kam-Ro-Tang-Hwa displays the close relation of before life, this life, and next life. Middle platform expresses the ways and processes to escape from the before life suffering, and up platform shows how to deliver one's soul and to escape from a circle of Karma by serving others in this life. Therefore, the relation of three platforms reflects the faith which people in Chosun Dynasty had.
Kam-Ro-Tang-Hwa contains the tangible and realistic structure which we can't find in other Buddhist paintings. Especially it treats differently the popular life style in Chosun Dynasty.
Yong-Ju-Sa(temple) and Kam-Ro-Tang-Hwa was enshrined for his father's easy passage into paradise by King Jeong-Jo. King Jeong-Jo's love to his father made the painting extremely lofty and deeply emotional.
Yong-Ju-Sa's Kam-Ro-Tang-Hwa excels in the composition and the form of painting. It gives a vivid description of Korean people, exceeding other paintings of those day. Also, the new style, drawing the shadow in the face can be found in Kam-Ro-Tang-Hwa. It is the effect of the western style of painting.
Yong-Ju-Sa's Kam-Ro-Tang-Hwa is the greatest among the 16th to 18th century Kam-Ro-Tang-Hwas.

목차 (Table of Contents)

• 目次
• Ⅰ. 머리말 = 1
• Ⅱ. 甘露의 意味와 所衣經典 = 3
• Ⅲ. 甘露幀畵의 圖像의 特徵 = 19
• Ⅳ. 龍珠寺 甘露幀畵의 圖像 特徵 = 43
• Ⅴ. 龍珠寺 甘露幀畵의 樣式的 特徵 = 50
• Ⅵ. 맺음말 = 58
• 參考文獻 = 62
• ABSTRACT = 65
• 참고도판 = 67