I have suggested ‘World View of Trichotomy’ differentiating itself by keeping the very rule of ‘1-3-9-81’ way through various papers and books. ‘World View of Trichotomy’ is common in Northeast Asian Shamanism. In each and every region of ...
http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
다국어 초록 (Multilingual Abstract)
I have suggested ‘World View of Trichotomy’ differentiating itself by keeping the very rule of ‘1-3-9-81’ way through various papers and books. ‘World View of Trichotomy’ is common in Northeast Asian Shamanism. In each and every region of ...
I have suggested ‘World View of Trichotomy’ differentiating itself by
keeping the very rule of ‘1-3-9-81’ way through various papers and books.
‘World View of Trichotomy’ is common in Northeast Asian Shamanism. In
each and every region of Northeast Asia, we can see the ‘Holy Numbers 3, 9
and 81’of Northeast Asian Shamanism. For this reason, it may well be inferred
that ‘World View of Trichotomy’ is the ‘Mother’s Womb of Northeast Asian
culture and philosophy’.
‘World View of Trichotomy’ was succeeded southward to the central China,
and turned into the grassroots of Taoism and its spirit of Supreme Hermit.
And this world view has also been handed down to Sundo (仙道, Korean
Taoism) and other Korean national religions. On the other hand, this world
view did its distinctive role in formulating the basic culture of Europe through
Druidism of the Celts who were among the ancient Aryans sharing the spirit
of Northeast Shamanism mostly.
This paper places its sharp attention to ‘World View oF Trichotomy’ in
Mongolian Culture. Especially, I am trying to explain the symbolic meaning of
‘9∙9 (Nine-Nine)’ in detail with full illustrations, which is just based on
‘World View oF Trichotomy’and its ‘Holy Numbers (3, 9, 81)’. The symbolic
meaning of ‘9∙9 (Nine-Nine)’ in Mongolian Culture is not to be interpreted as
‘Ninety Nine’ but as ‘Nine-Nine or Nine by Nine (9×9=81)’. Consequently,
‘Nine-Nine = 9∙9 = 9×9 = 81’has two different kinds of symbolic meaning.
First, ‘9∙9’ has an equivalent of 81(9×9) in number. In Mongolian culture,
anyone can easily find out this kind of usage such as ‘9∙9 (Nine-Nine)
Courtesy’ or ‘9∙9 (Nine-Nine) Gift’ , ‘9∙9 (Nine-Nine) Ceremony’ and ‘9∙9
(Nine-Nine) Penalty’.
The other is that: ‘9∙9’ has a symbolic meaning of ‘Very Much’, ‘Very
Many’, ‘Innumerable’ and ‘Countless’. This symbolic meaning has been
reflected in the usage of ‘9∙9 Tenggeri’ in Mongolian culture.
Therefore, these two symbolic meanings of ‘9∙9’ in Mongolian culture have
their deepest origin in ‘World View of Trichotomy’ differentiating itself by
keeping the very rule of ‘1-3-9-81’ way. And that is exactly why I suggest
that Mongolian Culture cannot be explained systematically and reasonably
with no consideration of ‘World View of Trichotomy’and its ‘Holy Numbers (3,
9, 81)’.
다국어 초록 (Multilingual Abstract)
I have suggested ‘World View of Trichotomy’ differentiating itself by keeping the very rule of ‘1-3-9-81’ way through various papers and books. ‘World View of Trichotomy’ is common in Northeast Asian Shamanism. In each and every region ...
I have suggested ‘World View of Trichotomy’ differentiating itself by
keeping the very rule of ‘1-3-9-81’ way through various papers and books.
‘World View of Trichotomy’ is common in Northeast Asian Shamanism. In
each and every region of Northeast Asia, we can see the ‘Holy Numbers 3, 9
and 81’of Northeast Asian Shamanism. For this reason, it may well be inferred
that ‘World View of Trichotomy’ is the ‘Mother’s Womb of Northeast Asian
culture and philosophy’.
