근대화의 경험 = 도시를 걸어가는 주체의 공간성

다국어 초록 (Multilingual Abstract)

The experience of the city has provided important thoughts for film studies concerning how we can understand the formation of the modem world regarding the comparison between the city and cinema. I'd like to examine how the walkers moving through the city are represented in the cinemas, regarding an attitude towards modernization in terms of urban experiences focus on an Aimless BulJe(1960, Yu Hyun-mok), Homebound (1967, Lee Man-hee), and School Excursion(1969, Yu Hyun-mok).
In these films, urban space is reversed into a means of expressing internal reality and the characters in tease films don't take the position of subject because of absence of gaze. I would say it is a reversed sensory discovery of the city. Only if the modernized city is being looked at they can have gaze which combined with the camera eye. By that reasons, regardless of what they take a passive or aggressive approach, the characters walking in urban space in 1960s show an attitude towards contemporary reality. modernization. An aimless bullet and Homebound are different from the School excursion in terms of cinematic forms, and way of address to the audience. But there is a common sense of reality in those films. They deny the present through their meaningless struggle to return somewhere which is always failed. I would say that this doesn't suggest a move back to pre modem values, nor a critique of social unfairness. Rather, it seems to be surrender to the current times.
We might see the origins of cinematic modernism at this point. However, whether or not it is connected to confirmation or endorsement of the modernization process is something that needs to be discussed further, taking ideological perspectives into consideration.

목차 (Table of Contents)

• 1. 들어가며
• 2. 서울, 팽창하는 도시
• 3. 도시를 걷는 주체의 지도
• 4. 나오며: 근대화의 감각
• 참고문헌
• Abstract

참고문헌 (Reference)

1 김미현, "현대극의 공간: 멜로드라마를 중심으로. in:근대의 풍경" 소도 2001

2 이길성, "한국영화에 나타난 모더니즘 영화의 경향. in:근대의 풍경" 소도 2001

3 이종은, "이만희의 '귀로'; 내셔널 시네마와 젠더 정치학" (4) : 2004

4 이효인, "유현목 영화의 양식문제. in:한국 리얼리즘의 길 찾기" 큰사람 1999

5 김소영, "시네마 테크노 문화의 푸른 꽃" 열화당 1996

6 "서울시 GIS 포털 시스템"

7 박현선, "밀실에서 거리로?: 1960년대 한국영화의 공간과 여성. in:한국영화와 근대성" 소도 2000

8 "국가통계포털"

9 Michel Foucault, "What is Enlightenment?. in:Paul Rabinow, Ethics: Subjectivity and Truth" The New Press 1994

10 Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction. in:hannah Arendt" Scholen Books 1968

11 Miriam Hansen, "The Mass Production of the Senses: Classical Cinema as Vernacular Modernism" 6 (6): 1999

12 Raymond Williams, "The Country and the City" Hogarth Press 1985

13 Georg Simmel, "Rethinking Architecture: a Reader Cultural Theory" Routledge 1997

14 Walter Benjamin, "On some Motifs in Baudelaire. in:hannah Arendt" Scholen Books 1968

15 Hannah Arendt, "Introduction: Walter Benjamin: 1820～1940" Scholen Books 1968

16 Siegfried Kracauer, "Epilogue: Film in Our Time. in:Theory of Film: the Redemption of Physical Reality" Princeton University Press 1997

17 Siegfried Kracauer, "Cult of Distraction: on Berlin's Picture Palaces" Harvard University Press 1995

18 Giuliana Bruno, "Atlas of Emotion: Journeys in Art, Architecture, and Film" Verso 2002

19 김소연, "'오발탄'은 어떻게 한국최고의 리얼리즘 영화가 되었나" (4) : 2004