朝鮮後期 宮中 冊架圖 : 조선후기 '民畵' 개념의 새로운 이해를 위한 小考 = The Chaekgado(冊架圖) of Royal Court During the Late Joseon(朝鮮) Period

다국어 초록 (Multilingual Abstract)

In November 1783, the seventh year of his direct reign, King Jeongio(正祖, 1752-1776-1800) established the office of Jabidaereong-hwawon(差備待令 畵員, the painters-in-waiting) at Krujanggak(奎章閣, Royal Library), where was located in royal palace, Chargdeokguug(昌德官). Jabidaereong-hwawon refers to a group of painters specially selected by examination to take full charge of important drawing activities on royal order. Jeongjo regularly conducted the Nokchwijae(祿取才, salaried post selection system) examination to manage, support, and re-educate these outstanding court painters.
The Nokchwijae examinations took place twelve times a year, requiring the Jabidnaereong- hwawon to suhmit their paintings on given topics, and those who scored the highest marks were rewarded with special additional salaries. Among the 8 categories of the Nokchwijae examination, Jeongjo included a new subject, Munbang(文房, scholar's items) and offered the topics of examination such as Chaekga(冊架) or Chaekgoeri(冊巨里) (the books and booksheves). Such topics of examination demonstrate that the pictures of the Chaekgoeri were not the folk paintings as commonly known, but rather were the court paintings promted by the institution of Jabidaereong- hwawon and Nokchwijae examination.
Chaekgoeri paintings became popular among the upper class nobilities and richman when Dabogyeok(多寶格) furniture or Dabogyeok types of pictures were introduced in Joseon along with the Q'in g's scholarship, Bukhak(北學). At first it developed as paintings of books due to the strong confucian tradition during the early Jeongjo era, but by the end of the 18th century, the theme of books were marginalized as subject while decorative utensils and materials became more emphasized. Along with the changing atmosphere, the Munbang category of Nokchwijae no longer offered the Chaekgoeri topics, and the fabulous and moody topics of curios and scholarary utensils were increased reflecting the decorative tastes and styles.
This study claims that we should re-examine the character of Chaekga or Chaekgoeri paintibgs that is widely understood as folk-oriented paintings. The Chaekgoeri topic of tIne Munbang categerr of Gyujanggak Jabidaereong-hwawon Nokchwijae is the realistic proof supplying the most essential and specific resources in fundamental reviewing of the character of Chaekgoeri paintings which was actually originated from the court. To some extend, the King and the high officials imposed their own upper class cultural aesthetics on the Jabidaereong painters by this examination system and it could influence folk trend of Chaekgoeri. Then we showd approach to the Chaekgoeri painting with a completely different view tram the generally accepted to concept until now.

목차 (Table of Contents)

• Ⅰ. 宮中畵員 祿取才의 "冊架" 畵題
• Ⅱ. 正祖의 昌德宮 宣政殿 冊架圖
• Ⅲ. 冊架圖의 淵源과 脈絡
• Ⅳ. 宮中 冊架圖와 民間 冊架圖