1 "http://x-io.co.uk/x-osc"
2 H. J. Lee, "Wii Arts: creating collaborative art experience with Wii Remote interaction" 33-36, 2008
3 F. Bevilacqua, "The augmented violin project:research, composition and performance report" 402-406, 2006
4 K. Paringatai, "Poia atu taku poi: Unearthing the knowledge of the past" (4) : 23-34, 2005
5 R. Walker, "Poi Poi Revolution - A real-time feedback training system for object manipulation" Human Interface Technology Laboratory New Zealand, University of Canterbury 2013
6 A. McPherson, "New Directions in Music and Human-Computer Interaction" Springer 179-212, 2019
7 G. Boring, "Musical Signal Processing, chapter Musical Signal Synthesis" Swets and Zeitlinger 5-30, 1997
8 S. Nam, "Musical Poi(mPoi)" 148-151, 2013
9 M. Wanderley, "Gestural Control of Music" 632-644, 2001
10 J. Sullivan, "Gestural Control of Augmented Instrumental Performance: A casestudy of the concert harp in moco" 2018
1 "http://x-io.co.uk/x-osc"
2 H. J. Lee, "Wii Arts: creating collaborative art experience with Wii Remote interaction" 33-36, 2008
3 F. Bevilacqua, "The augmented violin project:research, composition and performance report" 402-406, 2006
4 K. Paringatai, "Poia atu taku poi: Unearthing the knowledge of the past" (4) : 23-34, 2005
5 R. Walker, "Poi Poi Revolution - A real-time feedback training system for object manipulation" Human Interface Technology Laboratory New Zealand, University of Canterbury 2013
6 A. McPherson, "New Directions in Music and Human-Computer Interaction" Springer 179-212, 2019
7 G. Boring, "Musical Signal Processing, chapter Musical Signal Synthesis" Swets and Zeitlinger 5-30, 1997
8 S. Nam, "Musical Poi(mPoi)" 148-151, 2013
9 M. Wanderley, "Gestural Control of Music" 632-644, 2001
10 J. Sullivan, "Gestural Control of Augmented Instrumental Performance: A casestudy of the concert harp in moco" 2018
11 S. Nam, "Exploring musical expression of circular motion by taking advantage of wireless sensor interfaces" 253-256, 2017
12 C. B. Medeiros, "Comprehensive review of sensors and instrumentation methods in devices for musical expression" 14 (14): 13556-13591, 2014
13 D. Ogborn, "Composing for a Networked, Pulse-Based, Laptop Orchestra" 17 (17): 56-61, 2012