RISS 학술연구정보서비스

검색
다국어 입력

http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

변환된 중국어를 복사하여 사용하시면 됩니다.

예시)
  • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
  • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
닫기
    인기검색어 순위 펼치기

    RISS 인기검색어

      KCI등재

      밀턴, 워즈워스, 키츠의 서사시: 디지털 정량 문체 분석 = The Epic Poems of Milton, Wordsworth, Keats: A Digital Quantitative Stylistic Analysis

      한글로보기

      https://www.riss.kr/link?id=A109080841

      • 0

        상세조회
      • 0

        다운로드
      서지정보 열기
      • 내보내기
      • 내책장담기
      • 공유하기
      • 오류접수

      부가정보

      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      This investigation explores the stylistic connections between John Milton, an influential 17th-century poet, and prominent 19th-century Romantic figures, William Wordsworth and John Keats, through the prism of stylometry, a quantitative stylistic analysis technique. Employing the digital analytical tool Stylo-R, this study conducts a comprehensive stylometric analysis across an extensive corpus that includes Milton’s works alongside those of Romantic and Victorian poets. The diverse stylometric methods it employs are cluster analysis, principal component analysis, and various supervised learning approaches. These methods quantitatively assess the stylistic proximities and divergences among Milton, Wordsworth, Keats, and other poets of the 19th century. Although Keats was profoundly inspired by Milton’s Paradise Lost, he was critical of Milton’s linguistic style, aspiring to erase the precursor’s influence from his own poetic language. This task he eventually deemed impossible, thereby abandoning his epic project. This research begins with the question of whether it will be possible to quantitatively confirm stylistic similarities between Paradise Lost and the Hyperion poems. Interestingly, the analysis reveals that Wordsworth, not Keats, shares the most stylistic similarities with Milton. Various stylometric analysis methods consistently support the stylistic similarity between Milton and Wordsworth. The fact that Wordsworth is identified as the poet whose style most closely aligns with Milton’s highlights the complex ways in which his literary legacy was reinterpreted and woven into the fabric of Romantic poetic expression. Stylometry provides a unique methodological lens, uncovering the distinct stylistic fingerprints of each poet and contextualizing these insights within the larger narrative of literary evolution from Milton’s magnum opus, Paradise Lost, through to the Romantic poets’ pursuit of epic poetry. Not only does this analytical approach enrich our understanding of the enduring influence of literary tradition and the creative processes of individual authors. But it also underscores the pivotal role of digital humanities in unlocking new dimensions of literary analysis—in other words, in offering fresh perspectives on the dialogues between past literary greatness and subsequent poetic endeavors.
      번역하기

      This investigation explores the stylistic connections between John Milton, an influential 17th-century poet, and prominent 19th-century Romantic figures, William Wordsworth and John Keats, through the prism of stylometry, a quantitative stylistic anal...

      This investigation explores the stylistic connections between John Milton, an influential 17th-century poet, and prominent 19th-century Romantic figures, William Wordsworth and John Keats, through the prism of stylometry, a quantitative stylistic analysis technique. Employing the digital analytical tool Stylo-R, this study conducts a comprehensive stylometric analysis across an extensive corpus that includes Milton’s works alongside those of Romantic and Victorian poets. The diverse stylometric methods it employs are cluster analysis, principal component analysis, and various supervised learning approaches. These methods quantitatively assess the stylistic proximities and divergences among Milton, Wordsworth, Keats, and other poets of the 19th century. Although Keats was profoundly inspired by Milton’s Paradise Lost, he was critical of Milton’s linguistic style, aspiring to erase the precursor’s influence from his own poetic language. This task he eventually deemed impossible, thereby abandoning his epic project. This research begins with the question of whether it will be possible to quantitatively confirm stylistic similarities between Paradise Lost and the Hyperion poems. Interestingly, the analysis reveals that Wordsworth, not Keats, shares the most stylistic similarities with Milton. Various stylometric analysis methods consistently support the stylistic similarity between Milton and Wordsworth. The fact that Wordsworth is identified as the poet whose style most closely aligns with Milton’s highlights the complex ways in which his literary legacy was reinterpreted and woven into the fabric of Romantic poetic expression. Stylometry provides a unique methodological lens, uncovering the distinct stylistic fingerprints of each poet and contextualizing these insights within the larger narrative of literary evolution from Milton’s magnum opus, Paradise Lost, through to the Romantic poets’ pursuit of epic poetry. Not only does this analytical approach enrich our understanding of the enduring influence of literary tradition and the creative processes of individual authors. But it also underscores the pivotal role of digital humanities in unlocking new dimensions of literary analysis—in other words, in offering fresh perspectives on the dialogues between past literary greatness and subsequent poetic endeavors.

