Accelerating the 4th Industrial Revolution, COVID-19 has compelled us to appreciate the possibilities and challenges in the 21st century (Koetsier, 2020). The current state of the global pandemic is calling for the transformation of education to prepa...
Accelerating the 4th Industrial Revolution, COVID-19 has compelled us to appreciate the possibilities and challenges in the 21st century (Koetsier, 2020). The current state of the global pandemic is calling for the transformation of education to prepare today’s learners for 21st century driven by disruptive technological advances (Soler, 2020). Literacy competence integrating traditional and digital literacies and creativity are among the most essential skills that new generation must learn to thrive 21st century (World Economic Forum, 2015, 2020). Digital storytelling (DST) offers a feasible instructional approach to meet these multiple demands (Godwin-Jones, 2018; Lambert, 2013; Robin, 2008).
To this end, the present study purposed to examine the effective way of embedding creativity instruction into Korean high school EFL classroom through DST by comparing relative effects of two different writing-based DST instruction types, namely creativity-enhanced DST instruction and traditional DST instruction. The experiment was conducted to examine the effects of creativity-enhanced DST instruction on EFL learners’ narrative writings and creative thinking. Thus, three research questions were posed: 1) What are the effects of creativity-enhanced DST instruction on Korean high school learners’ narrative writing? 2) What are the effects of creativity-enhanced DST instruction on Korean high school learners’ creative thinking? 3) What are the effects of creativity-enhanced DST instruction on Korean high school learners’ creative disposition?
The participants of the study were 22 students from the first grade at a high school, who were assigned to one of the two different groups. Ten students were randomly assigned to the experimental group, which carried out the creativity-enhanced writing activities for digital storytelling, and remaining twelve students were assigned to the control group, which engaged in traditional writing activities. They were asked to complete a narrative writing test, The Torrance Test of Creative Thinking (TTCT), and a creative disposition questionnaire before the treatment. In the first two weeks, students in both groups engaged in the same preparatory lessons for narrative writings. For the rest of five weeks, the experimental group participated in creativity-enhanced writing activities in DST project, while the control group carried out traditional process-oriented writing activities in DST project. After the treatments, students completed the three tests in the same format as the pre-treatment test. Additionally, representative students in the experimental group were invited to interview sessions.
The results of the study revealed that both types of DST instruction positively affected learners’ development of narrative writing in terms of idea, organization, and word choice. The creativity-enhanced writing activities had advantageous effect in enhancing language use. Also, the results indicated that both DST instructions were equally conducive to improving creative thinking regarding fluency, flexibility, and originality. However, creativity-enhanced writing activities were more effective in increasing perception on creative habits in terms of inquisitive creative habit of exploring and investigating, imaginative habit of making possibilities, and disciplined creative habit of critical reflection. On the other hand, traditional writing activities were effective in enhancing persistent creative habit of sticking with difficulties.
To conclude, the findings of this study confirmed the benefits of process-oriented DST writing activities in developing writing competence as well as the value of multimodality and synesthesia of DST in facilitating creative thinking. Furthermore, creativity-enhanced writing activities in DST project demonstrated its effectiveness in promoting the aspect of language use in narrative writing and enhancing perception on an inquisitive creative habit of exploring and investigating, imaginative habit of making possibilities, a disciplined habit of critical reflection. Based on the retrieved results of students’ enhanced perception on critical reflection after creative writing-based DST project, the present study suggests that DST may offers a way of bridging L2 writing and creativity. These findings suggest that creativity instruction can be incorporated into EFL classroom through creative writing-based DST. Further research is strongly encouraged to explore the influence of creativity-enhanced DST on creative self-regulation or investigate effective instructional design for creativity-enhanced DST.