Modernism and science fiction

목차 (Table of Contents)

• CONTENTS
• Series Editor's Preface = vii
• Acknowledgements = xii
• Introduction : Modernism and Science Fiction? = 1
• 1 Scientific Romance and the Culture of Modernism = 11
• Scientific romance and scientific naturalism = 12
• Deep time and lost worlds = 16
• Visions of the future : Flammarion and Wells = 20
• The eternal moment = 23
• Higher dimensions : Abbott, Wells and Jarry = 28
• Hyperspace and the subliminal self = 31
• The man-machine = 40
• 2 Utopia in the Time of Apocalypse = 49
• 'This is the way the world ends' = 50
• H. G. Wells : Between Apocalypse and Utopia = 51
• The Wellsian legacy in the interwar period = 54
• Feminist dystopias = 65
• Wells and the Russian avant-garde = 69
• Man as machine : Machine as ghost = 76
• 3 Pulp Modernism : Genre SF = 85
• Engineering Utopia = 86
• The rise of the pulps = 89
• Weird modernism = 93
• The road to Amazing Stories = 94
• The beginnings of First Fandom = 97
• The road to Astounding Science Fiction = 99
• The Futurians and the Technocracy Movement = 104
• Into the Unknown = 107
• The legacy of pulp modernism = 110
• 4 New Worlds and the Many Deaths of Modernism = 117
• New Worlds in context = 118
• The cybernetic convergence = 122
• This Is Tomorrow : New Waves in art and literature = 124
• Cybernetic fictions : Burroughs, Wolfe, Ballard = 127
• Cybernetic counter-cultures : Olson, Delany Duncan, Dick = 132
• 'Death factory' = 138
• What remains : The new (feminist) sf = 147
• Coda : In and Out of the Gernsback Continuum = 153
• Notes = 158
• Select Bibliography = 186
• Index = 188