이건용 작곡<배음조 허튼가락>분석 연구 = Lee Kun-young’s <Baeumjo Hutton-garak> Analysis Study

목차 (Table of Contents)

• I. 서론 ····························································································································· 1
• 1. 연구목적 ·················································································································· 2
• 2. 연구범위 및 연구방법 ··························································································· 3
• Ⅱ. 본론 ·························································································································· 5
• 1. <배음조 허튼가락> 작품 개관 ············································································ 5
• 1) 작품개관 ················································································································ 5
• 2) 악곡 구조 ················································································································ 7
• 2. 조현법 및 출현음 ···································································································· 8
• 1) 조현법 ······················································································································ 8
• 2) 출현음 ·················································································································· 10
• 3. 연주주법 및 부호 ·································································································· 14
• 4. 선율분석 ·················································································································· 21
• Ⅲ. 결론 ························································································································ 45
• 참고 문헌 ····················································································································· 47
• 부록 악보 ····················································································································· 48