남호 영기(南湖永奇)의 가사 창작과 모연의도의 문학적 형상화 = A study on creation of Gasa(歌辭) by Namho-Yeonggi(南湖永奇) and literary configuration about his purpose of propagation

다국어 초록 (Multilingual Abstract)

19th centrey, Buddist temple was oppressed from government, but acted many religious works for expanding congregation. It was representative example that Namho-Yeonggi(南湖永奇) published 『Hwaomkyung(華嚴經)』 and constructed structure for keeping printed editions. Namho-Yeonggi got involved in missionary work, for these works were concluded successfully. For missionary work, he makes two poems, <Gwangdaemoyeonga(廣大募緣歌)> and <Jangangulsikga(長安乞食歌)>. So two poems were reflected about Namho-Yeonggi’s consciousness, but two poems have different method of figuration about his consciousness. <Gwangdaemoyeonga> express consciousness directly through change of narrator. In contrast <Jangangulsikga> express consciousness indirectly through descripting about inside of Hanyang-city. This Consciousness in connection as acquiring the economy about doing religious works successfully. Gasa(歌辭) is effective for many people was enjoyed this style at that time. Two poems that Namho-Yeonggi created have different method of figuration about his consciousness, because he must have the economy power for publishing Hwaomkyung(華嚴經) and constructing structure for keeping printed editions.

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