북한근대미술사 서술의 양상과 특성 -근대미술의 기점과 조선화의 근대성 문제를 중심으로 = History of Korean Modern Art in North Korean

다국어 초록 (Multilingual Abstract)

This paper examines the standpoint of North Korean Art History on the modernity of Korean art focused on the Korean painting, so called JoSeonHwa(朝鮮畵). For this, we have to analyse the character and change of description on the Korean Art History of North Korea, like The History of Korean Art(1987) and The Biographies of Korean Artist(1999). In the 1980’s, North Korean art historians has taken the viewpoint which regarding the reality as the significant criterion ofmodernity of art. In this sense, The 18th century art is immature period in spite of their contribution of development of realism and The 19th century art is reactionary period though their contribution in the progress of way of representation. But after the 1990’s, North Korean art historians has become to change the standpoint about modernity. They accept the innovation of form(or ways ofrepresentation) as well as reality as the significant criterion of modernity of art. Therefore, 19th century has been regarded as the starting point of modern art. In relation to this change of viewpoint, the interpretation of early 20th century art has changed, In the 1980’s, this period has been regarded as the real starting point of Korean modern art but after the 1990’s this period became successor of the progress of 19th century art. In recent History of Korean Art, The Art Historians of North Korea tend to accept the influence of Japanese and Western Art as the important data for the description of Korean modern art.

참고문헌 (Reference)

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