역사적·정치적 병리에 대한 텔레비전드라마 <상어>의 상상력 = A Study on the Imagination of < Sang-eo(Shark) >, a Television Drama about Historical and Political Pathology

다국어 초록 (Multilingual Abstract)

The television drama < Sang-eo(Shark) > is a melodrama that embodies the idea of solving historical and political pathologies with the dramatic imagination of revenge and reasoning techniques, along with the diagnosis that vested interests who control power are the causes of political, economic, social, and cultural pathology. In particular, Cheon Yeong-bo, who lived as Jo Sang-guk, an independence activist, succeeded in leading the critical understanding and reflection of history through self-deception, brutality, and revenge and truth-finding of Han Yi-su, who hid his identity as a Korean-Japanese Kim Jun.
Accordingly, this study analyzed the conflict between Cheon Young-bo(Jo Sang-guk), a symbolic figure of the older generation who is not free from historical mistakes, and Han Yi-su(Kim Jun), a symbolic figure of the younger generation who tries to correct the fabricated history. The dramatic imagination of the television drama Shark analyzed through this study is as follows. Han Yi-soo’s revenge narrative, which disguised himself as a Korean-Japanese businessman Kim Jun, led to the political misdeeds that failed to properly clean up the remnants of Japanese colonial era, which led to the deepening of the pathological phenomenon of Korean independence activist Jo Sang-guk.
In conclusion, < Sang-eo(Shark) > is a television drama that seeks a poetic definition of the problematic reality of not being able to move forward as political misdeeds that failed to properly clean up the remnants of Japanese colonial era become a deep-rooted evil, deepening the frustration and despair of the younger generation. This means that < Sang-eo(Shark) > is a television drama that has raised alarm in Korean society, which is in conflict over the issue of liquidation of political deep-rooted evils.

참고문헌 (Reference)

1 윤경로, "해방 70년, 일제잔재 무엇을 어떻게 청산할 것인가?" 재단법인 내일을여는 역사재단 (59) : 2015

2 윤석진, "한국 멜로드라마의 근대적 상상력" 푸른사상 2004

3 최병택, "친일 잔재 청산과 민주화" 재단법인 내일을여는역사재단 77 : 2019

4 한홍구, "적폐청산의 시발점, 공안체제의 해체" 새얼문화재단 (여름) : 2017

5 김귀옥, "적폐 청산의 시대, 화해와 소통을 위한 사회 운동의 방향" 인문학연구원 76 : 123-159, 2018

6 켄달 L. 월튼, "미메시스: 믿는 체하기로서의 예술" 북코리아 2019

7 권양현, "김지우․박찬홍의 ‘복수 3부작’에 나타난 파국과 성찰" 충남대학교 2016

8 권양현, "TV드라마 <상어>에 나타난 파국의 징후와 구원의 가능성" 한국드라마학회 (47) : 5-33, 2015

9 김지우, "<상어>, 총20부"