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    Escaping from High Heels and Femininity’s Trap in Sandra Cisneros’s The House on Mango Street

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    https://www.riss.kr/link?id=A108908878

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Sandra Cisneros’s The House on Mango Street (1984) is a coming-of-age novel that consists of 44 vignettes. It tells the story of Esperanza, a Chicana girl living on Mango Street in Chicago. Through Esperanza’s journey, Cisneros encourages Chicana girls to challenge the societal expectations of their barrio. Cisneros’s portrayal of a Chicana girl as the main character is a significant contribution, as it is often overlooked by other Chicano writers. Esperanza can serve as a positive role model for Latina girls, including Chicanas. This paper aims to examine the problems of machismo culture prevalent in Mexican immigrant communities, focusing on the portrayal of women trapped in the house, which repeatedly appears in the novel. It critically examines how the definition of femininity in machismo culture is associated with high heels and how women’s passiveness and vulnerability lead to images of women looking out the window and waiting for rescue. Finally, this paper explores how Esperanza breaks away from the fantasy of becoming a Cinderella and fulfills her responsibilities to imprisoned women on Mango Street through her writing.
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    Sandra Cisneros’s The House on Mango Street (1984) is a coming-of-age novel that consists of 44 vignettes. It tells the story of Esperanza, a Chicana girl living on Mango Street in Chicago. Through Esperanza’s journey, Cisneros encourages Chicana ...

    Sandra Cisneros’s The House on Mango Street (1984) is a coming-of-age novel that consists of 44 vignettes. It tells the story of Esperanza, a Chicana girl living on Mango Street in Chicago. Through Esperanza’s journey, Cisneros encourages Chicana girls to challenge the societal expectations of their barrio. Cisneros’s portrayal of a Chicana girl as the main character is a significant contribution, as it is often overlooked by other Chicano writers. Esperanza can serve as a positive role model for Latina girls, including Chicanas. This paper aims to examine the problems of machismo culture prevalent in Mexican immigrant communities, focusing on the portrayal of women trapped in the house, which repeatedly appears in the novel. It critically examines how the definition of femininity in machismo culture is associated with high heels and how women’s passiveness and vulnerability lead to images of women looking out the window and waiting for rescue. Finally, this paper explores how Esperanza breaks away from the fantasy of becoming a Cinderella and fulfills her responsibilities to imprisoned women on Mango Street through her writing.

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    참고문헌 (Reference)

    1 Madsen, Deborah L., "Understanding Contemporary Chicana Literature" U of South Carolina P 2000

    2 Lee, Sun-Jin, "The Politics of Be(long)ing Home: Sandra Cisneros’s The House on Mango Street and Loida Maritza Perez’s Geographies of Home" 18 (18): 2011

    3 Cisneros, Sandra, "The House on Mango Street" Vintage Contemporaries 2009

    4 Olivares, Julian, "Teaching Ethnic American Literature" U of New Mexico P 1996

    5 Sugiyama, Michelle Scalise, "Of Woman Bondage: The Eroticism of Feet in the House on Mango Street" 41 (41): 1999

    6 Cha, Hee Jung, "Making Face, Making Transcultural Home in Sandra Cisneros’s The House on Mango Street" 21 (21): 2014

    7 Gonzales-Berry, Erlinda, "International Studies in Honor of Tomás Rivera" Arte Publico Press 1986

    8 Burcar, Lilijana, "High Heels as a Disciplinary Practice of Femininity in Sandra Cisneros’s The House on Mango Street" 28 (28): 2019

    9 Saldívar, Ramón, "Chicano Narrative: The Dialectics of Difference" U of Wisconsin P 1990

    10 Herrera-Sobek, María, "Chicana Creativity and Criticism: New Frontiersin American Literature" University of New Mexico Press 1996

    1 Madsen, Deborah L., "Understanding Contemporary Chicana Literature" U of South Carolina P 2000

    2 Lee, Sun-Jin, "The Politics of Be(long)ing Home: Sandra Cisneros’s The House on Mango Street and Loida Maritza Perez’s Geographies of Home" 18 (18): 2011

    3 Cisneros, Sandra, "The House on Mango Street" Vintage Contemporaries 2009

    4 Olivares, Julian, "Teaching Ethnic American Literature" U of New Mexico P 1996

    5 Sugiyama, Michelle Scalise, "Of Woman Bondage: The Eroticism of Feet in the House on Mango Street" 41 (41): 1999

    6 Cha, Hee Jung, "Making Face, Making Transcultural Home in Sandra Cisneros’s The House on Mango Street" 21 (21): 2014

    7 Gonzales-Berry, Erlinda, "International Studies in Honor of Tomás Rivera" Arte Publico Press 1986

    8 Burcar, Lilijana, "High Heels as a Disciplinary Practice of Femininity in Sandra Cisneros’s The House on Mango Street" 28 (28): 2019

    9 Saldívar, Ramón, "Chicano Narrative: The Dialectics of Difference" U of Wisconsin P 1990

    10 Herrera-Sobek, María, "Chicana Creativity and Criticism: New Frontiersin American Literature" University of New Mexico Press 1996

    11 McCracken, Ellen, "Breaking Boundaries: Latina Writing and Critical Readings" U of Massachusetts P 1989

    12 Anzaldúa, Gloria E., "Borderlands : La Frontera" Aunt Lute Books 2012

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