공간적 오브제로서 의자디자인에 나타난 특성에 관한 연구 - 덴마크 디자이너 아르네 야콥센과 베르너 팬톤의 작품을 중심으로 - = A study on the nature of chair design as space objet - Centering on the product of Arne Jacobsen and Verner Panton -

다국어 초록 (Multilingual Abstract)

(Background and Goal) Among various objets, chair design is influenced by spatial size, shape and characteristics of consumers. Chair in the space is usually affected by consumers, and sometimes it causes their behaviors; through these, various communication happens. In other words, chair is an essential factor that composes space, and it plays a medium between human and space as objet. Therefore, prospecting chair design in stance of space design is worthy enough to implement. (Research Method) In this research, we try to analysis chair design of Arne Emil Jacobsen and Verner Panton in aspect of space objet among numerous sorts of chairs. First of all, we considered traits and developed background of modern design in Demark and arranged concepts about relationship between space and objet as theoretical contemplation. For the next, we looked into traits through 8 pieces of chair design arts of Arne Emil Jacobsen and Verner Panton. Finally, we analyzed and classified traits of chair design of two maestros by their functions of shape, material, end and space, and we drew a conclusion. (Result) As chair design of Arne Emil Jacobsen and Verner Panton was analyzed in aspect of space objet, chair design of Arne Emil Jacobsen expressed organic forms in metaphorical way, and pursued simplicity to the exclusion of unnecessary decorations. Additionally, it pursued humorous and flexible formativeness as an united body forming back and seat together. For materials and end, minimizing materials, production process, and integrating new technology of plywood molding method were pursued. For spatial function, stacking functions which are light and able to store helped to get comfortable movement and minimize space, and it offered comfort by shaping personal space wrapping people`s body. Additionally, it could be transformed in various shape, and it made us to use it in multiple ways according to necessity of space. Chair design of Verner Panton pursued dynamic shapes and abstract curves following tendency of pop arts. They used various materials such as synthetic resins and metal rather than timber which were found by experiments using new materials, and prefer primary color with high chroma. For spatial functions, they offered various options and variables to positions and locations, and made a border between space and chair ambiguous. Also, they pursued light and practical design. (Conclusion) Finally, we contemplated functions in space, and analyzed examples or arts relevant to chair design as space objet. As space objet, we could figure out chair was a device factor which were fitting on aim of space, and it induced users to participate, and it was functionally and physically objet. In the future, we hopefully expect that this article can be used as a baseline data for research about space, chair, and compatibility between space and human`s behaviour based on this result.