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    무용 텍스트로서 비평의 교육적 기능 연구 = Educational feature research of criticism as a dance text

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    https://www.riss.kr/link?id=A99645259

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    This study has two presuppositions: One is that criticism is to explore dance as conceptual frame having an intellectual structure, and the other is that dance is not the subject but the object of awareness and study. If criticism is to understand and evaluate dance, it is to discern and aware dance. Accordingly, dance criticism is the exploration on dance. In the dance education, the study on the criticism function goes beyond the modal classification if the study is based on general intellectual ability or if it is based on professional or literal arts capacity. Thus, this study was carried out to classify criticism between dance criticism as intellectual circles` narrative and criticism as conscious education, which was followed by the suggestion of the relation with the dance education. This study is the comparative study on the object and method of dance study and education, which is different from the method of dance criticism. And, the comparison is not for the stress of individual specialty but for the similarity and common feature. As the crisis of dance, crisis of criticism and crisis of dance education go together, criticism must cooperate with education. The field of dance education is a place to nurture appreciators having high level of understanding and critical viewpoint or future creators. In the educational dance based on the theme of searching for the definition of criticism, the results of exploring the criticism of knowledge text and the role of dance criticism of conscious education, are as follow. ? Dance education is educating criticism existing as a dance text, which is a product of research on dance based on the concept of interdisciplinary knowledge structure. ? Dance education involves teaching historical texts of dance and criticism is a knowledge storage place, preserving it in the form of a linguistic text on dance. ? Criticism text of the educational dance is something that can be comprehended with academic knowledge. ? Dance criticism participating in the conversation of knowledge world is knowledge text providing the actual issue on the knowledge problems of the same period. ? Criticism as a dance text is exploring dance with an inductive thinking and inferential thinking in the knowledge structure of academy and culture succeeding as the history of mankind. ? Dance criticism education, which is a knowledge text is educating on the conscious proposed by integration of cultural knowledge together with the academy which has been passed down through dance.
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    This study has two presuppositions: One is that criticism is to explore dance as conceptual frame having an intellectual structure, and the other is that dance is not the subject but the object of awareness and study. If criticism is to understand and...

    This study has two presuppositions: One is that criticism is to explore dance as conceptual frame having an intellectual structure, and the other is that dance is not the subject but the object of awareness and study. If criticism is to understand and evaluate dance, it is to discern and aware dance. Accordingly, dance criticism is the exploration on dance. In the dance education, the study on the criticism function goes beyond the modal classification if the study is based on general intellectual ability or if it is based on professional or literal arts capacity. Thus, this study was carried out to classify criticism between dance criticism as intellectual circles` narrative and criticism as conscious education, which was followed by the suggestion of the relation with the dance education. This study is the comparative study on the object and method of dance study and education, which is different from the method of dance criticism. And, the comparison is not for the stress of individual specialty but for the similarity and common feature. As the crisis of dance, crisis of criticism and crisis of dance education go together, criticism must cooperate with education. The field of dance education is a place to nurture appreciators having high level of understanding and critical viewpoint or future creators. In the educational dance based on the theme of searching for the definition of criticism, the results of exploring the criticism of knowledge text and the role of dance criticism of conscious education, are as follow. ? Dance education is educating criticism existing as a dance text, which is a product of research on dance based on the concept of interdisciplinary knowledge structure. ? Dance education involves teaching historical texts of dance and criticism is a knowledge storage place, preserving it in the form of a linguistic text on dance. ? Criticism text of the educational dance is something that can be comprehended with academic knowledge. ? Dance criticism participating in the conversation of knowledge world is knowledge text providing the actual issue on the knowledge problems of the same period. ? Criticism as a dance text is exploring dance with an inductive thinking and inferential thinking in the knowledge structure of academy and culture succeeding as the history of mankind. ? Dance criticism education, which is a knowledge text is educating on the conscious proposed by integration of cultural knowledge together with the academy which has been passed down through dance.

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    참고문헌 (Reference)

    1 Martello, M., "현대사회와 다문화주의" 한울 2002

    2 Dilthey W, "체험, 표현, 이해" 책세상 2005

    3 윤석산, "용담검무의 역사성과 한계성" 한국동학학회 17 : 133-155, 2004

    4 채희완, "영남예술의 미적 세계 탐구를 위한 방법론의 모색 — 통영승전무를 대상으로 한 통학문적 접근" 한국학연구원 (46) : 7-47, 2012

    5 서동욱, "싸우는 인문학" 반비 2013

    6 Baudrillard, J., "소비의사회 그 신화와 구조" 문예출판사 1999

    7 Frye, N., "비평의 해부" 한길사 2000

    8 Kagan, M., "미학강의Ⅰ" 벼리 1989

    9 한혜리, "무용의 예술적 범 영역성에 관한 연구*- 상호텍스트성(intertextualité)적 접근 -" 한국무용교육학회 15 (15): 129-146, 2004

    10 전현주, "무용비평 교육의 새로운 지평" 한국체육학회 51 (51): 361-369, 2012

    1 Martello, M., "현대사회와 다문화주의" 한울 2002

    2 Dilthey W, "체험, 표현, 이해" 책세상 2005

    3 윤석산, "용담검무의 역사성과 한계성" 한국동학학회 17 : 133-155, 2004

    4 채희완, "영남예술의 미적 세계 탐구를 위한 방법론의 모색 — 통영승전무를 대상으로 한 통학문적 접근" 한국학연구원 (46) : 7-47, 2012

    5 서동욱, "싸우는 인문학" 반비 2013

    6 Baudrillard, J., "소비의사회 그 신화와 구조" 문예출판사 1999

    7 Frye, N., "비평의 해부" 한길사 2000

    8 Kagan, M., "미학강의Ⅰ" 벼리 1989

    9 한혜리, "무용의 예술적 범 영역성에 관한 연구*- 상호텍스트성(intertextualité)적 접근 -" 한국무용교육학회 15 (15): 129-146, 2004

    10 전현주, "무용비평 교육의 새로운 지평" 한국체육학회 51 (51): 361-369, 2012

    11 Edelman, G., "뇌는 하늘보다 넓다" 해나무 2006

    12 이성민, "까다로운 주체" b 2005

    13 피에르 부르디외, "[단행본] 구별짓기 : 문화와 취향의 사회학 . 下" 새물결 2006

    14 Lange, R., "Semiotics and Dance" 5 : 1981

    15 Gilson, E., "Secteure philistin" Vrin 1958

    16 Robinson, J., "L'enfant et la danse" Auto-édité 1988

    17 Mallarmé, "Ballet, OEuvres complètes" Gallimard 1945

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2027 평가 재인증평가 신청대상 (재인증)
    2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2018-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2011-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2010-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2009-01-01 등재 등재후보 1차 FAIL (등재후보1차) KCI등재후보
    2008-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2007-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2006-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2005-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2003-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.63 0.63 0.65
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.7 0.74 0.818 0.24
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