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    김형영 시의 기독교적 세계관 연구 = Study on Christian values Found in Kim Hyeong-yeong"s Poetry

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    https://www.riss.kr/link?id=A76440979

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      Kim Hyeong-yeong is a poet who has repeatedly reflected, based on Christian values, on the existence of man and the world. Modern Korean Poetry suffers from a lack of religious self-examination, and a pursuit of the basic meaning of man and the world. On these grounds, it can be said that Kim Hyeong-yeong"s poetic entity deepens and extends the metaphysical area of modem poetry.<BR>  Religious speculation pursuits the substantial world based on the faith upon a Transcendental Being. The passion towards the Transcendental Being, existing beyond the everyday mundane world reflects the absurdity of the real world and propels a determination of reform and sanctification to renew oneself and the world. It is a mechanism which heals and unifies the broken human interior in this age of mammonism. However, poetry resulting from religious speculation based on the Christian spirit or imagination, is a rare case in the history of Korean Modern Poetry.<BR>  Kim Hyeong-yeong shows a continuous drama of the original sin - penitence - salvation - compassion and sanctification through an extension of religious speculation based upon Christian values such as the original sin and salvation. In Christianity the problem of sin and salvation is related to the broken relationship with God and the existence of man. The existential struggle for the restoration of this relationship through self-examination and penitence found in these poems, in particular, is a rare case not only in Korean Christian literature but also in the entire Korean Modem Poetry.<BR>  Looking closer at the progress of Kim Hyeong-yeong"s poems, it can be found that the anthologies "Shape of Silence" and "Mosquitos Shout Alone" show the awareness of the original sin and the tragic world of death, "When the Sky Opens Up" and "On the Day Waiting Ends" displays a determination towards a cleansing of unrighteousness through Catholic devotion, penitence and salvation, while "Like the Moon of Dawn" and "Low Horizon" manifests an extension of speculation beyond the Christian doctrines, and the sanctification of sin through "compassion".<BR>  Kim"s determination to continuously question the essence of the world before God, to whom Kim entrusts his whole existence, and to discover his inner divinity and realize it in the real world, takes shape of "penitence" and "compassion". He accepts human conditions as a earthly being and a creature, and at the same time desires salvation.<BR>  Kim"s poems, which proceeds from "the original sin and death" to "waiting and penitence", and eventually "compassion and salvation" shows a development in poetic expressions and form according to the transformation of mentality. The first phase displays vocal declarations and sensual images, whereas the second and third phases contain simpler and more straightforward words, excluding rhetorics, skills, or artificial moulding of images. This is the result of the deliberate effort to seek "impressive words reaching the essential", whose similarity with Christian prayers such as arrow prayers and penitence is especially notable.<BR>  Kim"s poems display the suffering and distress of human beings related to the original sin and seeks salvation and sanctification through the extension of speculation and compassion. They seek the essence of the existence of man and the world, and have established an individual aesthetics by expressing the religious conceptual world through lyrics containing Korean mentality.
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      Kim Hyeong-yeong is a poet who has repeatedly reflected, based on Christian values, on the existence of man and the world. Modern Korean Poetry suffers from a lack of religious self-examination, and a pursuit of the basic meaning of man an...

      Kim Hyeong-yeong is a poet who has repeatedly reflected, based on Christian values, on the existence of man and the world. Modern Korean Poetry suffers from a lack of religious self-examination, and a pursuit of the basic meaning of man and the world. On these grounds, it can be said that Kim Hyeong-yeong"s poetic entity deepens and extends the metaphysical area of modem poetry.<BR>  Religious speculation pursuits the substantial world based on the faith upon a Transcendental Being. The passion towards the Transcendental Being, existing beyond the everyday mundane world reflects the absurdity of the real world and propels a determination of reform and sanctification to renew oneself and the world. It is a mechanism which heals and unifies the broken human interior in this age of mammonism. However, poetry resulting from religious speculation based on the Christian spirit or imagination, is a rare case in the history of Korean Modern Poetry.<BR>  Kim Hyeong-yeong shows a continuous drama of the original sin - penitence - salvation - compassion and sanctification through an extension of religious speculation based upon Christian values such as the original sin and salvation. In Christianity the problem of sin and salvation is related to the broken relationship with God and the existence of man. The existential struggle for the restoration of this relationship through self-examination and penitence found in these poems, in particular, is a rare case not only in Korean Christian literature but also in the entire Korean Modem Poetry.<BR>  Looking closer at the progress of Kim Hyeong-yeong"s poems, it can be found that the anthologies "Shape of Silence" and "Mosquitos Shout Alone" show the awareness of the original sin and the tragic world of death, "When the Sky Opens Up" and "On the Day Waiting Ends" displays a determination towards a cleansing of unrighteousness through Catholic devotion, penitence and salvation, while "Like the Moon of Dawn" and "Low Horizon" manifests an extension of speculation beyond the Christian doctrines, and the sanctification of sin through "compassion".<BR>  Kim"s determination to continuously question the essence of the world before God, to whom Kim entrusts his whole existence, and to discover his inner divinity and realize it in the real world, takes shape of "penitence" and "compassion". He accepts human conditions as a earthly being and a creature, and at the same time desires salvation.<BR>  Kim"s poems, which proceeds from "the original sin and death" to "waiting and penitence", and eventually "compassion and salvation" shows a development in poetic expressions and form according to the transformation of mentality. The first phase displays vocal declarations and sensual images, whereas the second and third phases contain simpler and more straightforward words, excluding rhetorics, skills, or artificial moulding of images. This is the result of the deliberate effort to seek "impressive words reaching the essential", whose similarity with Christian prayers such as arrow prayers and penitence is especially notable.<BR>  Kim"s poems display the suffering and distress of human beings related to the original sin and seeks salvation and sanctification through the extension of speculation and compassion. They seek the essence of the existence of man and the world, and have established an individual aesthetics by expressing the religious conceptual world through lyrics containing Korean mentality.