      더보기

      참고문헌 (Reference)

      1 Burrows, John, "‘Delta’: A Measure of Stylistic Difference and a Guide to Likely Authorship" 17 (17): 267-287, 2002

      2 Schmidt-Petri, Christoph, "Who Authored On Liberty? Stylometric Evidence on Harriet Taylor Mill’s Contribution" 34 : 120-138, 2022

      3 Wordsworth, William, "The Prelude 1799, 1805, 1850" W. W. Norton & Company 1979

      4 Shears, Jonathan, "The Oxford Handbook of William Wordsworth" Oxford UP 449-466, 2015

      5 Wittreich, Joseph, "The Oxford Handbook of Milton" Oxford UP 687-704, 2011

      6 Dobranski, Stephen B, "The Cambridge Introduction to Milton" Cambridge UP 2012

      7 Newey, Vincent, "The Cambridge Companion to Keats" Cambridge UP 69-85, 2001

      8 Ilsemann, Hartmut, "The Authorship of George a Greene, the Pinner of Wakefield" 38 : 167-179, 2023

      9 Eder, Maciej, "Stylometry with R: A Package for Computational Text Analysis" 8 (8): 107-121, 2016

      10 Stabler, Jane, "Romanticism: An Oxford Guide" Oxford UP 27-37, 2005

      1 Burrows, John, "‘Delta’: A Measure of Stylistic Difference and a Guide to Likely Authorship" 17 (17): 267-287, 2002

      2 Schmidt-Petri, Christoph, "Who Authored On Liberty? Stylometric Evidence on Harriet Taylor Mill’s Contribution" 34 : 120-138, 2022

      3 Wordsworth, William, "The Prelude 1799, 1805, 1850" W. W. Norton & Company 1979

      4 Shears, Jonathan, "The Oxford Handbook of William Wordsworth" Oxford UP 449-466, 2015

      5 Wittreich, Joseph, "The Oxford Handbook of Milton" Oxford UP 687-704, 2011

      6 Dobranski, Stephen B, "The Cambridge Introduction to Milton" Cambridge UP 2012

      7 Newey, Vincent, "The Cambridge Companion to Keats" Cambridge UP 69-85, 2001

      8 Ilsemann, Hartmut, "The Authorship of George a Greene, the Pinner of Wakefield" 38 : 167-179, 2023

      9 Eder, Maciej, "Stylometry with R: A Package for Computational Text Analysis" 8 (8): 107-121, 2016

      10 Stabler, Jane, "Romanticism: An Oxford Guide" Oxford UP 27-37, 2005

      11 Ilsemann, Hartmut, "R Stylo and the Authorship Determination of Henry V" 38 : 1577-1581, 2023

      12 Craig, Hugh, "Principal Components Analysis in Stylometry" 38 : 1-12, 2023

      13 Milton, John, "Paradise Lost" W. W. Norton & Company 2005

      14 Gittings, Robert, "Letters of John Keats" Oxford UP 1970

      15 Lee, Suddaby, "Did Mary Shelley Write Frankenstein? A Stylometric Analysis" 38 : 750-765, 2023

      16 Trott, Nicola, "A Companion to Romanticism" Blackwell Publishing 520-533, 1998

      17 Teskey, Gordon, "A Companion to Romantic Poetry" Wiley-Blackwell 425-441, 2010

      18 Hoover, David. L., "A Companion to Digital Literary Studies" Blackwell 517-533, 2008

      더보기

      분석정보

      View

      상세정보조회

      0

      Usage

      원문다운로드

      0

      대출신청

      0

      복사신청

      0

      EDDS신청

      0

      동일 주제 내 활용도 TOP

      더보기

      주제

      연도별 연구동향

      연도별 활용동향

      연관논문

      연구자 네트워크맵

      공동연구자 (7)

      유사연구자 (20) 활용도상위20명

      이 자료와 함께 이용한 RISS 자료

      나만을 위한 추천자료

      해외이동버튼