Preface Abstracts of Case Studies Section 1: Ineffability Illustration and the Intentional Action Model Case Study: Returning to Haifa: Using Pre-text Based Drama to Understand Self and Other Section 2: Paradigms and Trojan Hors...

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https://www.riss.kr/link?id=G3725609
2010년
English
Experimental Theater ; 실험극 ; Case studies ; 사례연구 ; 케이스 스터디 ; Performing Arts ; 공연 예술
한국연구재단(NRF)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
Preface Abstracts of Case Studies Section 1: Ineffability Illustration and the Intentional Action Model Case Study: Returning to Haifa: Using Pre-text Based Drama to Understand Self and Other Section 2: Paradigms and Trojan Hors...
Preface
Abstracts of Case Studies
Section 1: Ineffability
Illustration and the Intentional Action Model
Case Study: Returning to Haifa: Using Pre-text Based Drama to Understand Self and Other
Section 2: Paradigms and Trojan Horses
Case Study: Towards Collaborativity in Theatre-making: Reflections on an Artistic Research Case
Section 3: Origins of the PhD and the Current Educational Climate
Case Study: The Smell of It: Case Study of Curious's Live Art Performance On the Scent
Section 4: Certainties and Institutional Bias: Research for, into and through Practice Research Criteria and Creative Intelligence
Case Study: The Relationship between University Theatre and Professional Theatre: A Question of Method
Section 5: Basic, Applied and Experimental Research
10 Questions
Case Study: That Spot in the 'Moving Picture' is You: Perception in Time-based Art
Section 6: Feelings and Findings; Research Design, Research Prerequisites and Creative Processes
Case Study: Bleeding Narratives
Section 7: Methodologies
Thesis Statements
Fallibilism; PhD Outcomes
Performance Studies Case Study: A Mono-trilogy on a Collaborative Process in the Performing Arts
Section 8: Practice as Research as the Dominant Orthodoxy
the Nature of Evidence
Case Study: Performing with Trees: Landscape and Artistic Research
Section 9: Heuristic Research
Autoethnography
Immediacy and Self-Reflexivity
Case Study: Un-telling Myself: Performance (Preparation) as Research
Section 10: Truth and Doubt
Epistemology and Ontology
Thesis Demands
Case Study: In Tränen unendlicher Lust: An Artistic Inquiry into an Innovating Audiovisual Lied Project.
Section 11: At the Crossroads of Research Cultures Type A, B and C Research
Case Study: Partly Cloudy, Chance of Rain
Section 12: Mode 1 and Mode 2 Research
Dissemination
Professional Doctorates
Qualitative Issues
Case Study: Corpo, Carne e Espírito: Musical Visuality of the Body
Section 13: Theory and Theories
Thesis Proposals and Thesis Development
Explicit, Delayed Completion, Assembled and Inferred Knowledge
the Perspective from Research Students
Hockney's Secret Knowledge
25 Questions
Bibliography
Index.
다국어 초록 (Multilingual Abstract)
As a major contribution to the field of postgraduate activity in drama, theater, and performance, this resource identifies the essential characteristics of practice-based research across a range of countries, contexts, forms, and applications. A vital...
As a major contribution to the field of postgraduate activity in drama, theater, and performance, this resource identifies the essential characteristics of practice-based research across a range of countries, contexts, forms, and applications. A vital theory-based guide to such study, topics include locating practice-based research within historical, aesthetic, and educational settings; challenging received ideas of dramatic practice as thesis; distinguishing research from reflection and feelings from findings; and pushing practice-based research into new areas of critical inquiry.
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