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다국어 초록 (Multilingual Abstract)

We, until now, have found the undecided and blanked places in this novel, and so filling with a kind of supposition and memory which we may have or have of it. All taken place by the undecided and blanked places was originated from the structure by a series on this novel, which have the intervals and changes of this time, the diversity in the voices of the narrative, the symbols, the episodes and the transformations of the character of hero, Mr, kwon. These constituent of the creation and appearance should be related with the character, furthermore, we must focus, with the framework of this novel, on the character´s transformations. These transformations of the character, Mr , kwon, go through the three steps. A self-righteous hero, first, was Mr, kwon, who, second course, showed as a snooty fellow after destroying by firing the nine pares of shoes of his own with the truth in his mind. At last he changes to a kind of problem character who we can find his mercy, and sublimity on giving a sneering laugh to readers of this novel. These center of transformation-steps represents a kind of risk about his survival. so he realized not a private problem but a social structure-problem which have bothered him. In other words, there is a process which the lower middle class perceives a contradiction in social structure. The writer wants it is read, in this text, that there is struggling in a group against the social structure-corruption and it´s only a possible means of revolution and must be. It´s a cross sectional view that we went though 1970´s for struggling and a tragic hoping. It´s a looking for the identity of a person and society which is and was deepening their difference, naturally, corrupted. and so the novel, the man with nine pares of shoes, is founded on what should be, not for what must be of resisting against power. Nevertheless, I will suppose that it was and is the writer´s vision that the arden passion and truth of an intellectual class, bring a kind of balance of the period.