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      뉴 리얼리즘의 문학적 맥락: 멜빌 소설의 시적/상징적 문제

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      https://www.riss.kr/link?id=A75163424

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      다국어 초록 (Multilingual Abstract)

      It is notable that Herman Melville's writing style contributes to enlarging the function of prose by making use of poetic and/or symbolic diction to represent a certain reality. This study aims at analyzing Melville's writing style and techniques toward new realistic authorship. It seems valuable enough to discuss the poetic effects through alliteration, repetitious calling, negative prefixes and suffixes, proverbs, allegories, symbols, and narrative shifts as well in his writings. Not only do those narrative techniques partly represent postmodern qualities, but work out for the writer's distinct 19th century American realism. Also, Melville's various narrative techniques have a considerable significance to some extent that produces a meaningful text related with multi-culturalism. I intend to demonstrate that Melville's fiction could suggest a counterpoint of reality by analyzing his narrative subject and object. In fact, his fiction is the record of self-conscious struggle to establish his ideal authorship while not making an appeal to readers' pleasurable reading but representing the ‘great art of telling the truth.' Therefore, it seems invaluable to again estimate how his writing could be a canon related with a new realism.
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      It is notable that Herman Melville's writing style contributes to enlarging the function of prose by making use of poetic and/or symbolic diction to represent a certain reality. This study aims at analyzing Melville's writing style and techniques towa...

      It is notable that Herman Melville's writing style contributes to enlarging the function of prose by making use of poetic and/or symbolic diction to represent a certain reality. This study aims at analyzing Melville's writing style and techniques toward new realistic authorship. It seems valuable enough to discuss the poetic effects through alliteration, repetitious calling, negative prefixes and suffixes, proverbs, allegories, symbols, and narrative shifts as well in his writings. Not only do those narrative techniques partly represent postmodern qualities, but work out for the writer's distinct 19th century American realism. Also, Melville's various narrative techniques have a considerable significance to some extent that produces a meaningful text related with multi-culturalism. I intend to demonstrate that Melville's fiction could suggest a counterpoint of reality by analyzing his narrative subject and object. In fact, his fiction is the record of self-conscious struggle to establish his ideal authorship while not making an appeal to readers' pleasurable reading but representing the ‘great art of telling the truth.' Therefore, it seems invaluable to again estimate how his writing could be a canon related with a new realism.

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      참고문헌 (Reference)

      1 Hayford,Harrison, "White-Jacket or The World in a Man-of-War" Evanston: Northwestern UP 1970

      2 Blair, Ruth, "Type" Oxford: Oxford UP 1996

      3 Gasché, Rodolphe, "The Scene of Writing: A Deferred Outset(Glyph: Johns Hopkins Textual Studies)" Baltimore: The Johns Hopkins UP 1977

      4 Chai, Leon, "The Romantic Foundations of the American Renaissance" Ithaca: Cornell UP 1987

      5 Bakhtin, Mikhail M., "The Dialogic Imagination: Four Essays" Austin: U of Texas P 1981

      6 Chase, Richard, "The American Novel and Its Tradition" Garden City, NY: Doubleday & Co. 1957

      7 Bender, Bert, "Sea-Brothers: The Tradition of American Sea Fiction from Moby-Dick to the Present" Philadelphia: U of Pennsylvania P 1998

      8 Beaver, Harold, "Redburn: His First Voyage, Being the Sailor-boy Confessions and Reminiscences of the Son-of-a-Gentleman, in the Merchant Service" London: Penguin 1976

      9 김진호, "Moby-Dick 나타난 비극적 세계상" 40 (40): 33-63, 1998

      10 Hayford,Harrison, "Moby-Dick" New York: W∙W∙Norton 1967

      1 Hayford,Harrison, "White-Jacket or The World in a Man-of-War" Evanston: Northwestern UP 1970

      2 Blair, Ruth, "Type" Oxford: Oxford UP 1996

      3 Gasché, Rodolphe, "The Scene of Writing: A Deferred Outset(Glyph: Johns Hopkins Textual Studies)" Baltimore: The Johns Hopkins UP 1977

      4 Chai, Leon, "The Romantic Foundations of the American Renaissance" Ithaca: Cornell UP 1987

      5 Bakhtin, Mikhail M., "The Dialogic Imagination: Four Essays" Austin: U of Texas P 1981

      6 Chase, Richard, "The American Novel and Its Tradition" Garden City, NY: Doubleday & Co. 1957

      7 Bender, Bert, "Sea-Brothers: The Tradition of American Sea Fiction from Moby-Dick to the Present" Philadelphia: U of Pennsylvania P 1998

      8 Beaver, Harold, "Redburn: His First Voyage, Being the Sailor-boy Confessions and Reminiscences of the Son-of-a-Gentleman, in the Merchant Service" London: Penguin 1976

      9 김진호, "Moby-Dick 나타난 비극적 세계상" 40 (40): 33-63, 1998

      10 Hayford,Harrison, "Moby-Dick" New York: W∙W∙Norton 1967

      11 Lee, Maurice S, "Melville's Subversive Political Philosophy: benito Cereno and the Fate of Speech" 72 : 495-519, 2000

      12 Baym, Nina, "Melville's Quarrel with Fiction" 94 : 909-23, 1979

      13 Hayford, Harrison, "Melville's Letters(Moby-Dick)" New York: W∙W∙Norton 511-568, 1967

      14 Lauter, Paul, "Melville Climbs the Canon" 66 : 1-24, 1994

      15 James, C.L.R., "Marines, Renegades & Castaways: The Story of Herman Melville and the World We Live In" Hanover, NH: Dartmouth College 1978

      16 "Mardi and A Voyage Thither" Evanston, Illinois: Northwestern UP 1970

      17 Shakespeare, William, "Macbeth" London: Methue 1962

      18 Spengemann, William C., "Introduction( Pierre or The Ambiguities)" New York: Penguin vii-xx, 1996

      19 Rollyson, Carl, "Herman Melville A To Z: The Essential Reference to His Life and Work" New York: Checkmark 2001

      20 Arvin, Newton, "Herman Melville" Westport, CT: Greenwood Press 1950

      21 Dimock, Wai-che, "Empire for Liberty: Melville and the Poetics of Individualism" Princeton, NJ: Princeton UP 1989

      22 Melville, Herman, "Billy Budd, Sailor and Selected Tales" Oxford: Oxford UP 1997

      23 Reynolds, David S., "Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville" Cambridge: Harvard UP 1988

      24 Matthiessen, Francis Otto, "American Renaissance: Art and Expression in the Age of Emerson and Whitman" New York: Oxford UP 1941

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2024 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2020-12-01 평가 등재후보로 하락 (재인증) KCI등재후보
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2009-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2007-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
      2005-06-29 학회명변경 한글명 : 21영어영문학회 -> 21세기영어영문학회
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.25 0.25 0.25
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.26 0.25 0.49 0.07
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