순조대 효명세자 대리청정시 정재(呈才)의 계승과 변화 = Performing Aspect of Court Dance(Chongjae) during the Reign of King Sunjo

다국어 초록 (Multilingual Abstract)

The aim of this study is to investigate an aspect of chongjae 呈才, during the time when prince Hyomyong 孝明世子(1809-1830) was the right power of representation attorney in the reign of King Sunjo. History of chongjae 呈才 in the reign of King Sunjo, it is very important time. Type and contents is various appears in this time. 17 repertory were succeeded in this time, and 23 repertory were created. So it is a point when the succession and change coexist. The scope of this research is between 1827 and 1830, when Prince Hyomyong 孝明世子(1809-1830) is the right power of representation attorney.
This study is based upon such source materials a government official document called Muja chinjak ŭigwe 『戊子進爵儀軌』 (1828) and Kich'uk chinch'an ŭigwe 『己丑進饌儀軌』(1829). Chongjae 呈才 is synthetic performing art, so it composed of a center element dance, the words of a song known as ch'angsa 唱詞, and incidental music it will together research. Chongjae was not only the court performence but also the local governmental performence. But this research is restricted a scope, only in the court performence.
It is composed three section, it examined from the viewpoint of succession and change of chongjae integral part. In the first section was examined ch'angsa 唱詞. Succession position of chongjae ch'angsa, the political contents was accomplishing the center is the thing. Renovation position of chongjae ch'angsa, the political contents becomes internalized and the lyrical contents was introduced is the thing. Ch'angsa of mugo 舞鼓, abak 牙拍, Kainjon moktan 佳人剪牧丹, and Posangmu 寶相舞 are the evidences.
In the second section examined was dance composition of chongjae. Succession position of dance composition, the frame of existing dance was maintained almost like that. There is temporary fluctuation where the chukkanja 竹竿子 disappears from Suyonjang 壽延長 and Pogurak 抛毬樂, but features of origin it returned again. From renovation position of dance composition, most will pay attention the fact that was appearance of solo dance, for example Ch'unaengjon 春鶯囀 and Musanhyang 舞山香.
In the third section was examined incidental music of chongjae. There was an accompaniment name which is various in chongjae one.
Until now from the viewpoint of succession and change, it tried to observe the aspect which chongjae is various. The feature of at this time variety chongjae is able to summarize, as coexistence.