강산제 <적벽가>의 전승과 특징

다국어 초록 (Multilingual Abstract)

This paper examines the transmission, themes, and characteristics of Gangsanje's <Jeokbyeokga>, known as the Jeong Eung-min version of the pansori genre currently being transmitted. The results of this study are as follows. First, focusing on the History of Joseon Changgeuk, I examine the development of deonum after the 19th century. From the 19th century onward, the narratives of <Jeokbyeokga> focused on rewriting the opening section of the Jeokbyeok war. In the latter half, in addition to the military census narrative, the musical elements were supplemented by the inclusion of Wonjo Taryeong and Jangseung Taryeong. Beyond this, the narratives focused on humorous banter and satirical content, such as the humiliation of Cao Cao. This gradual reinforcement of the earlier narratives, centered around the “Jeokbyeokhwajeon,” was evident. In terms of the composition of the narrative, Gangsanje's narrative can be said to interweave the hero's exploits and the soldiers' joys and sorrows in equal measure. The first part of the narrative is influenced by the Shin Jaehyo version, and hero-centered narratives like “Peach Blossom Oath” and “The Battle of Jangpangyo” are omitted. The “Death and Saseol” section of the Battle of Red Cliffs is characterized by a brief treatment, and the “Gunsajeomgo” section features a relatively large number of soldiers sharing their stories, demonstrating a military-centric perspective. The “Hwabyeongsaseol,” “Jojo's Mocking Saseol,” and “Ju Changho Tongsaseol” (literally, “the story of the struggle”) are also absent. The concluding section highlights Guan Yu's generosity, presenting a pansori-style worldview. Musically, Gangsanje's “Jeokbyeokga” features variations in rhythm throughout its 56 sections, particularly the use of the semachi rhythm in five sections. In terms of melody, it can be said that it pursued musical diversity and sophistication by utilizing modulations of the melody, such as ujo-gil, pyeongjo-gil, and gyemyeon-gil, as well as byeoncheong. Compared to other schools, it exhibits the characteristics of an ancient style, with fewer rhythmic variations.