중국철학 : 中和中心主義(중화중심주의)를 통해 본 氣質論(기질론) = Neutralization-centrism and the theory of an artistic temperament

다국어 초록 (Multilingual Abstract)

The Pre-Qin Confucian poets concept ``Beauty of Neutralization and Harmony`` and ``neutralization-centrism``, with its profound philosophical foundation and fervent human care, has made a profound and extensive impact on many areas of chinese culture. It has become on the most important chinese classical aesthetics proposition, and become a indispensible construction. This trend greatly influenced the Chinese calligraphy. Evolving into a kind of beauty, KuangJuan have experienced transformation from the philosophy category to aesthetics category. The KuangJuan beauty is a kind unique aesthetics formation, especially formed on the Wei - Jin period. But KuangJuan beauty was regarded as a heresy and ostracised by confucian scholar and ``neutralization-centrism`` Liu Shao``s Jen Wu Chih is a monograph on talented person research in Wei - Jin period. He explored classification, recognition, application of talented person in detail. The rule of individual``s nature has nine characteristics. If only one of characteristics emerged, the one would be called prominent characteristic. th this analysis above, Liu Shao classified different types of talented person and tried to construct supported theory. Restoration of classic calligraphy Neutralization by Xiang Mu. Xiang Mu was he author of Shu Fa Ya Yan. Shu Fa Yu Yan came from the standpoint of confucianism, also revealed the calligraphy was product of the time and society. Xiang Mu the classic calligrapher combined the classic theory of ``the doctrine of the mean`` and ``the beauty of neutralization``. He applied the confucian school of idealist philosophy of ethics into the calligraphy that is the restoration of ancient neutralization. At present the situation of calligraphy is the trend of neutralization of old style based on harmony neutralization.