또 다른 화자: 샹탈 아케르만(Chantal Akerman)의 시공간과 영화 미학 -영화 <갇힌 여인>( La captive) 분석을 중심으로- = Another Narrator : Chantal Akerman` Time-Space and Cinematic Aesthetics -Analysis on <La captive> based on M. Proust`s novel-

다국어 초록 (Multilingual Abstract)

Generic structure of Chantal Akerman`s film appears to be even innovative due to its autistic tendency. Flow of time that is exposed raw in a limited space and the plot without conventional restraint show her sincere contemplation for fundamental aesthetics. It provides audiences with the vacancy which creates a deep passage for their unconsciousness and anti-realism. In many Akerman`s films space is superficially closed, but her unique technique of revealing something hidden by showing everyday life is mesmerizing. In other word, she forms another ``intimate distance`` by keeping distance (with consciousness of audiences). This report examines the time and space of <La Captive>(2000), which is based on the 5th volume of Marcel Proust`s La recherche du temps perdu. While characters` behaviour captured in a camera is a means to study the equally given space, and cinematic sound refined with continuous time are building semantic network of non-linguistic narrator as another narrator. The first impression of <La Captive> is that it has a minimal and objective view towards the complicated Proust novel, allowing genuine reconstitution. However, focusing on the restricted space and time, it is destroyed by instantly created non-linguistic narrator including presence and absence of characters. The film lets its audience encounter the fundamental contemplation when they face with the ``empty time-space``. Her cinematic aesthetics is still on the line of ``experiment`` that has no boundary for existence of time and space. ``Another narrator`` is metaphorically time-space itself in Akerman`s film.

참고문헌 (Reference)

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2 프루스트, 마르셀(Proust, Marcel), "잃어버린 시간을 찾아서 9－갇힌 여인" 국일미디어 1998

3 블랑쇼,모리스, "기다림, 망각" 그린비 2009

4 Casetti, Francesco, "Theories of Cinema" Texas UP 1945-1995, 1999

5 Pallasmaa, Juhani, "The Architecture of Image: Existential Space in Cineman" Rakennustieto 2000

6 Margulies, Ivone, "Nothing Happens : Chantal Akerman’s Hyperrealist Everyday" Duke UP 1996

7 Blanchot, Maurice, "Lattente L’oubli" Garllimard 1962

8 Proust, Marcel, "La Prisonnière-La Recherche Du Temps Perdu-3" Gallimard 1988

9 Margulies, Ivone, "La Chambre Akerman : The Captive as Creator" Rouge Press

10 "La Captive"

11 "Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles"

12 "Je, Tu, Il, Elle"

13 Chatman Seymour, "From Coming to Terms (The Cinematic Narrator), In 1990. In Film Theory and Criticism: Introductory Readings.5th ed" Oxford UP 473-486, 1999

14 Beugnet, Martin, "Filming jealously: Chantal Akerman’s La Captive(2000)" 2 (2): 157-163, 2002

15 Bonnaud, Frédéric, "Entretien avec Chantal Akerman pour la Captive"

16 Giuliana Bruno Lecture(Video Clip), "Chantal Akerman: Moving through Time and Space" MIT List Visual Arts Center

17 Barguillet-Hauteloire, "Armelle. Proust et le miroir des eaux" Éditions De Paris 2006