This paper focus the representation of `mother-child family` appeared South Korea`s movies and novels in the 2000s, and analyze (mother or daughter) women`s identity formation process in that families` crisis situations. Mother-child family refer a fa...
This paper focus the representation of `mother-child family` appeared South Korea`s movies and novels in the 2000s, and analyze (mother or daughter) women`s identity formation process in that families` crisis situations. Mother-child family refer a family constructed mother and child without father. And focusing the representation of `mother-child family` is to criticize the patriarchal family power and its contradictory `normality` internalized the korean family discourse of the 2000s, finds the repressive power of the absence father and `family unity and solidarity between mother and child` into movies and novels in the multicultural environment of the late industrial era, are looking for how each pattern would show up with any meaningful in dealing with a perspective of comparative literary. I deal with the movie like <Sympathy for Lady Vengeance>, <Aurora Princess>, <Diary of June>, <Mother> and the novel like Ramaste, Candle Flower as the object of study.