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      申在孝의 創作판소리 硏究 = A Study of the Original 'Pansori' of Sin, Jae-Hyo

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      다국어 초록 (Multilingual Abstract)

      'Pansori' is a unique sad traditional jenre of Korean literature that should be studied through various ways, such as narrative literature, music or drama. Sin Jae-Hyo is known the most eminent writer of pansori, who accomplished his original pansori, with his unique and creative techniques.
      The aim of this study is to inquire and expand the true facts of his pansori, and futher more succeed to great artical state of forefathers before making a study of the backgrounds and the thought of Sin Jac-Hye, and also tile structure, techniques of expression and the content of his 14 pansori play scripts.
      Chapter Ⅰ is the introduction and Chapter Ⅱ is the study of the writer's backgrounds and thought.
      In the Chapter Ⅲ the present author is making a study and analysis of Sia Jae-Hyo's pansori through the rearrangemt of his six-act pansori, form and contents. His original fansori is in 3-4 mete verse, or mostly 4-4 meter in around one thousand syllables, except Osumga of eight thousand syllables, Sin Jae Jae-Hyo's pansori is so full of humor and reality, along with expressional dexterity and obscenity that his authorial characterstics are conspicuous.
      As a result of this study, this author come to believe that the deeper researches into this field should be encouraged to continue future is view of the unique value of pansori, also hoping that this study will be some help to those who want to follow the similiar studies.
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      'Pansori' is a unique sad traditional jenre of Korean literature that should be studied through various ways, such as narrative literature, music or drama. Sin Jae-Hyo is known the most eminent writer of pansori, who accomplished his original pansori,...

      'Pansori' is a unique sad traditional jenre of Korean literature that should be studied through various ways, such as narrative literature, music or drama. Sin Jae-Hyo is known the most eminent writer of pansori, who accomplished his original pansori, with his unique and creative techniques.
      The aim of this study is to inquire and expand the true facts of his pansori, and futher more succeed to great artical state of forefathers before making a study of the backgrounds and the thought of Sin Jac-Hye, and also tile structure, techniques of expression and the content of his 14 pansori play scripts.
      Chapter Ⅰ is the introduction and Chapter Ⅱ is the study of the writer's backgrounds and thought.
      In the Chapter Ⅲ the present author is making a study and analysis of Sia Jae-Hyo's pansori through the rearrangemt of his six-act pansori, form and contents. His original fansori is in 3-4 mete verse, or mostly 4-4 meter in around one thousand syllables, except Osumga of eight thousand syllables, Sin Jae Jae-Hyo's pansori is so full of humor and reality, along with expressional dexterity and obscenity that his authorial characterstics are conspicuous.
      As a result of this study, this author come to believe that the deeper researches into this field should be encouraged to continue future is view of the unique value of pansori, also hoping that this study will be some help to those who want to follow the similiar studies.

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