磁州窯白地黑花裝飾紋樣的皮爾斯符號學研究 = A Study on Cizhou Kiln White Ground Black Flowers Decorative Pattern Based on Pierce’s Semiotic Theory

다국어 초록 (Multilingual Abstract)

The white ground and black flower decorative patterns of the Cizhou Kiln in the Northern Song Dynasty had a profound influence on Chinese ceramic culture, so it is necessary to study the deep cultural connotation of its decorative patterns. This paper takes the decorative pattern symbol of the White ground black flower of Cizhou Kiln as the research object, time category is the Song dynasty，which was from 960 to 1279. The content of the research is to first analyze the factors that affect the generation of the decorative patterns of the black flowers on the white ground of Cizhou Kiln, use the modeling theory to analyze the decorative pattern symbols from the three aspects-color, modeling and phase, on the basis of the above analysis, using Pierce’s semiotic theory to carry out in-depth research on its decorative pattern symbols, in order to explore its deep cultural connotation and expand the research of Cizhou kiln, which is a useful reference for the research and inheritance of traditional decorative pattern symbols.

다국어 초록 (Multilingual Abstract)

北宋磁州窯的白地黑花裝飾紋樣在中國陶瓷文化上產生了深遠影響，因此有必要去深入研究其裝飾紋樣的深層文化內涵。本课题以磁州窯白地黑花裝飾紋樣符號爲研究對象，時間範疇爲宋代，即960年至1279年。研究內容爲首先分析影響磁州窯白地黑花裝飾紋樣符號生成的因素，用造型論從色彩、造型、位相三方面分析其裝飾紋樣符號，在以上分析的基礎上運用皮爾斯的符號學理論對磁州窯白地黑花裝飾紋樣符號進行深入研究，從而挖掘其凝澱在形式中的深層文化內涵，爲傳統裝飾紋樣符號的研究、傳承作有益的參考。

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