에이젠슈테인의 몽타주 개념에 대한 인식론적 고찰 = 몽타주의 정서적 진화

다국어 초록 (Multilingual Abstract)

Eisenstein dialecticizes a very general aspect of thought form (rational and irrational, conscious and subconscious, logical and pre-logical, reasoned and sensuous, etc) in montage process. Especially he assumed that the highest form of consciousness in the work of art has as correlate the deepest form of subconscious, affective and emotional. Eisenstein continually reminds thus that intellectual cinema has correlate "sensory thought" or emotional intelligence, and is worthless without it.
In fact cinema and thought are encountered together through such a montage process, and are realized the relationship with a whole which can be thought in a higher awareness, the relationship with a thought which can be shaped in the subconscious unfolding of images, and the sensori-motor relationship between world and man, nature and thought.

목차 (Table of Contents)

• 1. 종합적 사유로서의 에이젠슈테인의 몽타주: 로고스에서 파토스로
• 2. 어트랙션에서 엑스터시까지
• 3. 결론
• 참고문헌
• Abstract

참고문헌 (Reference)

1 Lev Vygotsky, "Théorie des émotions : étude historico-psychologique" L'Harmattan 1998

2 Jacques Aumont, "Théorie des cinéastes" Nathan 2002

3 David Bordwell, "The Cinéma of Eisenstein (1991)" New York & London 2005

4 Håkan Lövgren, "Serge Eisenstein's Gnostic Circle, In The Occult in Russian and Soviet Culture" Cornell University Press 1997

5 Sergeï M. Eisenstein, "S. M. Eisenstein Selected Works - vol. II: Towards a Theory of Montage" BFI 1991

6 André Bazin, "Qu'est-ce que le cinéma?" Cerf 1985

7 Jacques Aumont, "Montage Eisenstein"

8 Encyclopédie philosophique universelle, "Les Notions Philosophiques, tome II" PUF 1990

9 Sergeï M. Eisenstein, "Le filme, sa forme et son sens" Christian Bourgeois 1976

10 Sergeï M. Eisenstein, "La quatrième dimension du cinéma" Cahiers du cinéma 1976

11 Sergeï M. Eisenstein, "La non-indifférente nature I, II" UGE 1976

12 Lucien Lévy-Bruhl, "La mentalité primitive" Flammarion 2010

13 Jacques Aumont, "Dictionnaire théorique et critique du cinéma" Nathan 2005

14 Sergeï M. Eisenstein, "Cinématisme. Peinture et cinéma" Complexe 1980

15 Gilles Deleuze, "Cinéma 2 : L'image-temps" Minuit 1985

16 Gilles Deleuze, "Cinéma 1 : L'image-mouvement" Minuit 1983