In this paper, the meaning of the correlation between ‘hometown’, ‘motherhood’ and ‘nunggeum’ in Lee Hyo-seok’s novel was revealed. In Lee Hyo-seok’s novel, ‘Nunggeum’ appears repeatedly and constructs a multi-layered meaning. The ...

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https://www.riss.kr/link?id=A109519295
2024
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능금 ; 고향 ; 모성 ; 능금의 현재 ; 顯在 ; 부재 ; 不在 ; 자리바꿈 ; Verschiebung ; Displacement ; 대리표상 ; Substitut ; substitute ; 유년기의 트라우마 ; 분열과 통합 ; 의식으로 소환 ; 고향으로의 회귀 ; Neunggeum ; hometown ; motherhood ; a subsitute ; childhood trauma ; based on his hometown ; return to hometown
0
미등재
학술저널
177-202(26쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
In this paper, the meaning of the correlation between ‘hometown’, ‘motherhood’ and ‘nunggeum’ in Lee Hyo-seok’s novel was revealed. In Lee Hyo-seok’s novel, ‘Nunggeum’ appears repeatedly and constructs a multi-layered meaning. The ...
In this paper, the meaning of the correlation between ‘hometown’, ‘motherhood’ and ‘nunggeum’ in Lee Hyo-seok’s novel was revealed.
In Lee Hyo-seok’s novel, ‘Nunggeum’ appears repeatedly and constructs a multi-layered meaning. The ‘present/absence’ of Neunggeum means ‘the paradise/lost’ and ‘mother’s arms/lost’. In addition, ‘Nunggeum’ implies a temporary liberation from the reality of the colonial country, a struggle for independence, a journey to find freedom, and a longing for socialism for human liberation. And ‘Nunggeum’ is a longing for ideology, sex, and nature, and it is an symbol of ideal world.
Lee Hyo-seok’s birthplace is uncertain. However, it is certain that his birthplace is between Jinbu and Bongpyeong. Despite the geographical uncertainty, Lee's psychological and emotional hometown is Pyeongchang’s, which includes Jinbu and Bongpyeong. It is also questionable who Lee's birth mother is. Kang Hong-kyung is most likely not his birth mother, and it is likely that the person referred to as ‘Chungju-daek’ is his birth mother. Thus, Lee considers Gyeongseong to be his hometown and his mother-in-law as his mother.
Lee Hyo-seok’s denial of his hometown is too strong. It is heading towards denial of parents. However, considering Gyeongseong and his mother-in-law, his denial of his hometown is thought to eventually lead to his mother, and his denial of his father likely served as a catalyst for it. It is not possible to clarify the specific cause of Lee's denial of his hometown, but it can be confirmed that he strongly denies his hometown, which is related to his parents, and ultimately to his motherhood.
The relationship between Neunggeum and Gyeongseong is important in understanding Lee Hyo-seok’s literature, along with the place of birth, Gyeongseong's mother-in-law, birth mother, and hometown. For Lee Hyo-seok, Neunggeum is a symbol of nature and Gyeongseong. It's a subsitute for mother-in-law. Likewise, for Lee Hyo-seok, Neunggeum is a subsitute for his hometown and his mother. After all, Neunggeum is a subsitute of the lost hometown.
What is very interesting, however, is that Neunggeum focuses on in Lee Hyo-seok’s novels, especially during the Gyeongseong period, and it disappears in his novels during Pyongyang. Lee Hyo-seok seems to have experienced some kind of mental trauma between his birth mother and Kang Hong-kyung, although the specific fact is unknown. While living at a family-in-law’s home in Gyeongseong, he relieves some of his childhood trauma, which is the result of his mother-in-law’s warm love.
Thus, during the Pyongyang period, Lee Hyo-seok summoned his hometown, which was suppressed in his unconscious mind, and projected it into his work. At this time, he creates his masterpieces based on his hometown. It is his return to hometown.
박찬욱 영화에서 아름다움이 처한 곤경에 대하여 - <헤어질 결심>(2022)과 <친절한 금자씨>(2005)를 중심으로
1930년대 한국, 중국, 일본 영화에 표상된 근대적 신체의 행위 분류 - 한국영화<미몽>(1936), 중국영화<대로>(1935), 일본영화<태어나긴 했지만>(1932)을 중심으로
2010년대 뺑덕 캐릭터 스핀오프 청소년소설에 나타난 「심청전」 뺑덕 캐릭터 스핀오프(Spin-off) 스토리텔링 양상과 교육적 의의