The feminist, the housewife, and the soap opera

목차 (Table of Contents)

• CONTENTS
• List of Figures = xii
• Introduction = 1
• PartⅠ: Mapping the Fields = 17
• 1. Women's Genres and Female Agency = 19
• PartⅡ: Early Work on Soap Opera: 'Worrying Responsibly' = 37
• 2. The Housewife in 1940s Mass Communication Research: Arnheim. Kaufman, and Herzog = 43
• 3. Feminists Taking Soap Opera Seriously: The Work of Carol Lopate, Mich$$\acute e$$le Mattelart., and Tania Modleski = 52
• 4. Fantasies of the Housewife: The Case of Crossroads = 66
• PartⅢ: Talking Soap Opera = 83
• 5. Autobiography and Ethnography = 85
• 6. 'I Don't Think We Thought about It as Studying Soap Operas': Christine Geraghty = 99
• 7. 'What about the Rest of the Audience': Dorothy Hobson = 112
• 8. 'Slightly Guilty Pleasures': Terry Lovell = 131
• 9. 'The Pleasure of a Programme Like This Is Not Something Simple': IeN Ang = 147
• 10. 'A Sense of Trying to Valorize Soap Opera as Women's TV': Ellen Seiter = 165
• 11. Commonalities: Writing Across the Interviews = 183
• 12. The Feminist, the Housewife, and the Soap Opera = 211
• Appendix: Example of Interview Transcription = 219
• Bibliography = 225
• Index = 247