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      엮기의 조형을 통한 매달기 설치오브제의 생명 개념에 관한 연구 - 박홍필의 작품을 중심으로 = A research for the conception of Hanging on installation object through the modeling of Weaving - By Park Hong Phil`s work of art -

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      https://www.riss.kr/link?id=A100766580

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      Park Hong-pil, whose modeling conception of Hanging is the extending work for the installation art. I have made a study for the true of life on connecting to the organism with free to human``s body and the object on the subject with human``s thought.My ``weaving`` which is expressed as the net on connecting the human as like Gilles Deleuze’s ``rhizome`` to life of nature invisibly. ``Weaving`` has to create forms trough the repetition continuously and forms has to create another new forms departing from the form, that is basic and simple linked with. This form,as like the conception of rhizome by Deluze,is not hierarchical on the form and the structure as like the conception, also, that is creat to new form depart form the basic, simple link with as the concept what comes first or later. The modeling conception of ``hanging`` by Park Hong pil means closely related to the conception of ``weaving`` object. My modeling concept derived from the woven object with thin nets made of natural materials, not from any industrial products. I have incarnated both of my modeling concepts of hanging and weaving with recurring square nets. Moreover, there are the movent at the moment when the wind blows, also, they repetitively move back and forth and even when a viewer passes in front of thework, the square nets also move. This explains that my work depends on the element of ``contingency`` Nikos Stangos referred to as one of the hallmarks of Contemporary art. The shadows shifting every minute by the movement of woven and suspended squares and nets are also a primary element of shaping on Park’s modeling concept of hanging. The squares in my works stand for life while the nets stand for organic lines invisibly linking life forms to one another. The shadows are the world after death for life. These modeling symbols are founded on the notion Deleuze underlined, symbolically representing the image of living bodies. They are also based on the notion appropriated from Deleuze and Guattari’s concept of life, referring to the nature of life. In Deleuze’s view, the death of bodies is by no means negative: it means that in an elemental sense any change and life would not exist without the death of organisms. That is, Park’s modeling concept of hanging is to represent the true of life on connecting to the organism and the object on the subject with human``s thought and the world after death for life.
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      Park Hong-pil, whose modeling conception of Hanging is the extending work for the installation art. I have made a study for the true of life on connecting to the organism with free to human``s body and the object on the subject with human``s thought.M...

      Park Hong-pil, whose modeling conception of Hanging is the extending work for the installation art. I have made a study for the true of life on connecting to the organism with free to human``s body and the object on the subject with human``s thought.My ``weaving`` which is expressed as the net on connecting the human as like Gilles Deleuze’s ``rhizome`` to life of nature invisibly. ``Weaving`` has to create forms trough the repetition continuously and forms has to create another new forms departing from the form, that is basic and simple linked with. This form,as like the conception of rhizome by Deluze,is not hierarchical on the form and the structure as like the conception, also, that is creat to new form depart form the basic, simple link with as the concept what comes first or later. The modeling conception of ``hanging`` by Park Hong pil means closely related to the conception of ``weaving`` object. My modeling concept derived from the woven object with thin nets made of natural materials, not from any industrial products. I have incarnated both of my modeling concepts of hanging and weaving with recurring square nets. Moreover, there are the movent at the moment when the wind blows, also, they repetitively move back and forth and even when a viewer passes in front of thework, the square nets also move. This explains that my work depends on the element of ``contingency`` Nikos Stangos referred to as one of the hallmarks of Contemporary art. The shadows shifting every minute by the movement of woven and suspended squares and nets are also a primary element of shaping on Park’s modeling concept of hanging. The squares in my works stand for life while the nets stand for organic lines invisibly linking life forms to one another. The shadows are the world after death for life. These modeling symbols are founded on the notion Deleuze underlined, symbolically representing the image of living bodies. They are also based on the notion appropriated from Deleuze and Guattari’s concept of life, referring to the nature of life. In Deleuze’s view, the death of bodies is by no means negative: it means that in an elemental sense any change and life would not exist without the death of organisms. That is, Park’s modeling concept of hanging is to represent the true of life on connecting to the organism and the object on the subject with human``s thought and the world after death for life.

