태평양전쟁에 있어서의 미(美)의 의미 -다자이 오사무(太宰治)의「복장에 대하여 服装に就いて」와「멋쟁이 동자 おしやれ童子」를 중심으로-

다국어 초록 (Multilingual Abstract)

The work is a common male writer and speaker around the Pacific war era dress for women only visible exterior that is an excellent point of interest and psychological description. Dazai this study due to the collapse hameuro images, the artist's life and death to end manhanji recognized for the work of historic research study that was presented problems because of this mid-term study of the composition of the work as a new aid will be a little bit of help doeeoteurira expect the paper is aimed at the study.
I was considered a 「a child of the fashionable」 and 「about clothes」One is to stick to “fashionable" and “clothes" man hero becomes the factors that affect to the attitudes and feelings, “sneak”, was popular, the “pride of the best” was the “aesthetics”.
　Two, Dazai were added to write a prohibited word in wartime strange. It is was able to not make a cloak of style “Navy” or “devil”, consider the relationship between the Pacific War from the action. Men in wartime is a strong presence, the man had been involved in feminine clothes. Dazai is suppressed, even if it becomes a taboo, it was me was asked for “aesthetic” “aesthetics” of their Nari.
　Three is the meaning of aesthetics. The blame of flashy kimono factors that become “losers” eternal, if the kimono with a “chic”

국문 초록 (Abstract)

　「복장에　대하여」와「멋쟁이　동자」를　비교　고찰하여　태평양　전쟁에　있어서의　미의식에　대하여　고찰하였다．두　작품이　남성작가라는　공통적인　화자와　태평양　전쟁이라는　시대를　중심으로　여성에게만　보일법한　외면　즉　복장에　대한　관심도와　심리묘사가　뛰어난　점．이를　고찰함으로　인해　다자이의　파탄적인　이미지，작가의　인생을　마감하고　죽기　위한　유서의　작품으로　인식할　만한지를　연구의　고찰　문제점으로　제시하였다．이로　인해　중기　작품의　새로운　구도를　연구하는　것에　조금이나마　도움이　될　것이며　도움이　되었으리라　기대하며　연구의　목적을　둔　논문이다．
　본　논문은　세　가지로　나누어　연구하였는데　첫　번째로《복장》과《세련됨》이　사람의　기분과　마음가짐에　까지　영향을　주는　중요한　요소였고　《몰래》《최고의　명예》로　가슴에　새겨둘《미학》이　존재한다는　것을　알게　되었다．
　두　번째로는　그들은《미학》을　누림에　있어　상당히　마이너스가　되는《국민복》과《암흑시대》의　의미에　대하여　생각하였다．《암흑시대》에《국민복》을　입는　것이　아무　고민도　없고　그렇게　두려워하는　친구들로　부터　야유도　듣지　않아도　되었던　현실이었다．이런　모습을　그림으로　인해　다자이는　전시시의　금지어를　부드럽게　인지시키고　있었다．다자이는　억압받으면서　옷에　집착을　하며　미를　쫒아가는　그들의　의미를　그리려　했던　것으로　생각하였다．
　세　번째로는　이　미의식은　어떤　의미를　가지고　있냐는　것이다．「복장에　대하여」에서는《영원한　패배자》가　된　요인을　화려한　옷　때문이라　지적하고　있다．　그렇다면　수수한　옷이라면　아무런　문제가　없었을　것이고，「멋쟁이　동자」에서는　《백》색의《우아함》이　있는　옷이라면　문제가　없었을　것이다．이러한　것들은《숭엄한　광명》과《소쇄와　전아》가　충족되는　조건이며「기다림」(１９４１년　작품）에서　소년가　사람이　아닌《조금　밝은》것을　기다리는　소녀와　같이　연구하였다．
　따라서　두　작품은　미의식이라고　하는　것은　외면의《복장》과　《세련됨》이　아니라　내면의　문제《숭엄한　광명》과《소쇄와　전아》를　원했고《조금　밝은》《새로운　시대》와　정신을　공감하고　싶어했던　다자이가　투영된　작품으로　결론을　도출하고자　한다．다자이는　상실된　작가　정신과　희망을　이　작품의　미의식으로　인하여　찾고　싶었던　것이었다．