‘World View of Trichotomy’ was succeeded southward to the central China,
and turned into the grassroots of Taoism and its spirit of Supreme Hermit.
And this world view has also been handed down to Sundo (仙道, Korean
Taoism) and other Korean national religions. On the other hand, this world
view did its distinctive role in formulating the basic culture of Europe through
Druidism of the Celts who were among the ancient Aryans sharing the spirit
of Northeast Shamanism mostly.
This paper places its sharp attention to ‘World View oF Trichotomy’ in
Mongolian Culture. Especially, I am trying to explain the symbolic meaning of
‘9∙9 (Nine-Nine)’ in detail with full illustrations, which is just based on
‘World View oF Trichotomy’and its ‘Holy Numbers (3, 9, 81)’. The symbolic
meaning of ‘9∙9 (Nine-Nine)’ in Mongolian Culture is not to be interpreted as
‘Ninety Nine’ but as ‘Nine-Nine or Nine by Nine (9×9=81)’. Consequently,
‘Nine-Nine = 9∙9 = 9×9 = 81’has two different kinds of symbolic meaning.
First, ‘9∙9’ has an equivalent of 81(9×9) in number. In Mongolian culture,
anyone can easily find out this kind of usage such as ‘9∙9 (Nine-Nine)
Courtesy’ or ‘9∙9 (Nine-Nine) Gift’ , ‘9∙9 (Nine-Nine) Ceremony’ and ‘9∙9
(Nine-Nine) Penalty’.
The other is that: ‘9∙9’ has a symbolic meaning of ‘Very Much’, ‘Very
Many’, ‘Innumerable’ and ‘Countless’. This symbolic meaning has been
reflected in the usage of ‘9∙9 Tenggeri’ in Mongolian culture.
Therefore, these two symbolic meanings of ‘9∙9’ in Mongolian culture have
their deepest origin in ‘World View of Trichotomy’ differentiating itself by
keeping the very rule of ‘1-3-9-81’ way. And that is exactly why I suggest
that Mongolian Culture cannot be explained systematically and reasonably
with no consideration of ‘World View of Trichotomy’and its ‘Holy Numbers (3,
9, 81)’.
참고문헌 (Reference)
1 우실하, "「천부경」, 「삼일신고」의 수리체계와 ‘3수 분화의 세계관(1-3-9-81)’" 국학연구원 1 : 35-101, 2006
2 우실하, "한국 전통 문화의 구성 원리에 대한 연구: 초기 형성 과정을 중심으로" 연세대학교 1997
3 우실하, "최초의 태극 관념은 음양태극이 아니라 삼태극/삼원태극이었다" 동양사회사상학회 8 : 5-38, 2003
4 우실하, "전통음악의 구조와 원리: 삼태극의 춤, 동양음악" 소나무 2004
5 우실하, "전통 문화의 구성 원리" 소나무 1998
6 시마다 마사오, "아시아법사" 서경문화사 2000
7 조철수, "수메르 신화 Ⅰ" 서해문집 1996
8 M. 엘리아데, "샤머니즘: 고대의 접신술" 까치 1992
9 우실하, "삼태극/삼원태극의 논리와 5음 12율의 산율 수리체계" 한국음악사학회 (32) : 73-113, 2004
10 우실하, "삼태극(三太極)/삼원태극(三元太極) 문양의 기원에 대하여" 한국학중앙연구원 29 (29): 205-237, 2006