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      참고문헌 (Reference)

      1 정연심, "현대공간과 설치미술" A&C 2015

      2 로잘린 클라우스, "현대 조각의 흐름" 예경 2003

      3 니코스 스탠코스, "현대 미술의 개념" 문예출판사 2000

      4 로제 보르디에, "현대 미술과 오브제" 미진사 1999

      5 캐롤 스트릭 랜드, "클릭 서양 미술사" 예경 2004

      6 질 들뢰즈, "천개의 고원" 새물결 2003

      7 질 들뢰즈, "차이와 반복" 민음사 2004

      8 린다 노클린, "절단된 신체와 모더니티" 조형교육 2001

      9 정유경, "이미지와 생명, 들뢰즈의 예술철학" 그린비 2008

      10 로버트 럼리, "아르떼 포베라" 열화당 2006

      1 정연심, "현대공간과 설치미술" A&C 2015

      2 로잘린 클라우스, "현대 조각의 흐름" 예경 2003

      3 니코스 스탠코스, "현대 미술의 개념" 문예출판사 2000

      4 로제 보르디에, "현대 미술과 오브제" 미진사 1999

      5 캐롤 스트릭 랜드, "클릭 서양 미술사" 예경 2004

      6 질 들뢰즈, "천개의 고원" 새물결 2003

      7 질 들뢰즈, "차이와 반복" 민음사 2004

      8 린다 노클린, "절단된 신체와 모더니티" 조형교육 2001

      9 정유경, "이미지와 생명, 들뢰즈의 예술철학" 그린비 2008

      10 로버트 럼리, "아르떼 포베라" 열화당 2006

      11 키스 안셀 피어슨, "싹트는 생명" 산해 2005

      12 모리스 프레쉬레, "부드러움과 그 형태들" 예경 2002

      13 로널드 보그, "들뢰즈와 음악, 회화, 그리고 일반 예술" 동문선 2003

      14 김재범, "들뢰즈와 그 적들" 우물이 있는 집 2006

      15 박정태, "들뢰즈가 만든 철학사" (주)이학사 2007

      16 질 들뢰즈, "감각의 논리" 민음사 2008

      17 Deborah Aaronson, "Sarah Sze" ABRAMS 2007

      18 Gillo Dorfles, "Nell'arte D'oggi" Universale Economica Feltrinelli 1999

      19 Park Hong pil, "L'opera di Jannis Kounellis" Accademia di Belle arti di Brera Milano 2004

      20 Fondazione Antonio Mazzotta, "I Giacometti - la valle, il mondo" 2000

      21 Eva Hesse, "Eva Hesse Studiowork" Yale 2009

      22 Luciano Caramel, "Arte in italia 1945-1960" Vita E Pensiero 1994

      23 노버트 린튼, "20세기의 미술" 예경 2003

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-26 학회명변경 한글명 : 예술과 미디어학회 -> 예술과미디어학회 KCI등재
      2017-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2016-10-28 학회명변경 한글명 : 한국영상미디어협회 -> 예술과 미디어학회
      영문명 : Council for Advanced Media & Moving pictures -> The Korean Society of Art and Media
      KCI등재후보
      2016-01-01 평가 등재후보학술지 유지 (계속평가) KCI등재후보
      2015-01-01 평가 등재후보학술지 유지 (계속평가) KCI등재후보
      2013-01-01 평가 등재후보 1차 FAIL (등재후보1차) KCI등재후보
      2012-01-01 평가 등재후보학술지 유지 (기타) KCI등재후보
      2010-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      2009-07-01 평가 등재후보 탈락 (기타)
      2008-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.25 0.25 0.26
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.23 0.23 0.531 0.04
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