장애와 미술사

목차 (Table of Contents)

• 역자 서문 / 3

  머리말 / 5

  도움을 주신 분들 / 7

  감사의 말 / 11

   

  장애와 미술사 개요 ·········································································· 23

  Ann Millett-Gallant and Elizabeth Howie

   

  1 예술가와 뮤즈

  수잔 하바지 페이지(Susan Harbage Page)의 “피터의 세상”과 다른 사진들 ············ 41

  Ann Millett-Gallant

   

  2 착취, 폄하, 혐오

  장애에 대한 현대 미술의 편향된 해석에 저항하기 ······························ 65

  Nina Heindl

  서론 ······························································································65

  장애 관련 현대 미술의 논란성(Transgressiveness)과 모호성 ····························66

  Übermensch: 정신적으로 우월하고 신체적으로 장애가 있음 ·························70

  Freakstars 3000: 지적장애 배우들의 열광(freaking out) ·································78

  결론 ····························································································85

   

  3 결합은 없다

  시각 장애인 모체(Moche) 샤먼의 영적 고양 ································ 91

  Rebecca R. Stone

  모체 문명 ·········································································96

  결론 ······················································································107

   

  4 신성한 장애

  메소아메리카 미술사에서 진단(diagnosis)에 대한 비평 ·················· 111

  William T. Gassaway

  서론 ··························································································111

  크기 혹은 관점의 문제? ················································································113

  과학과 인문학: 형제인가 먼 사촌인가? ·················································128

  결론 ································································································132

   

  5 마가렛 버크-화이트의 사진에서의 차이와 장애 ··························· 143

  Keri Watson

   

  6 제2차 세계대전 이후 사진 속 장애 재현 ····························· 165

  Timothy W. Hiles

  시각적 구조를 통한 “타자”의 격리 ····················································166

  시각 언어: “타자”와 열린 형식 통합하기 ···········································173

  정상(the norma)의 확장: “타자(the other)”와 “도발자(the provocateur)”를 해체하기 ······181

  맥락과 결론 ·····································································189

   

  7 현대 예술의 거울로 비춰본 제1차 세계대전의 장애인 참전용사

  오토 딕스(Otto Dix)의 회화 〈The Cripples〉(1920)가 야엘 바르타나(Yael Bartana)의 

  영화 〈Degenerate Art Lives〉(2010)에서 수용된 방식 ································ 195

  Anne Marno

   

  8 장애화된 초현실주의

  현대 예술에서 초현실주의적 은유(tropes)를 재구성하다 ··············· 215

  Nina Heindl

  사마귀, 우아한 시체, 그리고 리사 부파노 ·····································219

  묶는 끈, 손가락, 발가락: 초현실주의 사진과 춘샨 (샌디) 이 ····················226

  벨머(Bellmer)와 즈미예프스키(Zmijewski)의 마네킹과 사지 ······················240

  결론 ············································································246

   

  9 댄디 빅토리아인

  잉카 쇼니바레(Yinka Shonibare)의 장애와 패싱(passing)의 알레고리 ············ 251

  Elizabeth Howie

  일기 ··············································································260

  댄디 ··········································································266

  댄디즘, 인종, 장애 ····························································269

  장애에 대한 빅토리아 시대의 태도 ······································274

  인종, 장애, 미술사 ························································276

  패싱 ·············································································277

  구성된 정체성 ·····························································282

   

  10 장애 섹슈얼리티를 만들어내기

  노미 램의 “불의 벽”의 시각적 언어 ·································· 291

  Shayda Kafai

   

  찾아보기 / 310