National music and other essays

목차 (Table of Contents)

• CONTENTS
• FOREWORD / MICHAEL KENNEDY = ⅴ
• PREFACE / URSULA Vaughan WILLIAMS
• NATIONAL MUSIC
• Ⅰ SHOULD MUSIC BE NATIONAL? = 1
• Ⅱ SOME TENTATIVE IDEAS ON THE ORIGINS OF MUSIC = 12
• Ⅲ THE FOLK-SONG = 21
• Ⅳ THE EVOLUTION OF THE FOLK-SONG = 28
• Ⅴ THE EVOLUTION OF THE FOLK-SONG (Continued) = 40
• Ⅵ THE HISTORY OF NATIONALISM IN MUSIC = 53
• Ⅶ TRADITION = 59
• Ⅷ SOME CONCLUSIONS = 62
• Ⅸ THE INFLUENCE OF FOLK-SONG ON THE MUSIC OF THE CHURCH = 74
• SOME THOUGHTS ON BEETHOVEN'S CHORAL SYMPHONY (WITH WRITINGS ON OTHER MUSICAL SUBJECTS)
• Ⅰ SOME THOUGHTS ON BEETHOVEN'S CHORAL SYMPHONY = 83
• Ⅱ THE LETTER AND THE SPIRIT = 121
• Ⅲ GUSTAV HOLST : AN ESSAY AND A NOTE = 129
• Ⅳ NATIONALISM AND INTERNATIONALISM = 154
• Ⅴ COMPOSING FOR THE FILMS = 160
• Ⅵ A MINIM'S FOR THE FILMS = 166
• Ⅶ BACH, THE GREAT BOURGEOIS = 170
• Ⅷ A MUSICAL AUTOBIOGRAPHY = 177
• Ⅸ CHARLES VILLIERS STANFORD = 195
• Ⅹ THE MASS IN B MINOR IN ENGLISH = 199
• XI SHRUBSOLE = 202
• THE MAKING OF MUSIC
• Ⅰ WHY DO WE MAKE MUSIC? = 205
• Ⅱ WHAT IS MUSIC? = 206
• Ⅲ HOW DO WE MAKE MUSIC? = 215
• Ⅳ WHEN DO WE MAKE MUSIC? = 226
• Ⅴ WHAT ARE THE SOCIAL FOUNDATIONS OF MUSIC? = 232
• Ⅵ THE FOLK­SONG MOVEMENT = 234
• EPILOGUE : MAKING YOUR OWN MUSIC = 237
• OCCASIONAL PIECES
• Ⅰ ARNOLD BAX = 243
• Ⅱ GEORGE BUTTERWORTH = 245
• Ⅲ WHAT HAVE WE LEARNT FROM ELGAR? = 248
• Ⅳ IVOR GURNEY = 256
• Ⅴ ERNEST IRVING = 258
• Ⅵ SIBELIUS = 261
• Ⅶ HENRY WOOD = 265
• Ⅷ THE LEITH HILL FESTIVAL = 271
• Ⅸ CONDUCTING = 276
• Ⅹ FUGUE = 286
• XI HARPSICHORD OR PIANO? = 303
• INDEX = 305