1 우실하, "「천부경」, 「삼일신고」의 수리체계와 ‘3수 분화의 세계관(1-3-9-81)’" 국학연구원 1 : 35-101, 2006
2 우실하, "한국 전통 문화의 구성 원리에 대한 연구: 초기 형성 과정을 중심으로" 연세대학교 1997
3 우실하, "최초의 태극 관념은 음양태극이 아니라 삼태극/삼원태극이었다" 동양사회사상학회 8 : 5-38, 2003
4 우실하, "전통음악의 구조와 원리: 삼태극의 춤, 동양음악" 소나무 2004
5 우실하, "전통 문화의 구성 원리" 소나무 1998
6 시마다 마사오, "아시아법사" 서경문화사 2000
7 조철수, "수메르 신화 Ⅰ" 서해문집 1996
8 M. 엘리아데, "샤머니즘: 고대의 접신술" 까치 1992
9 우실하, "삼태극/삼원태극의 논리와 5음 12율의 산율 수리체계" 한국음악사학회 (32) : 73-113, 2004
10 우실하, "삼태극(三太極)/삼원태극(三元太極) 문양의 기원에 대하여" 한국학중앙연구원 29 (29): 205-237, 2006
11 박원길, "몽골의 문화와 자연 지리" 두솔 1996
12 V. A. 랴자노프스키, "몽골의 관습과 법" 혜안 1996
13 S. 돌람, "몽골신화의 형상(Mongol Domogzüin Dür)" 태학사 2007
14 박원길, "몽골비사의 종합적 연구" 민속원 2006
15 유원수, "몽골비사" 혜안 1994
16 D. 체렌소드놈, "몽골 민간 신화" 대원사 2001
17 우실하, "몽골 문화와 ‘3수 분화의 세계관(1-3-9-81)’" 단군학회 18 : 307-345, 2008
18 우실하, "동북아시아 모태문화와 ‘3수 분화의 세계관(1-3-9-81)’" 한국문화심리학회 1 : 225-255, 2000
19 우실하, "동북아 샤머니즘 성수(聖數:3.6.9.81)의 기원에 대하여" 고조선단군학회 10 : 205-240, 2004
20 우실하, "도교와 민족종교에 보이는 ‘3수 분화의 세계관(1-3-9-81)’" 한국도교문화학회 24 : 99-133, 2006
21 우실하, "구구가, 구구소한도의 기원과 '3수 분화의 세계관'" 동양사회사상학회 (13) : 347-379, 2006
22 "고려사(高麗史)"
23 額爾登泰 烏云達賚, "蒙古秘史校勘本" 1980
24 道潤梯步, "蒙古秘史" 內蒙古人民出版社 1991
25 中國社會科學院文學硏究所編, "中國傳說古事大辭典" 中國文聯出版公司 1997
26 Bagaev, Emkhtgesen G., "Redaktor Ch" Khamsüren
27 Rinchen, B., "Kul't istoricheskikh personajei v mongol'skom shamanstve" Tsentral'naya i Vostocnaya Azil v srednie veka, Nobosibirsk 1975
28 khevlekhüildver, "Ardyn aman zokhiolyn emkhtgel" 1949
29 이평래, "17-18세기 몽골법전에 등장하는 도물(盜物)의 분석" 중앙아시아학회 3 : 95-140, 1998
대용어 비교연구 - 한국어 ‘것’, 몽골어 yum, 만주어 -ngge -
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2026 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2022-03-11 | 학회명변경 | 영문명 : TKAFMS -> KAMS | ![]() |
2020-01-01 | 평가 | 등재학술지 유지 (재인증) | ![]() |
2017-01-01 | 평가 | 등재학술지 유지 (계속평가) | ![]() |
2015-02-26 | 학회명변경 | 영문명 : The Korean Association For Mongolian Studies -> TKAFMS | ![]() |
2013-01-01 | 평가 | 등재 1차 FAIL (등재유지) | ![]() |
2010-01-01 | 평가 | 등재학술지 유지 (등재유지) | ![]() |
2008-01-01 | 평가 | 등재학술지 유지 (등재유지) | ![]() |
2005-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | ![]() |
2004-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | ![]() |
2002-01-01 | 평가 | 등재후보학술지 선정 (신규평가) | ![]() |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.37 | 0.37 | 0.36 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.34 | 0.33 | 0.501 | 0.06 |