이종택 동시선집에 나타난 1960년 전후의 가족의식 비교

국문 초록 (Abstract)

이종택은 1960년대 전후로 자신의 동시문학 속에서 가족의식 변화 모습을 선명히 보여준 시인이다. 1960년 이전의 전기에는 가족만을 위해 폐쇄적인 어머니 모습을, 1960년 이후 후기에는 가정 밖의 다른 이웃들을 포용하고 사랑을 베푸는 개방적인 어머니로 바뀌는 모습을 보여 주었다. 또 유교사회와 같은 권위적 아버지상을 전기에 보여 주었다면 후기에 들어와서는 가족 상호 간 평등적 관계를 유지하는 새로운 아버지상을 보여주었다. 시적 화자가 가지는 어머니에 대한 의식도 전기에는 시대적 영향으로 매우 불안하고 조급하였으나 후기에는 느긋하고 여유로운 태도를 보여 주었다

다국어 초록 (Multilingual Abstract)

Lee Chong Taek is the poet who clearly presented changing shapes of family consciousness in his literature of nursery rhymes before and after 1960s. In his former term before 1960, he presented the figure of a mother who was unsociable and only exerted herself for her family in his literature. And in his latter term after 1960, he showed the figure of a mother who was changed into being open and generous for her neighbors and bestowd love to them in his literature. Besides, he presented the figure of a masterful father who was imbued with the Confucian society in his former term, while he showed the new figure of a father who mutually kept equal relations with his family members in his latter term. And a poetic narrators consciousness for his mother was more or less restless and impatient because of the period influence in his former term, while his attitude came to be broad-minded and composed in his latter term.

목차 (Table of Contents)

• Ⅰ. 들머리
• Ⅱ. 1960년 전후의 가족의식 비교
• Ⅲ. 마무리
• 참고문헌
• Abstract
• 요약