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    목차 (Table of Contents)

    • Ⅰ. 서론
      Ⅱ. 김형영 시의 기독교적 세계관 전개 양상
      Ⅲ. 결어
      참고문헌
      〈Abstract〉
    • Ⅰ. 서론
      Ⅱ. 김형영 시의 기독교적 세계관 전개 양상
      Ⅲ. 결어
      참고문헌
      〈Abstract〉
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    참고문헌 (Reference)

    1 김형영, "침묵의 무늬" 샘터사 1973

    2 Louis Berkhof, "조직신학 (상)" 크리스찬다이제스트 1992

    3 김현, "자아파괴의 욕망과 그 극복」in: 시집 모기들은 혼자서도 소리를 친다" 문학과 지성사 1979

    4 김병익, "의식의 진화와 절제의 시학, 시집 in: 새벽달처럼』 해설" 문학과 지성사 1997

    5 김성민, "융의 심리학과 종교" 동명사 1998

    6 조규만, "원죄론" 가톨릭대학교 출판부 2000

    7 나희덕, "시적 상상력과 종교다원주의" (11) : 2004

    8 이원우, "성서 거룩한 글들의 도서관" 살림출판사 2006

    9 김형영, "새벽달처럼" 문학과지성사 1997

    10 Paul Johannes Tillich, "문화의 신학" 대한기독교서회 1971

    1 김형영, "침묵의 무늬" 샘터사 1973

    2 Louis Berkhof, "조직신학 (상)" 크리스찬다이제스트 1992

    3 김현, "자아파괴의 욕망과 그 극복」in: 시집 모기들은 혼자서도 소리를 친다" 문학과 지성사 1979

    4 김병익, "의식의 진화와 절제의 시학, 시집 in: 새벽달처럼』 해설" 문학과 지성사 1997

    5 김성민, "융의 심리학과 종교" 동명사 1998

    6 조규만, "원죄론" 가톨릭대학교 출판부 2000

    7 나희덕, "시적 상상력과 종교다원주의" (11) : 2004

    8 이원우, "성서 거룩한 글들의 도서관" 살림출판사 2006

    9 김형영, "새벽달처럼" 문학과지성사 1997

    10 Paul Johannes Tillich, "문화의 신학" 대한기독교서회 1971

    11 Charles I. Glicksberg, "문학과 종교" 성광문화사 1981

    12 김형영, "모기들은 혼자서도 소리를 친다" 문학과지성사 1979

    13 김형영, "다른 하늘이 열릴 때" 문학과지성사 1987

    14 김형영, "낮은 수평선" 문학과지성사 2004

    15 김형영, "기다림이 끝나는 날에도" 문학과지성사 1992

    16 J.C.cooper, "그림으로 보는 세계문화상징사전, 중판" 까치 2001

    17 남진우, "그리고 신은 시인을 창조했다" 문학동네 2001

    18 대한성서공회, "공동번역성서" 대한성서공회 2001

    19 John Heagle, "고통과 악" 생활성서사 2003

    20 한국가톨릭대사전편찬위원회, "가톨릭 대사전" 한국교회사연구소 1985

    21 구상, "現代 (20세기) 가톨릭 文學과 그 問題意識 小考" (4) : 1991

    22 황철암, "T.S 엘리어트" 건국대학교 출판부 1994

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2027 평가 재인증평가 신청대상 (재인증)
    2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2018-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2011-01-01 등재 등재 1차 FAIL (등재유지) KCI등재
    2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2005-05-04 학술지등록 한글명 : 한국문학논총
    외국어명 : Theses on Korean Literature
    KCI등재
    2004-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2003-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2002-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2001-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.29 0.29 0.44
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.41 0.41 0.739 0.28
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