승가화합의 판단 기준에 관하여 = On the Criterion for Judgement on the Samgha's Harmony

다국어 초록 (Multilingual Abstract)

The purpose of this study is to consider the criterion
for judgement on the samha’s harmony focused on the
definition of harmony in the Pāli Vinay a. The prior studies
have discussed about this subject, in those researches,
however, it has generally been understood that the ‘common
execution’ of kamma practiced in sammukhībhūta -
samgha (現前僧伽), seeming to denote very important
symbolic of the samgha’s harmony, is the only ritual
ceremony that all monks in the same boundary must
participate.
In this study I would like to suggest the fact that the
‘common execution’ of kamma was not only the ritual
ceremony, but also the ceremony requiring the perfect union
of mind among the members of samgha by investigating the
meaning of the samānasamvāsaka in the Pāli Vinaya. That
is, the samgha’s harmony is truly realized by fulfilling these
two elements-mind and body.
We might think that this method for maintenance of the
samgha’s harmony is very self-righteous. But, On the one
hand, the samgha achieved firm harmony in the level of
sammukhībhūta-samgha by samānasamvāsaka; on the
other, they admitted the existence of nānāsamvāsaka who
could not possibly compromise with them. I think that this
stance is very effective for harmony of the whole Buddhist
samgha.

참고문헌 (Reference)

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11 "anuj?n?mi bhikkhave ett?vat? s?magg? y?vat? ek?v?so’ti. Vinⅰ"

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