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    패션디자인에 나타난 기계미학의 표현특성에 관한 연구(I) = A Study on the Experssional Characteristic of the Machine Aesthetics in the Fashion Design(I)

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    https://www.riss.kr/link?id=A2092964

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Vladimir Tatlin made some of the most revolutionary works of modern art. these were the First works to be called 'construction'.
    Constructivists believed that the essential conditions of the machine and the
    consciousness of man inevitably create an aesthetic which would reflect their time. They eulogized simple shapes. That believed that buildings and objects should be freed from the ornamental excrescences and the accumulated barnacles of past art.
    Consequently, under the theoritical background, the result is as follows.
    First, The functional formativeness of machine aesthetics was expressed as a
    geometrical silhouette, construction line, non-ornamental construction, simple color in the 20th century design.
    Second, The mecanical formativeness of machine aesthetics was expressed as a
    construction of new material-iron, aluminium, plastic, glass-, geometrical form of material in the 20th century design.
    That is, machine beauty has more concerned with the expressional ideology of the art style and the formativeness of fashion design by silhouette, construction line, material, from.
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    Vladimir Tatlin made some of the most revolutionary works of modern art. these were the First works to be called 'construction'. Constructivists believed that the essential conditions of the machine and the consciousness of man inevitably create a...

    Vladimir Tatlin made some of the most revolutionary works of modern art. these were the First works to be called 'construction'.
    Constructivists believed that the essential conditions of the machine and the
    consciousness of man inevitably create an aesthetic which would reflect their time. They eulogized simple shapes. That believed that buildings and objects should be freed from the ornamental excrescences and the accumulated barnacles of past art.
    Consequently, under the theoritical background, the result is as follows.
    First, The functional formativeness of machine aesthetics was expressed as a
    geometrical silhouette, construction line, non-ornamental construction, simple color in the 20th century design.
    Second, The mecanical formativeness of machine aesthetics was expressed as a
    construction of new material-iron, aluminium, plastic, glass-, geometrical form of material in the 20th century design.
    That is, machine beauty has more concerned with the expressional ideology of the art style and the formativeness of fashion design by silhouette, construction line, material, from.

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    목차 (Table of Contents)

    • Abstract
    • Ⅰ. 서 론
    • Ⅱ. 기계미학에 대한 이론적 고찰
    • 1. 배 경
    • 2. 개 념
    • Abstract
    • Ⅰ. 서 론
    • Ⅱ. 기계미학에 대한 이론적 고찰
    • 1. 배 경
    • 2. 개 념
    • Ⅲ. 기계미학의 표현 이념
    • 1. 기능적 이미지 표현 이념
    • 2. 기계적 이미지 표현 이념
    • Ⅳ. 패션에 나타난 기계미학의 표현 특성
    • 1. 기능적 조형성
    • 2. 기계적 조형성
    • Ⅴ. 결 론
    • 참고문헌
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