―The brilliant culture of pottery in our country, the Unglazed― ―earthenware of Silla Age, the Celadon-were of Ko-ryo, and the White― porcelain, Bun-cheong-sa-ki of Lee Dynasty, is recognized for its excellency throughout the whole world. P...
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다국어 초록 (Multilingual Abstract)
―The brilliant culture of pottery in our country, the Unglazed― ―earthenware of Silla Age, the Celadon-were of Ko-ryo, and the White― porcelain, Bun-cheong-sa-ki of Lee Dynasty, is recognized for its excellency throughout the whole world. P...
―The brilliant culture of pottery in our country, the Unglazed―
―earthenware of Silla Age, the Celadon-were of Ko-ryo, and the White―
porcelain, Bun-cheong-sa-ki of Lee Dynasty, is recognized for its excellency throughout the whole world.
Pottery was produced both as a private ceramic factory of the common people, and as a government ceramic factory that made the supplies for government use.
The widespread of use of mass-produced pottery from abroad that was cheap and practical led the government to cease the making of pottery by hand in 1883, and to begin large-scale industrial pottery production, as well as to conduct various studies on methods of producing pottery.
Making of Body (clay). The body is the most fundamental part of making pottery, and is divided into unglazed earthenware, earthenware, stoneware, porcelain. And the method of making the body is different according to the kind of ceramic. Most fund amentally, the materials must be easy to find and must have plasticity, hold colour and had sinter well. Furthermore, well kneaded body has an even mixture of colloid of clay and moisture, and when touched, it must leave clear fingerprints without sticking to ones hands. Well kneaded body must age for over a week. During this time, the impurities of body and bacteria get spoiled which supplements the plasticity, and will prevent cracking when formed into pottery.
When making a coloured body, the proper quantity of stain must be added to the body. The methods of forming, excepting those of ceramic sculpture, are wheeling, free hand, coiling (Ta-Ryum forming), slabbing, applied moulding of plates and bottles, shaving the shape, and making a handle to stretch the body.
In this these, the theory of these methods of forming will be explained, and the actual process of production will be illustrated through pictures.
목차 (Table of Contents)